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IMDbPro

Catalyst

  • 2025
  • 1h 36min
NOTE IMDb
2,9/10
268
MA NOTE
Jamie Christopherson, Noel Gugliemi, Patrick Kilpatrick, David Bianchi, Christopher Folkens, Jermaine Love, Enrico Natale, Michael Roark, Emily Peters, Melanie Liburd, Umar Khan, Matthew Plaxco, Chris Michael Wood, and J. Esco in Catalyst (2025)
Regarder Catalyst Official Trailer
Lire trailer2:13
1 Video
57 photos
DramaThriller

Ajouter une intrigue dans votre langueSeven men are abducted and held by mysterious masked captors. As the mystery behind their captivity unfolds, they must decide their path: choose one of them to die, or take the leap of faith... Tout lireSeven men are abducted and held by mysterious masked captors. As the mystery behind their captivity unfolds, they must decide their path: choose one of them to die, or take the leap of faith there may be another way out to save them all.Seven men are abducted and held by mysterious masked captors. As the mystery behind their captivity unfolds, they must decide their path: choose one of them to die, or take the leap of faith there may be another way out to save them all.

  • Réalisation
    • Christopher Folkens
  • Scénario
    • David Bianchi
    • Christopher Folkens
    • Enrico Natale
  • Casting principal
    • Michael Roark
    • David Bianchi
    • Noel Gugliemi
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    2,9/10
    268
    MA NOTE
    • Réalisation
      • Christopher Folkens
    • Scénario
      • David Bianchi
      • Christopher Folkens
      • Enrico Natale
    • Casting principal
      • Michael Roark
      • David Bianchi
      • Noel Gugliemi
    • 18avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires au total

    Vidéos1

    Catalyst Official Trailer
    Trailer 2:13
    Catalyst Official Trailer

    Photos57

    Voir l'affiche
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    Voir l'affiche
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    + 53
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    Rôles principaux60

    Modifier
    Michael Roark
    Michael Roark
    • Alek O'Connor
    David Bianchi
    David Bianchi
    • Castor Ramirez
    Noel Gugliemi
    Noel Gugliemi
    • Kevin Lozano
    Melanie Liburd
    Melanie Liburd
    • The Architect
    Patrick Kilpatrick
    Patrick Kilpatrick
    • Father Patrick Briar
    Jermaine Love
    Jermaine Love
    • Professor Darren Cartwright
    Chris Michael Wood
    Chris Michael Wood
    • Officer Matt Pierce
    Umar Khan
    Umar Khan
    • Mohammad 'Mo' Khaled
    Darin Cooper
    Darin Cooper
    • Father Paul
    Steve Eastin
    Steve Eastin
    • Father Albright
    Joni Bovill
    Joni Bovill
    • Mrs. Oyetunde
    Melek Karakus
    Melek Karakus
    • Somayeh
    Yissendy Trinidad
    Yissendy Trinidad
    • Carla
    Enrico Natale
    Enrico Natale
    • Disciple
    Farrah Hines
    Farrah Hines
    • Det. Collins
    Christopher Folkens
    Christopher Folkens
    • Disciple
    Anthony Darrell
    Anthony Darrell
    • Tommy
    • (as Anthony Burns)
    Marshall Foster
    Marshall Foster
    • Bob
    • Réalisation
      • Christopher Folkens
    • Scénario
      • David Bianchi
      • Christopher Folkens
      • Enrico Natale
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    2,9268
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    Avis à la une

    9hello-85443

    A Must-See Masterpiece: Catalyst is the Film We Need Right Now

    Every once in a while, a film comes along that doesn't just entertain-it challenges, heals, and sparks the conversations we've been avoiding. Catalyst is that film. It's more than just a movie; it's an experience, a reckoning, and ultimately, a reminder of the power of forgiveness in a world that feels more divided than ever.

    From the opening scene, Catalyst grips you with its raw, emotional storytelling. The performances are nothing short of breathtaking-each character feels real, flawed, and deeply human. The script doesn't shy away from the hard questions, diving headfirst into the pain of betrayal, the weight of resentment, and the profound struggle of finding common ground. But what makes Catalyst truly remarkable is that it doesn't settle for easy answers. Instead, it walks us through the messy, heartbreaking, yet ultimately transformative process of reconciliation.

    In today's cultural climate, where every misstep can lead to permanent division, Catalyst dares to ask: Can we still find it in ourselves to forgive? Can we move beyond the mistakes of the past without erasing accountability? The way it weaves these themes into a compelling, beautifully shot narrative is nothing short of masterful.

    What lingers most after the credits roll isn't just the story itself, but the way it makes you reflect on your own life-on the grudges you hold, the conversations you've avoided, and the possibility of healing in places you thought were permanently broken.

    Catalyst isn't just timely; it's urgent. It's a mirror held up to society, reminding us that while division is easy, forgiveness takes courage. And perhaps, if we're willing to take that first step, it's not too late to mend what's been broken.

    This film is a must-watch. Not just for cinephiles, but for anyone who believes in the power of storytelling to change the world.
    1PatrickC-290

    Deeply Unserious Shlock

    I had to make an account JUST to review this movie. What's been more entertaining than the movie is coming to read some of the 10/10 reviews and doing some research on the creators.

    The movie opens with a quote by "Shaman Durek" who, I've discovered, is an "American conspiracy theorist, convicted felon, alternative therapist, and self-professed shaman as a practitioner of Neoshamanism. " which is, to put it mildly, a hysterical way to open your movie.

    The story follows a guy named Alek who we see preparing to murder a priest. He fires a shot, leaves the church and is preparing to commit suicide when masked men taze him and pull him into a white van.

