The Swerve

Holly (Skye) has been living a life of quiet, brooding desperation that only gets worse when a rat infests her home and her mental health takes a serious hit. She starts believing her family is out to get her and that her husband is having an affair all the while she develops a strange obsession with one of her high school students and while having haunting nightmares about causing a deadly car crash.

Did Holly actually cause this crash? Is everyone really out to get her? The Swerve doesn't seem very interested in answering most of these questions, which makes the whole thing seems all the more paranoid and nightmarish. We never leave Holly's side for a second and the whole story is told from her POV, so who knows what's the truth and what's made up?

It's Skye's harrowing performance that keeps one glued to the screen throughout The Swerve. It's one of those rare, surprising performances from an actor whom we didn't know had a performance like this within them.

The Swerve might just be the bleakest movie of the year and, considering the kind of year we've all been having, no one could blame you if you decided to keep this one on the back burner until happier days arrive, but it'll still be waiting and it'll be just as powerful.

I saw this reviewed elsewhere as 'horror' and 'elevated horror'. It is neither, and thankfully so , as far as the the latter is concerned. I assume because this movie played at the end of Frightfest it has been given that tag. It's important to know this going on, because if you are expecting a horror movie you will be very disappointed.

It is however a very good movie, that providing you can get through the first 15 mins without abandoning it as being more pretentious crap, becomes very watchable and hooks you in.

The main proponents of that are the acting and the direction. The plot itself is pretty silly. Thankfully though, it is a vey watchable movie, albeit exaggerated on reviews as to how harrowing it is.

Azura Skye has been around for awhile, quietly amassing a resume filled with countless supporting roles, mostly in TV and minor-to-major league horror and thriller pics. Few actors work as regularly as she does, and if you've noticed her low-key yet emotion-laden work, you know she's extremely good at milking a slow boil for all it's worth.

It's just one more reason to see The Swerve, writer/director/editor Dean Kapsalis' feature debut. It's one of those rare indie-league pictures that has so much going for it, I've got my fingers crossed that it will reach a larger audience. It's an offbeat, deliberately genre-bending thriller that's grounded so much in reality and the razor-thin line that separates everyday stress from off-the-wall madness, it will stay with you for some time.

Skye is in virtually every frame of this movie and it's hard to imagine it having half the impact if that slot were filled by a more high-profile actor. In The Swerve, Skye plays Holly, a maxed-out mom and dutiful daughter and wife. She's a high school English teacher who takes her job very seriously (in a good way), but wears a hard, wrung-out look, yet she never comes off as "unstable" or "crazy" --- no more than anyone you know, at least. If you met her a few times you might say she's a little repressed but "stable" or "steady"... "dependable". An ideal citizen, right?

Yet the volcano is building every day, fueled by such minor annoyances as her sullen, bratty sons; her perpetually 12-step-recovering resentful sister (Ashley Bell in top form), a mouse infestation, and the unshakable suspicion that her husband is staying at the supermarket he manages for more than Inventory Night.

Probably the most disturbing thing about The Swerve is how well it portrays the consequences of one rash, violent act, subconsciously benign in it's execution, and how that reaction can completely derail you, setting off a trigger effect whose repercussions resonate for years.

Driving home after a particularly humiliating birthday dinner, Holly finally fights back when she's accosted by a few wasted punks out for a joyride (not a spoiler, it's in the trailer). It's a brash, if reckless, act of self-defense and she wakes up on her couch the next day, drool pouring, her sons chuckling and gaping at her.

Kapsalis doesn't spend a lot of time on the titular act, because it really doesn't matter that much in the scheme of the movie. It's *almost* a McGuffin of sorts. In fact, there are a lot of things that occur in The Swerve that have you questioning if they *really* happened or if they're Holly's paranoid wish fulfillment fantasies. But you'll figure it out. Holly does too, eventually.

There's enough plot in The Swerve to keep audiences who can't relate to character-focused dramas engaged, which is rare. It's also a beautifully composed and shot film, one that takes it's time building up and tearing down it's fragile suburban jungle until you (and Holly) notice suddenly that it's in flames.

But see this movie for Skye. Throughout it all, she walks the very difficult border between effusion and concealment, at times so transparently, that it's almost impossible to discern her intentions and motives. Yet it satisfies and you "get it." Oh, you get that and much more. The Swerve has a payoff that's so bizarre and surreal yet so "right" --- it's stranger than fiction; it's life.

It could happen to anyone. And that's scarier than anything most filmmakers could ever dream up.

Amazing performance by Azura Skye. She inhabits this character and I can only imagine it took a toll on her.

This film is dark. It's slow. That's not a bad thing. It examines this character going through dark times. Isolation. Depression. Nobody is helping. Anxiety.

You will feel beaten up after you watch it. But it's an emotional experience that is worth having.

I'm trying to be vague because you really want to experience this without too much information. Just watch it.

Be sure to have something cheery to watch after.

I love watching all kinds of movies but this one I could have passed on. The acting was good but it's slow. It was hard to keep interested in and predictable. I found it to have one good line. Some amazing art. In all the movie is as exciting as the trailer was.