Une fois que deux flics trop zélés sont suspendus à la police, ils plongent dans la monde des crimnels afin de recevoir ce que leur est dû.Une fois que deux flics trop zélés sont suspendus à la police, ils plongent dans la monde des crimnels afin de recevoir ce que leur est dû.Une fois que deux flics trop zélés sont suspendus à la police, ils plongent dans la monde des crimnels afin de recevoir ce que leur est dû.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 nominations au total
Avis à la une
No way near the negative reviews...something kept you hanging on to it and you get to know the characters.... interesting to also include 2 German known actors....liked it....unusual movie these days...and like someone said...it's a movie movie where you have to put time in it....enjoy...
...from writer-director S. Craig Zahler (Bone Tomahawk, Brawl in Cell Block 99). Various characters are on a collision course, including a pair of suspended cops (Mel Gibson & Vince Vaughn), an ex-con (Tory Kittles) and his brother (Michael Jai White), and a mysterious European (Thomas Krestchmann), as they all seek a big pay-out from a heist.
Zahler takes his sweet time developing characters before the big event goes down, as the heist doesn't occur until around the 90 minute mark in this 158 minute film. The dialogue is sharp and often funny, and the characters are all fully drawn. The performances are very good, with Gibson and Kittles the stand-outs. There are a few surprising moments, as well as the over-the-top ultra-violence that is a Zahler hallmark, although this one is less gory than his previous efforts. The film looks more professional, as well, with good, atmospheric cinematography. Recommended to fans of crime films and noir, but only if they have the patience for a slow build-up.
Zahler takes his sweet time developing characters before the big event goes down, as the heist doesn't occur until around the 90 minute mark in this 158 minute film. The dialogue is sharp and often funny, and the characters are all fully drawn. The performances are very good, with Gibson and Kittles the stand-outs. There are a few surprising moments, as well as the over-the-top ultra-violence that is a Zahler hallmark, although this one is less gory than his previous efforts. The film looks more professional, as well, with good, atmospheric cinematography. Recommended to fans of crime films and noir, but only if they have the patience for a slow build-up.
I just read about how this didn't get a theatrical release because it was too long, these suits have no vision. So happy this director trusted his vision enough to not let it be butchered by the studio. I would have loved to see this in theaters.
I think the pacing was awesome. Some people are saying it was too slow but I think the time it took to get us more indepth with each character paid off. If you really enjoy a good film and don't need action packed explosions to keep your attention, you will really appreciate this film.
I am now a fan of this writer/director as I don't find many who get it right. Often these writer/director films go off kilter and don't have the right checks and balances. This guy should be given the steering wheel more often and trusted whole heartedly by the studios.
I think the pacing was awesome. Some people are saying it was too slow but I think the time it took to get us more indepth with each character paid off. If you really enjoy a good film and don't need action packed explosions to keep your attention, you will really appreciate this film.
I am now a fan of this writer/director as I don't find many who get it right. Often these writer/director films go off kilter and don't have the right checks and balances. This guy should be given the steering wheel more often and trusted whole heartedly by the studios.
Hadn't heard anything about this film before it came up on my Netflix. When I saw the 2 hour and 39 minute runtime I almost took a pass on the film. I'm so glad I didn't. Honestly, once the film started I was drawn into the story by the characters and the acting. The characters are well developed and the acting is solid. Really interesting pairing of Mel Gibson and Vince Vaughn, they work brilliantly opposite each other as do Michael Jai White and Tory Kittles. The dialogue reminded me of Quentin Tarantino. Though I really enjoyed the film, It is extremely slow paced and it could have used some more editing but over all this film is worth watching.
This film is a difficult watch for the first half. There are many who may even say it is boring, tedious and laborious. And I would be one of them. And yes, perhaps some scenes could have been quickened up and other scenes re-shot to give the opening half of the film more pace.
Having said that, this was unquestionably a serious character-driven film that had many sad and serious undertones but also welcome moments of light humour. I believe this was absolutely deliberate by a very out-there and intelligent director who brought an initially slow script to life and copperfastened by excellent acting throughout, particularly from Gibson and Vaughn.
For me, it is the real-life questions that are asked of us, the viewer, not during this excellent film, but long afterwards, that mark this film out from many others which have considerable less impact.
I would most definitely recommend this film as an excellent watch. But you will need to pass the endurance test of the first half or so, and then you will get your reward over the second half.
Having said that, this was unquestionably a serious character-driven film that had many sad and serious undertones but also welcome moments of light humour. I believe this was absolutely deliberate by a very out-there and intelligent director who brought an initially slow script to life and copperfastened by excellent acting throughout, particularly from Gibson and Vaughn.
For me, it is the real-life questions that are asked of us, the viewer, not during this excellent film, but long afterwards, that mark this film out from many others which have considerable less impact.
I would most definitely recommend this film as an excellent watch. But you will need to pass the endurance test of the first half or so, and then you will get your reward over the second half.
Le saviez-vous
- AnecdotesVince Vaughn, while working with Mel Gibson on Hacksaw Ridge, showed Gibson the screenplay for this film, and talked-up writer/director S. Craig Zahler and his vision. Gibson was responsive to the material and agreed to star immediately.
- GaffesWhen we first see the getaway car near the end, it's a white Chevrolet Tahoe. In the next scene it's inexplicably a white Dodge Durango. Then it goes back to being a white Chevrolet Tahoe again.
- Citations
Brett Ridgeman: Is that a guy or a girl singin' that song?
Anthony Lurasetti: Can't tell.
Brett Ridgeman: Not that there's much of a difference these days.
Anthony Lurasetti: I think that line was obliterated the day men started saying we're pregnant when their wives were.
- ConnexionsFeatured in Elements of a Crime: The Making of 'Dragged Across Concrete' (2019)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Dragged Across Concrete?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Al otro lado de la ley
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 15 000 000 $US (estimé)
- Montant brut mondial
- 660 132 $US
- Durée2 heures 38 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant