London House

Character buildup. For most of the movie. Too bad they are so two dimensional it hurts, some drastic change of behavior is supposed to be intriguing when it's just a welcomed announcement that things are actually moving towards the ending, which is obvious right from the start.

Don't miss the blatant, obnoxious plot device near the middle, or you might actually get surprised by some detail at the end. The Hand That Rocks The Cradle even had that more subtly, in addition with a decently paced script. Which is another crappy movie, but fairly entertaining for its time.

Acting isn't bad, until daddy throws his fit, but the plot is bad, predictable, and dare I say, unimaginative. A TV movie from the 80's.

Great cast, great performances, great direction...but the script...it was as if the writers either got bored of the whole thing or hastily finished it on deadline day.

An absorbing, at times very tense buildup, hints at something possibly occult going on, but then a rushed ending that didn't need the buildup! It begins with a kind of Rosemary's Baby feel to it but the plot and tension builds to a certain level then remains there at that pace for the rest of the film.

Well worth watching, but just enjoy the actors and mood and don't expect to be blown away by any clever plot twists and turns.

It should have been shown as a Sunday evening BBC2 play or something.

I'm a big fan of cult classics such as Rosemary's Baby so when I saw the trailer to this movie, I was intrigued.

The first third of the movie was quite well done; the mood was creepy and weird as intended, the actors were marvelous; the suspense really drew me in and I wanted to find out how this movie would pan out.

Then it got reeeeeally slow. It dragged on and the repetitiveness made it very hard to push through. Midway through, the mystery of the plot has already become quite obvious and predictable as it has been constantly spelled out to us over and over again. So by the end, the only way to save this movie is for an unexpected twist instead of the predictable ending. But no twist. Just a creepy, linear story with ok acting.

I think David Farr gave more time to this thriller than to his much- anticipated and more popular le Carre adaptation, The Night Manager. For this one is a real winner between the two, despite of the variance in genre.

Kate (Poesy) and Justin (Moore) are a sweet preggers couple living in peace in the upper part of a duplex apartment. The newest renters of the lower part are another sweet but superstitious couple from Germany, Theresa (Birn) and Jon (Morrissey), also expecting a child. Soon after they move in. an emotionally devastating incident brings endless grief to the ones below and paranoia to their luckier neighbors above, especially to Kate. Because Kate thinks that Theresa and Jon might have some ulterior motive. And then the plot starts moving swiftly, exhibiting some great cinematography and writing as it moves.

Poesy is excellent in her enactment of an anxious mother of a newborn. Her petite appearance helps and so does the support from her spouse who is a rather normal husband torn between work and personal life. Theresa and Jon steal the limelight, and the writer aptly denotes and connects them with the color yellow that is effervescent of their apparent darker side.

The story involves human nature and the extent to which it can go when stricken with sorrow. Consequences and damages stop being concerns as the person quests to achieve what is not rationally right and what can only be achieved through crime. Farr has written the story well, and with the backing that he gets from the camera and score, he definitely places his attempt in the good baskets.

BOTTOM LINE: David Farr's The Ones Below is a finely made film with some good actors playing natural and slightly eccentric characters who are just trying to manage life... and death. A good afternoon watch at the cinema.

Can be watched with a typical Indian family? YES

Well Acted and Suspenseful Psychological Thriller that is held Down by an Obvious Ending that is Telegraphed in the Second Act. There is No Twist to that and once the Twist is No Longer a Twist, everything is Less than it could be.

The Ending is also Drawn Out like it Thinks You didn't see it coming. Oh My! Didn't Everyone? So the Third Act is a Ho Hum, get it Over with affair. It isn't a Bad Movie just one that is Short on Surprises and in a Psycho-Thriller that's a Death Sentence.

The Cast tries hard and the Emotional Dial is set at 10 most of the Time and it makes for some Engagement and Intrigue, but it really has Nowhere to Go after the Middle. The Movie is Shot with some Style, but the Familiarity with the Story is its Premature Problem.

Overall, Worth a Watch but Ultimately a Let Down for those accustomed to this Type of Thing. A Good Effort Overall, but Average or just Slightly Above.