Ajouter une intrigue dans votre langueFollows Lui Lok, a police officer who decides to make a name for himself within the police force by controlling organized crime.Follows Lui Lok, a police officer who decides to make a name for himself within the police force by controlling organized crime.Follows Lui Lok, a police officer who decides to make a name for himself within the police force by controlling organized crime.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 13 nominations au total
Tony Leung Chiu-wai
- Nam Kong
- (as Tony Chiu-Wai Leung)
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Extraordinary casting with incredibly accurate production design but...
This is by far the most humiliating, disrespectful, disgusting Hong Kong film that I have ever seen. Politically the director has chosen to twist the history of what had actually happened during and after the world war. Accusing Kuomingtan to cause the riots during 50s-60s instead of the communist party who actually caused it. This director and production is so afraid of the CCP now that they decided to change the history with the silly movie that they have shot.
Despite all the historical non sense. This movie is so unbearable and hard to watch. It's a disgrace of the Hong Kong film industry. Waste of talents, waste of resources, waste of audience's patience's and time. Plain rubbish.
This is by far the most humiliating, disrespectful, disgusting Hong Kong film that I have ever seen. Politically the director has chosen to twist the history of what had actually happened during and after the world war. Accusing Kuomingtan to cause the riots during 50s-60s instead of the communist party who actually caused it. This director and production is so afraid of the CCP now that they decided to change the history with the silly movie that they have shot.
Despite all the historical non sense. This movie is so unbearable and hard to watch. It's a disgrace of the Hong Kong film industry. Waste of talents, waste of resources, waste of audience's patience's and time. Plain rubbish.
I don't know, but why does Hong Kong always make these crime films? It's been over done so many many times why can't they take note from Korean Cinema? These Hong Kong crime drama is such an old genre that nobody watches any more. They over done it and it's becoming boring typical of Hong Kong to make these kind of crime films which nobody really cares for. Why waste good talent with these films. I'm serious, every film coming out of Hong Kong and China has just been really stale. The ideas are stale and the this film is stale. I wish they rethink about their way of filmmaking. The next wave is Korean cinema which is refreshing and full of surprises. I hope they learn a lesson from it! Stop making pointless cop drams that nobody watches or cares about!!!
I know many people came to see this movie because of the two big stars, Tony Leung and Aaron Kwok, and that's completely understandable. Both male leads still have their charisma and have portrayed the detective's hardships and glory very convincingly. However, I highly recommend everyone to pay close attention to the performance of the female lead, played by Du Juan. She truly shines and takes the audience back to the old Hong Kong era. In the past, men needed women to take care of all aspects of their lives in order to look good in public, even if it meant eliminating adversaries. Du Juan's charm and tactics are portrayed excellently, giving a performance that rivals her previous collaboration with Tony Leung's Tang Wei. Aside from the familiar story, the acting prowess of these big stars is something I highly recommend to everyone.
Most of the time, Hk movies that are financed elsewhere has a two dimensional problem. They look good, damn good. And with big stars. International stars at that.
But that's it. In this case, a possibly 12 hr miNi series cut to 2.5 hrs. So editing chops the story to bits and pieces. Feels like shot by 2-3 2nd unit directors and then multi edited. The plot is too sprawling, ambitious, yet also too condensed for its own good.
The dancing attributes are just tailor made for Aaron.
Dancing doesn't make sense to this kind of story. Mixed genre here doesn't jive. The rhythm to the speeches, dialogue, monologue scenes for Tony seemed very off, rushed, one take-ish, had no drama, no underlying thoughts.
The camera wants to be romantic and stays between 85mm to 180mm. Very distracting, some obviously can be seen as homage/copying old Tony Leung's movies.
All body, not content. All show and no depth. Walked off around 45min mark.
But that's it. In this case, a possibly 12 hr miNi series cut to 2.5 hrs. So editing chops the story to bits and pieces. Feels like shot by 2-3 2nd unit directors and then multi edited. The plot is too sprawling, ambitious, yet also too condensed for its own good.
The dancing attributes are just tailor made for Aaron.
Dancing doesn't make sense to this kind of story. Mixed genre here doesn't jive. The rhythm to the speeches, dialogue, monologue scenes for Tony seemed very off, rushed, one take-ish, had no drama, no underlying thoughts.
The camera wants to be romantic and stays between 85mm to 180mm. Very distracting, some obviously can be seen as homage/copying old Tony Leung's movies.
All body, not content. All show and no depth. Walked off around 45min mark.
Where the Wind Blows boasts two super stars in Tony Leung and Aaron Kwok, but it is a total snooze fest at 2h 24min. The story is about a few good men in a sea of dirty cops and politicians. The storytelling is so choppy that after a while you will feel like puking out all the rubbish history lessons forced down your throat. It is well-acted no doubt but the story is not even coherent. It's like in any scene there is a beginning, a middle and an ending, but the director will just show you one out of the three and wants you to connect the dots. Such an utter waste of good actors. The moral lesson is that you should be the baddest bad guy because you can retire to Canada or Thailand and nothing will happen to you. Avoid this like it's the newest variant of COVID-19.
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- How long is Where the Wind Blows?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Where the Wind Blows
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 200 000 000 HKD (estimé)
- Montant brut mondial
- 1 398 659 $US
- Durée2 heures 24 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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