NOTE IMDb
6,7/10
4 k
MA NOTE
Un général renégat de l'U. S. Air Force avec des projets secrets, s'échappe de prison et prend le contrôle d'un silo à missiles ICBM, menaçant de déclencher la troisième guerre mondiale.Un général renégat de l'U. S. Air Force avec des projets secrets, s'échappe de prison et prend le contrôle d'un silo à missiles ICBM, menaçant de déclencher la troisième guerre mondiale.Un général renégat de l'U. S. Air Force avec des projets secrets, s'échappe de prison et prend le contrôle d'un silo à missiles ICBM, menaçant de déclencher la troisième guerre mondiale.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
And If it says Richard Widmark on the cast, you know he's going to play a top general, and even more ridiculously than in "The Swarm". Here, Burt Lancaster--playing the mad-dove equivalent of his mad-hawk general from "Seven Days in May"--hijacks a nuclear missile silo, demanding the President (Charles Durning, uncannily resembling the present-day Bill Clinton) as hostage, and threatens to launch it if the government doesn't release the secret memo of why we went to Vietnam.
The whole "Ironic patriotism" is laid on a little too thickly, as if the German filmmakers were trying a little too hard to make an American Picture, but the real problem is director Robert Aldrich: The ex-Baby Jane director didn't quite survive the 70's ("The Longest Yard", "The Choirboys"), the Aldrich touch was never elegant or subtle, and the opening "heist" scenes of hijacking the silo are spoiled by turning Lancaster's partners-in-crime into foul-mouthed cliche' thugs. Also, for almost half the film, Aldrich tries to borrow Brian dePalma's trick of split-screening parallel plots and phone conversations, but doesn't seem to understand how dePalma used them for "suspense"--Here, he just lets things play out like we're watching the movie on dual security cameras, or a film-school editing assignment of "How would you intercut these two scenes to make it more exciting.?"
Stil, worth a watch if it comes your way.
The whole "Ironic patriotism" is laid on a little too thickly, as if the German filmmakers were trying a little too hard to make an American Picture, but the real problem is director Robert Aldrich: The ex-Baby Jane director didn't quite survive the 70's ("The Longest Yard", "The Choirboys"), the Aldrich touch was never elegant or subtle, and the opening "heist" scenes of hijacking the silo are spoiled by turning Lancaster's partners-in-crime into foul-mouthed cliche' thugs. Also, for almost half the film, Aldrich tries to borrow Brian dePalma's trick of split-screening parallel plots and phone conversations, but doesn't seem to understand how dePalma used them for "suspense"--Here, he just lets things play out like we're watching the movie on dual security cameras, or a film-school editing assignment of "How would you intercut these two scenes to make it more exciting.?"
Stil, worth a watch if it comes your way.
Based on the novel 'VIPER THREE', it's an early, if not one of the first to challenge the motivation for going to war in VIET NAM. Great acting by some of the best, Burt Lancaster and Richard Widmark, who alone make it a 'must see' in my book. In addition to , Charles Durning, Paul Winfield, Burt Young (ROCKY) Joseph Cotton and others. The use of 'split screen' to show multiple events unfolding simultaneously, really helped in building the tension. It was the first movie I saw using it. It did seem to grind long a little at nearly two and one half hours, but that could have been due to my being a slightly restless and impatient 20 YR OLD. I haven't been able to catch it on TV whether it aired or not. Looking forward to its release on DVD in widescreen if not already out( I haven't found it). Love to get a petition going like the one for Rolling Thunder, but really don't know how.
In the 1960's three "nuclear" movies stand out: Dr. Strangelove, Fail Safe, and the much under rated Bedford Incident. All tried in their own ways to raise awareness of the implications of both the Cold War, the mind set of Nuclear Warriors and their political masters, and the dangers implicit in the possession of nuclear weapons. While Twilights Last Gleaming is not as good as these three, it is an excellent well crafted film that not only explores the mind set of the military and politicians, but also how a power structure will protect itself, particularly from that most dangerous of threats: the truth. Its also explores ONE of the reasons that once in Vietnam, the US found it so hard to get out. If you enjoy this one, check out another Burt Lancaster movie, CONTROL. Again, an excellent treatment of a nuclear subject.
Walter Wagers' novel "Viper Three" is the basis for this solidly entertaining movie about Lawrence Dell (Burt Lancaster), a renegade former Air Force general who's broken out of prison. In the company of three other men - Willis Powell (Paul Winfield), Augie Garvas (Burt Young), and Hoxey (William Smith) - he manages to infiltrate an ICBM silo near Montana. His intention is to threaten to start WWIII if the U.S.A. does NOT come clean regarding the "real" reasons that they started the Vietnam war.
Many conversations between the P.O.T.U.S. (Charles Durning) and his top aides follow, as well as a couple of attempts to subdue Dell and his comrades. These are spearheaded by Martin MacKenzie (Richard Widmark), a Commanding General who is a thorn in the side from Dells' past.
Durning, as a highly principled President, and Winfield, as a smart, savvy man who actually has to educate the somewhat naive Dell on the reality of what they're facing, are the MVPs in this incredible array of top notch actors. Although this viewer was a little dismayed to see big bad Bill Smith removed from the story awfully early, he was thoroughly impressed to see so much talent in one place. And that extends to the character actors in small parts. (Keep your eyes peeled for a young John Ratzenberger.)
Jerry Goldsmiths' majestic score is perfect accompaniment for a compelling narrative that provides some food for thought. After all, the desire for a government that is actually open and honest with its citizens is something many of us - not just Americans - would dearly like to see. Director Robert Aldrich handles everything in style; this is a very well directed film, especially in a few genuinely tense sequences. The only real criticism that this viewer would level at "Twilight's Last Gleaming" is that it does go on an awfully long time.
Interestingly, this was filmed on location in Germany.
Seven out of 10.
Many conversations between the P.O.T.U.S. (Charles Durning) and his top aides follow, as well as a couple of attempts to subdue Dell and his comrades. These are spearheaded by Martin MacKenzie (Richard Widmark), a Commanding General who is a thorn in the side from Dells' past.
Durning, as a highly principled President, and Winfield, as a smart, savvy man who actually has to educate the somewhat naive Dell on the reality of what they're facing, are the MVPs in this incredible array of top notch actors. Although this viewer was a little dismayed to see big bad Bill Smith removed from the story awfully early, he was thoroughly impressed to see so much talent in one place. And that extends to the character actors in small parts. (Keep your eyes peeled for a young John Ratzenberger.)
Jerry Goldsmiths' majestic score is perfect accompaniment for a compelling narrative that provides some food for thought. After all, the desire for a government that is actually open and honest with its citizens is something many of us - not just Americans - would dearly like to see. Director Robert Aldrich handles everything in style; this is a very well directed film, especially in a few genuinely tense sequences. The only real criticism that this viewer would level at "Twilight's Last Gleaming" is that it does go on an awfully long time.
Interestingly, this was filmed on location in Germany.
Seven out of 10.
A renegade USAF general, Lawrence Dell (Burt Lancaster) and his band (Paul Winfield , Burt Young , William Smith) , escape from a military prison and take over an ICBM silo near Montana . They have invaded Silo 3 and are prepared to launch nine nuclear missiles . Head saboteur General Lawrence threatens to provoke World War 3 unless the government and President of the United States (Charles Durning , though Paul Newman was offered the role , but turned it down) carry out their conditions , as they demand the followings : ¨Ten million dollars , Air Force One (it was only painted on one side) and you Mr President¨ as he must reveal details of a secret meeting and confess the Vietnam policies and crimes .
Thrilling film about nuclear threatening that contains noisy action , suspense , intrigue , thrills and being pretty entertaining . One of the very few films made in the late 1970's to be shown with an intermission and an extended use of split screens functioning to a large degree in tightening the intrigue . The movie's weakest point is the television style and some ridiculous dialogues as when an enemy appears and Paul Winfield tells ¨Perhaps he might be a midget¨and Lancaster responds : ¨There are no midgets in the United States Air Force¨. Based on a novel by Walter Wager titled ¨Viper three¨ with interesting screenplay from Ronald M. Cohen and Edward Huebsch . The secret policy is closely based on the 1957 book "Nuclear Weapons and Foreign Policy" by Henry Kissinger, in which the future Secretary of State outlines a strategy committing the US to promoting regional conflicts to deter the Soviets' initiating full-scale war. Top-notch acting by Lancaster as a thinking madman who holds America to ransom by kidnapping atomic missiles . Burt Lancaster initially turned the script down when he was first approached about the project, but eventually agreed to do it after Robert Aldrich became attached to the picture. This is Burt Lancaster's fourth collaboration with director Robert Aldrich, after Apache (1954), Veracruz (1954) and Ulzana's raid (1972). Very good support cast such as Roscoe Lee Browne as James Forrest , Joseph Cotten as Secretary of State , Melvyn Douglas as Zachariah Guthrie , Richard Jaeckel as Capt. Stanford , William Marshall as Attorney General , Gerald S. O'Loughlin as Brig. Gen. O'Rourke , Richard Widmark as Gen. Martin and final film of Charles McGraw , Lionel Murton and Leif Erickson . Atmospheric cinematography by Robert Hauser , all of the scenes were shot with two cameras running . Thrilling and suspenseful musical score by the master Jerry Goldsmith .
