Dans un futur proche, la technologie a envahi presque tous les aspects du quotidien. Mais quand le monde du technophobe Gray bascule, son seul espoir de vengeance est un implant expérimental... Tout lireDans un futur proche, la technologie a envahi presque tous les aspects du quotidien. Mais quand le monde du technophobe Gray bascule, son seul espoir de vengeance est un implant expérimental: une puce électronique appelée Stem.Dans un futur proche, la technologie a envahi presque tous les aspects du quotidien. Mais quand le monde du technophobe Gray bascule, son seul espoir de vengeance est un implant expérimental: une puce électronique appelée Stem.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 26 nominations au total
- Kara
- (voix)
- Eron Keen
- (as Harrison Gilbertson)
- Stem
- (voix)
- Technician
- (as Dr Stephanie Demkiw)
Avis à la une
Yeah some of the one-liner dialogue as delivered by Logan Marshall-Green feels a bit forced and the plot isn't exactly clever or unique, but damn it, it all works and it makes it's own beautiful alchemy out of a bunch of borrowed parts. This is cheap genre filmmaking done right.
A classic to remember. Look forward to seeing this again.
*in a deep, movie-voice over voice* some guys kill his wife, and now he's seeking revenge".
But this film surpassed my expectations, and was a well-worth experience. Not only was I correct about the cinematography being exciting and engaging, but the plot actually strung together compelling way. This film came out of nowhere for me, and now, it's a memorable film that accomplishes the most important goal of any great film: gets the audience to keep wondering about it.
Since I don't want to go into spoilers, I'll say one last thing: pay attention to the Foley artist's work. The sound design is poignant and additive to the experience. It reminds me of the clever usage of music from Baby Driver. Nothing is wasted and is always enriching of the world building. With Baby Driver, the music was giving us Baby's personal experience. Here, the sound effects give us Grey's point of view. Didn't experiences, but both are elevated through sound, masterfully.
I genuinely want to see it again. If the trailer interested you at all, go see it. It's worth your while.
Le saviez-vous
- AnecdotesDuring the fight scenes, the camera often tracks Grey so that he remains in the middle of frame. According to director Leigh Whannell, this was achieved by hiding a phone somewhere on actor Logan Marshall-Green, which the cameras could then pair to and follow with as much accuracy as possible.
- Gaffes(at around 33 mins) Stem asks Grey to hold the drawn tattoo in front of his eyes in order to read it for him. However, Stem already has the picture (since he has drawn it) in his memory, so there was no logical reason to re-scan it again for the purpose of reading it.
- Citations
Grey Trace: See, you thought I was a cripple but you didn't know that I'm a ninja.
Stem: While I am state of the art, I am not a ninja.
- Crédits fousIn lieu of text, the production companies and title are instead narrated by an artificial female voice, represented visually by sound waves.
- ConnexionsFeatured in Chris Stuckmann Movie Reviews: Upgrade (2018)
- Bandes originalesSmokestack Lightning
Written by Howlin' Wolf (as Chester Burnett)
Performed by Howlin' Wolf
Published by Arc Music Corp/Jewel Music (Australia)
By kind permission of the Music Sales Group
Under exclusive license from Geffen Records
Licensed courtesy of Universal Music Australia Pty Limited
Meilleurs choix
- How long is Upgrade?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Upgrade: Máquina asesina
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 11 977 130 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 670 905 $US
- 3 juin 2018
- Montant brut mondial
- 16 706 680 $US
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 2.35 : 1