NOTE IMDb
6,9/10
113 k
MA NOTE
Arrêté puis incarcéré dans une prison mexicaine pour trafic de drogue, un homme apprend à survivre dans ce milieu hostile avec l'aide d'un enfant de 9 ans.Arrêté puis incarcéré dans une prison mexicaine pour trafic de drogue, un homme apprend à survivre dans ce milieu hostile avec l'aide d'un enfant de 9 ans.Arrêté puis incarcéré dans une prison mexicaine pour trafic de drogue, un homme apprend à survivre dans ce milieu hostile avec l'aide d'un enfant de 9 ans.
- Réalisation
- Scénario
- Casting principal
Kevin Balmore
- Kid
- (as Kevin Hernandez)
Roberto Sosa
- Carnal
- (as Roberto Sosa Martinez)
Tenoch Huerta
- Carlos
- (as Tenoch Huerta Mejia)
Avis à la une
Which by the way was apparently the original title of the movie. But somehow they decided they had to change it. You decide which title suits the movie better. Gibson on the other hand can finally report good news. No mug shots or babbling, but a movie that actually is more than decent. Not perfect, but some very nice action scenes (movie starts off with one chase scene, that is "border-line" so to speak).
Mel Gibsons character also tries to continue a long tradition of men with no name. For a few pesos or dollars, though it's quite a lot and not just a handful. Movie has some nice dialog and it tries to stay as vague as possible, which is a good thing here. This can be good fun, if you don't think too much and too long about it
Mel Gibsons character also tries to continue a long tradition of men with no name. For a few pesos or dollars, though it's quite a lot and not just a handful. Movie has some nice dialog and it tries to stay as vague as possible, which is a good thing here. This can be good fun, if you don't think too much and too long about it
Mel Gibson's return to the big screen in front of the camera recent years seems to be getting back on track. He's taken a large knock for various well publicized and controversial allegations and abuses, but those seem to have taken a back seat like how the lacklustre Edge of Darkness has been largely forgotten for more memorable fare and smaller films like The Beaver, and Get the Gringo, also known as How I Spend My Summer Vacation here. Count yourselves lucky all you Mel Gibson fans who are still out there, we're one of the few countries getting this in the cinemas as the USA had opted for a video-on-demand release instead.
Gibson does what Gibson does best as a character here, being the strong, silent type who relies on his brains, brawn and resourcefulness to get out of sticky situations. Innate abilities and a huge dose of luck also play their part in having his nameless Driver attempting to outwit, outlast and outsmart his way past Mexican and American gangsters, crooked cops, and ambiguous agents, in order to regain his freedom after being locked up in a Mexican penitentiary that is a mini-town in its own right, complete with the folks from both sides of the law making strange bedfellows. It's a glimpse into the murky world of corruption where criminals run rampant within the walls that are supposed to restrict their freedom, but instead turning the premises into fiefs of operations.
Based on a story written by Mel Gibson, Stacy Perskie and Adrian Grunberg, with the latter making his debut directorial feature after deputizing for numerous films, it has all the ingredients necessary to stand tall amongst this season of summer blockbusters, with a tale that keeps you guessing of the Driver's backgrounds and motivations, which soon dissolve into the basic theme of friendship developed with a nine year old Kid (Kevin Hernandez) who holds a certain secret that keeps him alive within a notorious place, and who may just be Driver's ticket out if the cards get played right. Needless to say the villains here were unfortunately relegated to single function caricatures, but thankfully the plot picks up the pace when we get to witness how Driver and the Kid work their way through the system, with subplots bubbling under the surface ready to explode in frantic rush to the finale.
There are some moments that sag though, as Grunberg just cannot lift the film's early act from droning rather repetitively on how tough and gritty the entire corrupt environment is through Driver's voiceovers. We get the point, and it's time to move on, only to find more scenes seemingly adamant in wanting to showcase just how miserable life can get in a corrupt prison system. It took a while to have elements set up and put in place, although you'd get to appreciate the efforts it took to gel all character relationships together, with Grunberg adopting a style especially in the beginning with its quick edits cutting very close to how Tony Scott would have stylistically done it if the latter was at the helm.
For all the action that the trailer promises, what truly stood out was a mid section, free for all shoot-em-up complete with its graphical depiction of bullet wounds flying all around, entering and exiting various points of the body, and the requisite slow motion to keep things watchable, not forgetting having the Driver break his cover on his background having to save the Kid and his mother (Dolores Heredia) from gunfire coming at all sides. While conveniently set up, how the Driver wiped his enemies from existence thanks to a little bit of play acting and impersonation became my favourite scenes in the entire film, with Gibson at his element flexing some comedic abilities that just sat through really well and dare I say lifted this film from being just average. Recommended!
Gibson does what Gibson does best as a character here, being the strong, silent type who relies on his brains, brawn and resourcefulness to get out of sticky situations. Innate abilities and a huge dose of luck also play their part in having his nameless Driver attempting to outwit, outlast and outsmart his way past Mexican and American gangsters, crooked cops, and ambiguous agents, in order to regain his freedom after being locked up in a Mexican penitentiary that is a mini-town in its own right, complete with the folks from both sides of the law making strange bedfellows. It's a glimpse into the murky world of corruption where criminals run rampant within the walls that are supposed to restrict their freedom, but instead turning the premises into fiefs of operations.
Based on a story written by Mel Gibson, Stacy Perskie and Adrian Grunberg, with the latter making his debut directorial feature after deputizing for numerous films, it has all the ingredients necessary to stand tall amongst this season of summer blockbusters, with a tale that keeps you guessing of the Driver's backgrounds and motivations, which soon dissolve into the basic theme of friendship developed with a nine year old Kid (Kevin Hernandez) who holds a certain secret that keeps him alive within a notorious place, and who may just be Driver's ticket out if the cards get played right. Needless to say the villains here were unfortunately relegated to single function caricatures, but thankfully the plot picks up the pace when we get to witness how Driver and the Kid work their way through the system, with subplots bubbling under the surface ready to explode in frantic rush to the finale.
There are some moments that sag though, as Grunberg just cannot lift the film's early act from droning rather repetitively on how tough and gritty the entire corrupt environment is through Driver's voiceovers. We get the point, and it's time to move on, only to find more scenes seemingly adamant in wanting to showcase just how miserable life can get in a corrupt prison system. It took a while to have elements set up and put in place, although you'd get to appreciate the efforts it took to gel all character relationships together, with Grunberg adopting a style especially in the beginning with its quick edits cutting very close to how Tony Scott would have stylistically done it if the latter was at the helm.
For all the action that the trailer promises, what truly stood out was a mid section, free for all shoot-em-up complete with its graphical depiction of bullet wounds flying all around, entering and exiting various points of the body, and the requisite slow motion to keep things watchable, not forgetting having the Driver break his cover on his background having to save the Kid and his mother (Dolores Heredia) from gunfire coming at all sides. While conveniently set up, how the Driver wiped his enemies from existence thanks to a little bit of play acting and impersonation became my favourite scenes in the entire film, with Gibson at his element flexing some comedic abilities that just sat through really well and dare I say lifted this film from being just average. Recommended!
With Mel Gibson doing himself no favors in the public media over the last six years, GET THE GRINGO is a much-needed reminder of why we loved him so much for the twenty years prior to his scandalous headlines. While it was greatly refreshing to see Gibson on screen again in EDGE OF DARKNESS and THE BEAVER after an overbearing eight year absence, GET THE GRINGO does the best of capturing everything we truly loved about Gibson's performances: charm, wit, humor, edge. The script by Gibson, director Adrian Grunberg and producer Stacey Persky is an original and tight balance of humor, edge, and danger that can very easily be considered an unofficial sequel to the theatrical cut of Gibson's cult favorite, PAYBACK. While the character of GRINGO's Driver never reveals his actual name, he possesses a lot of the same qualities as PAYBACK's Porter, including a U.S. military tattoo, a chain-smoking habit, sticky fingers, an iron jaw, and a penchant for bloodshed. Grunberg's direction is also solid with an obvious love for Sam Peckinpah paraded throughout.