    They tell him some cryptic things we will hear over and over again throughout the movie. We will keep flashing back to things that previously happened revealing more context each time, or sometimes revealing absolutely nothing new. They were perhaps assuming that since the target audience is your average Joe Rogan listener that they need a reminder of what they saw five minutes ago.

    Alek wakes up in the desert next to a car. He finds a jumpsuit in the trunk and puts it on. A phone rings on the ground and he picks it up. A couple of robotic voices give him instructions which he proceeds to not follow and gets tazed again.

    Now he wakes up in a room with a bunch of other guys. They're given instructions to "kill the parasite among you" within 60 minutes or they all die. They've been fitted with fancy shock collars and theres some kind of forcefield separating them from their masked captors. They argue for what feels like forever and somehow none of them try to kill one another despite them all being extremely volatile individuals with sordid pasts.

    It basically turns into a group therapy session somehow. By the end of the sixty minutes they are taking turns around the circle, confessing their sins and offering words of encouragement. It makes absolutely no goddamn sense and feels extremely forced. I was laughing at the dialogue and pacing of the whole thing.

    The camera would NOT stay put for one second. Gratuitous use of digital effects for the tazers, forcefields, computer terminal overlays, etc. The actors were often speaking over each other, seemingly trying to mimic "real" conversations but instead feeling like a badly rehearsed stage play. CONSTANT cuts between them wearing some kind of holo-helmet, past events, current events, reiterating points over and over again that had already been established.

    About halfway through the movie, I had "gotten the point" about a dozen times already and was waiting for there to be something, ANYTHING else added to the story or themes. I could see them leading up to a twist but it was telegraphed from a mile away and had essentially no substance.

    The thesis of the film is stated from the get go, but it is hilariously summed up at the end when Alek speaks to the organizer/architect of the whole program, group, whatever you want to call it. She LITERALLY quotes the freaking two wolves story. "There are two wolves and they are always fighting. One is darkness and despair, the other is light and hope. Which wolf wins? The one you feed"

    Basically their organization kidnaps people and forces them under duress to either become better people or die/be imprisoned forever. And this is unironically offered as an ideal scenario for entering a new and better era of humankind.

    Anyways steer clear of watching this if you want something good. If you like bad movies, it might be fun in a group-watch setting but even then I find it too boring to recommend.
    1Protestator

    Is this some kind of joke?

    Once upon a time, when there were video stores, there was, on the shelves, an arrangement of films by genre, but also by popularity. And then, in every video store, at some point, you had a shelf on which there were random movies, which, due to bizarre circumstances, were found in the video store and on which there was a thick layer of cobwebs, because no one ever rented them. Under that shelf, there was often a box with "art" even worse than the one on the shelf in the corner, waiting for the worker not to be too lazy and to finally take them to the dumpster. This, at best, deserves a position in a dumpster-ready box.

    There is no way to describe how bad this movie is and how it manages to fail in every possible area. The scenario is catastrophic. For more than 90 minutes of the film, there is practically no action, no meaningful activity. The dialogues are completely meaningless, illogical and so badly written that it's not even funny. A special category is the content of "guardian" sentences, places and the way they are pronounced. The directing is below every category of professionalism. It is especially bizarre that this is a film that supposedly explores essential themes, human interactions, etc. Absolutely laughable. Don't be fooled by the many scores reviewers have given the film.

    If you look a little, you will see that only one high rating was given by a reviewer who previously had a comment on IMDB. All other scores and revisions were given by auditors for whom it was the first review, most likely members of the film crew. Skip this nonsense and don't put yourself in a situation where you irretrievably lose ninety minutes.
    1nix-php

    What was that?

    I kept waiting for something to actually happen the entire movie, but it never did. Maybe it's a special form of cinema art that only select few will appreciate. To me, it's just a bunch of nonsense. I feel like I was lied to. I had no expectations going in other than "the plot is good" based on the reviews and the trailer. But even that bar was set too high.

    In addition, you may start twitching from all the flashing in the movie even if you're a healthy person. That's one thing I'll remember about this experience: "it was a movie with a crazy amount of flashing".

    The trailer is very misleading. Or, rather, it's very truthful in the sense that it 100% reflects the movie. What you see in the trailer is exactly what you see in the movie. Imagine replaying the trailer 60 times in a row and, voila, you got the entire movie.

    I've seen movies where all events happen inside of 4 walls. It's all about the clever and evolving dialogue, good acting, interesting story that hooks and reels you in. In Catalyst you'll find none of that.
    10FloraWinters

    Must see indie film of 2025!!!!

    The movie delivers a powerful message that those "in power" keep us divided, using our traumas and fears against us. When will we realize this is the real plot?

    Stunning cinematography and seamless special effects heighten the drama, while the music deepens the emotional impact, amplifying tension and urgency. Every element works together to immerse the audience in a gripping, thought-provoking experience!

    Timely and necessary, the film serves as a wake-up call, urging us to recognize the forces manipulating society. More than just entertainment, it's a reflection of reality and a call to awareness. A must-watch in today's world. Great film and a true piece of art! Don't miss it!

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    Détails

    Modifier
    • Date de sortie
      • 11 février 2025 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Sites officiels
      • Facebook
      • Instagram
    • Langue
      • Anglais
    • Lieux de tournage
      • Los Angeles, Californie, États-Unis(on location)
    • Sociétés de production
      • Mystic Films
      • Exertion Films
      • Redbird Entertainment,
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 2.35 : 1

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    Jamie Christopherson, Noel Gugliemi, Patrick Kilpatrick, David Bianchi, Christopher Folkens, Jermaine Love, Enrico Natale, Michael Roark, Emily Peters, Melanie Liburd, Umar Khan, Matthew Plaxco, Chris Michael Wood, and J. Esco in Catalyst (2025)
    Lacune principale
    By what name was Catalyst (2025) officially released in India in English?
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