The motion picture was professionally directed by Robert Aldrich , he even turned down a large salary and a 10% profit stake in ¨A bridge too far¨1977) in order to make this film and he finished the film ten days ahead of schedule . Here Robert Aldrich gave a tense and brilliant direction . Aldrich began writing and directing for TV series in the early 1950s, and directed his first feature in 1953 (Big Leaguer ,1953). Soon thereafter he established his own production company and produced most of his own films, collaborating in the writing of many of them . Directed in a considerable plethora of genres but almost all of his films contained a subversive undertone . He was an expert on warlike (Dirty Dozen , The Angry Hills , Attack , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid, Apache , Veracruz , The last sunset) . Rating : acceptable and decent movie , it's a must see for Burt Lancaster fans .
Thrilling film about nuclear threatening that contains noisy action , suspense , intrigue , thrills and being pretty entertaining . One of the very few films made in the late 1970's to be shown with an intermission and an extended use of split screens functioning to a large degree in tightening the intrigue . The movie's weakest point is the television style and some ridiculous dialogues as when an enemy appears and Paul Winfield tells ¨Perhaps he might be a midget¨and Lancaster responds : ¨There are no midgets in the United States Air Force¨. Based on a novel by Walter Wager titled ¨Viper three¨ with interesting screenplay from Ronald M. Cohen and Edward Huebsch . The secret policy is closely based on the 1957 book "Nuclear Weapons and Foreign Policy" by Henry Kissinger, in which the future Secretary of State outlines a strategy committing the US to promoting regional conflicts to deter the Soviets' initiating full-scale war. Top-notch acting by Lancaster as a thinking madman who holds America to ransom by kidnapping atomic missiles . Burt Lancaster initially turned the script down when he was first approached about the project, but eventually agreed to do it after Robert Aldrich became attached to the picture. This is Burt Lancaster's fourth collaboration with director Robert Aldrich, after Apache (1954), Veracruz (1954) and Ulzana's raid (1972). Very good support cast such as Roscoe Lee Browne as James Forrest , Joseph Cotten as Secretary of State , Melvyn Douglas as Zachariah Guthrie , Richard Jaeckel as Capt. Stanford , William Marshall as Attorney General , Gerald S. O'Loughlin as Brig. Gen. O'Rourke , Richard Widmark as Gen. Martin and final film of Charles McGraw , Lionel Murton and Leif Erickson . Atmospheric cinematography by Robert Hauser , all of the scenes were shot with two cameras running . Thrilling and suspenseful musical score by the master Jerry Goldsmith .
The motion picture was professionally directed by Robert Aldrich , he even turned down a large salary and a 10% profit stake in ¨A bridge too far¨1977) in order to make this film and he finished the film ten days ahead of schedule . Here Robert Aldrich gave a tense and brilliant direction . Aldrich began writing and directing for TV series in the early 1950s, and directed his first feature in 1953 (Big Leaguer ,1953). Soon thereafter he established his own production company and produced most of his own films, collaborating in the writing of many of them . Directed in a considerable plethora of genres but almost all of his films contained a subversive undertone . He was an expert on warlike (Dirty Dozen , The Angry Hills , Attack , Ten seconds to hell) and Western (The Frisko kid , Ulzana's raid, Apache , Veracruz , The last sunset) . Rating : acceptable and decent movie , it's a must see for Burt Lancaster fans .
Le saviez-vous
- AnecdotesRichard Widmark's scenes were shot separately from everyone else's. He insisted on doing everything in his scenes himself (where a stand-in might otherwise be used) such as reverse/over-the-shoulder shots or just picking up a telephone. Melvyn Douglas was the same.
- GaffesThe film is set to take place in 1981, then four years into the future. The Titan I missile was already retired in 1965. The Titan II missile was still in service in 1981, although even that had originally been scheduled to be retired beginning in 1971. This is relevant not in the least because the Titan II was fired from its silos while its less advanced predecessor Titan I needed to be fueled up first and raised from the silo on a giant elevator system (as shown in the movie).
- Citations
Lawrence Dell: Gentlemen, we are now a superpower.
- Versions alternativesThe original UK cinema release featured the 2 hour version. The 1998 Warner video featured the extended 138 minute print.
- Bandes originalesMy Country Tis of Thee
Music by Lowell Mason (uncredited) based on the music by Henry Carey from "God Save the King" (1744)
Lyrics by Samuel Francis Smith (uncredited) (1832)
Performed by Billy Preston
from the album "I Wrote a Simple Song"
on A & M Records and Tapes
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- How long is Twilight's Last Gleaming?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La dernière lueur du crépuscule
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 6 200 000 $US (estimé)
- Durée1 heure 31 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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By what name was L'ultimatum des trois mercenaires (1977) officially released in India in English?
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