For those of us who endured so many years of understandable negativity towards Gibson for his personal troubles, GET THE GRINGO is the film we've long awaited. It's truly a shame this film won't be seen wide in the U.S. It would've been a better comeback vehicle than EDGE OF DARKNESS was meant to be. GET THE GRINGO practically screams, "Remember me? I'm still here, and I still got it!"
But if one thing is certain in the age of home entertainment, it is that every good film gets discovered by an audience. Sooner or later...
For those of us who endured so many years of understandable negativity towards Gibson for his personal troubles, GET THE GRINGO is the film we've long awaited. It's truly a shame this film won't be seen wide in the U.S. It would've been a better comeback vehicle than EDGE OF DARKNESS was meant to be. GET THE GRINGO practically screams, "Remember me? I'm still here, and I still got it!"
But if one thing is certain in the age of home entertainment, it is that every good film gets discovered by an audience. Sooner or later...
10jmr7123
Just finished watching this excellent movie, and I hadn't realized how much I missed Mel Gibs on. Like the man himself, the main character in this film, Driver, is worn and weary, sadder but wiser, and comfortable with the ironies of life. And the world built here, "El Pueblito," based on the actual prison in Tijuana, is real and startling. Portrayal of Mexico is outlandish at the same time it's sympathetic. Not much action, but shoot out scene in middle of movie is worth watching.
I understand this movie is getting no theatrical release in the US, and that's a shame. Just hope word of mouth will get around about this great movie. It's time to rehabilitate Mel Gibson.
I understand this movie is getting no theatrical release in the US, and that's a shame. Just hope word of mouth will get around about this great movie. It's time to rehabilitate Mel Gibson.
While watching this movie i was wondering why this movie was provided on a VOD service.....with such awesome stunts ,a strong script and brilliant acting this movie deserved a wide release .I was never a big Gibson fan but now i think i like his style of action thrillers never meant to say that i didn't like lethal weapon series but this in a way is more simplistic and tough.
This movie is seriously meant for fans of tough action movies and is not for people looking out for a highly intelligent action movie.This is a smartly and slickly written piece of work which definitely has its ups and downs.The story is nothing new, first half hour is Mel settling into prison life ,but when the action begins it's a very brutal affair.
The ups of the movie include the sublimely realistic acting of all the lead actors with Mel Gibson leading from the front,a tightly and smartly written screenplay(courtesy Gibson)and a smart yet simplistic approach from the director.
The downsides include the quality of shots taken which i think they should have taken with a much higher budget in hand and also a pretty unimpressive trailer. If only it had been marketed well and had a wide release this movie would have hit bulls eye.
All in all this movie is a Mel Gibson show which is highly gripping,thrilling and which I found is all the more absurdly entertaining.
Thanks to all the folks who read the review.CHEEEERSSS........!!!
This movie is seriously meant for fans of tough action movies and is not for people looking out for a highly intelligent action movie.This is a smartly and slickly written piece of work which definitely has its ups and downs.The story is nothing new, first half hour is Mel settling into prison life ,but when the action begins it's a very brutal affair.
The ups of the movie include the sublimely realistic acting of all the lead actors with Mel Gibson leading from the front,a tightly and smartly written screenplay(courtesy Gibson)and a smart yet simplistic approach from the director.
The downsides include the quality of shots taken which i think they should have taken with a much higher budget in hand and also a pretty unimpressive trailer. If only it had been marketed well and had a wide release this movie would have hit bulls eye.
All in all this movie is a Mel Gibson show which is highly gripping,thrilling and which I found is all the more absurdly entertaining.
Thanks to all the folks who read the review.CHEEEERSSS........!!!
Le saviez-vous
- AnecdotesWhile filming on location in Veracruz, Mexico, Mel Gibson learned that an elderly Mexican extra was suffering from cancer. Gibson got the man a visa by writing to the American ambassador, and then personally arranged for him to be flown to an alternative cancer therapist in Arizona.
- GaffesDuring the chase at the beginning of the movie, tire tracks following a similar path can clearly be seen in the field as the cars near the Mexico border fence. Likely due to multiple takes when filming the scene.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #20.131 (2012)
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- How long is Get the Gringo?Alimenté par Alexa
Détails
Box-office
- Budget
- 20 000 000 $US (estimé)
- Montant brut mondial
- 8 826 837 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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