Le Jour viendra où...

Satires are most powerful when the jokes ring so true that you find yourself laughing at the absurdity of our world and not just the jokes. In this regard, this film soars!

"Based on a hundred true stories," as the title card reads, Morris' second feature finds the darkest humour in the most lunatic home truths. Examining how the FBI were out to lure antiAmerican groups into acts of terrorism to stop them being terrorists, the Miami-set story sees a field office train its sights on a revolutionary named Moses Al Shabaz (Marchánt Davis). Leader of the skeletal Star of Six, Moses is out to save AfricanAmerican communities, even banning guns from his group. But he's mentally troubled, believing God and Satan talk to him via a duck. It's when FBI agents try to entrap him via a snitch (Kayvan Novak) and turn him into an arms dealer that the farce really kicks in, like a Dr. Strangelove for the 21st Century. Morris and co-writer Jesse Armstrong set up the FBI - with the exception of Anna Kendrick's G-Woman Kendra - as clownish, somewhat softening the intended blows. The satire doesn't quite hit as hard as earlier Morris projects, nor is it as funny. But it's still brimming with ideas and, in his first feature-length role, the charismatic Davis is a real find.

The Day Shall Come: Chris Morris directs a dark comedy/satire/thriller along the same grounds as Four Lions but this one doesn't quite reach the Lion's level. It strays into SpyFi with the constant monitoring through drones cctv, wires, hidden bodycams. Morris says that this is based on 100 true tales of LEAs in the US entrapping hapless individuals incapable of carrying out any real attack. Moses (Marchant Davis) is the leader of a small cult which worships Jesus, Black Santa, Muhammad and Toussaint Louverture, a duck told him to found it (when he doesn't take his medication animals speak to him). His small group based in Miami is dragged into an elaborate plot involving a false Sheikh, guns, uranium and a horse.

The film is quite funny in parts but it doesn't hang together so well. The FBI/Police office politics, insults and wisecracking involving Anna Kendrick, Denis O'Hare and James Adomian seem divorced from the main plot yet they seal Marchant's fate. Things perhaps get over-complicated when a nazi gang are introduced as end customers for the uranium. Worth watching and with a running time of 88 minutes it doesn't drag but I was expecting better from Morris. 6/10.

Quick fire dialogue from fully realized characters in a well shot fable about misunderstanding well intention people with different ideas

We often see this type of misfire in horror (an horror movie that takes itself seriously but would have done better by embracing its absurdity or the opposite, a movie that jokes which kills the much needed tension.)

I will not spoil anything, but I believe there was something in this movie, something under the absurdity and a story to tell. Anna Kendrick did a wonderful job as usual, she is just a gem. But point remains that this movie hesitated before the jump and fell in-between. A good comedy of that genre requires one of the two, someone who takes things seriously while others don't, or someone who doesn't take things seriously while others do. We need a contrast, this movie should have been more grounded.

It's funny, it's good, but it could have had an 8 out of 10. I give it the 8 out of 10 because I am pretty sure most people won't discuss the potential it had on here and just bash.

Again, there is something in this movie, it's just not fleshed out properly.