Ex Machina

This is the kind of movie I really enjoy when I think about science fiction. Movies that make you think if we should continue trying to progress even more. Are we not already smart enough with everything we have? With all our daily gadgets that we can't miss for one second. Do we really need artificial intelligence? Because let's face it, once that will be concrete then we won't do a thing by ourselves anymore. We will send our robots to our job, we will chose and model our life partner like we want them to be. The story of Ex Machina might be futuristic but I certainly can imagine it like that in the future. All actors were good in their respective roles. For a movie that is filmed at the same spot all the time you certainly don't get bored for a second. Nice science fiction like there should be more of them.

Don't mean to insult here, but who else wants to love a machine. Bear with me: this movie has a deep insight to communicate, whether intended or not is open to question.

The story is a modern telling of Bluebeard's Castle as the correct version of Beauty and the Beast. In other words, it seems to be about impotence. Except that this is geek love, love at an impossible distance, that is eroticism. And the movie itself tells you all you need to know about eros.

The insight. Ex Machina is ostensibly about Turing's Test, the thesis that a machine might be so human as to fool a human being. Does Ava pass this test? Depends on how you perceive the test. Ex Machina actually implies a more relevant Test: could a machine seem so human as to make the human being inteacting with it come to believe that he himself is a machine?

And the insight? It might be that the solution to the AI/human interface may not involve the humanising of robots, but the robotisation of humans.

Only 8/10 because it is not clear that this insight was actually part of the plot. But whether you find eros or AI in this movie, you will have a rewarding journey.

"I am become death, the destroyer of worlds." Caleb (Domhnall Gleeson)

Ex Machina is a thoughtful science fiction about Artificial Intelligence, whereby, to no fan's surprise, the current female robot, Ava (Alicia Vikander), has human qualities that cause trouble for inventor, Nathan (Oscar Isaac), and visitor, young Caleb. If you know anything about these stories, you could write the screenplay, but you'd need these actors to make it the impressive sci-fi it is.

Poets and philosophers have been intrigued by just this story about AI gone astray after interacting with humans. The Frankenstein motif is alive and dangerous, and the spirit of Spike Jonze's Her, with the seductive operating system, is very much a part of Ava's approach to Caleb. The destructive force of Nathan's creation is more subtle than in Dr. Frankenstein's creation, but menacing nevertheless: "Isn't it strange, to create something that hates you?" Ava to Nathan

Brainy Nathan has a compound somewhere in an Alaskan refuge as modern as could be with ID cards and glass walls and doors to give the impression of peace and transparency. Caleb is chosen to help Nathan use the Turing Test to judge the quality of the AI-human experience.

As in real life, nothing is as it appears because neither Nathan nor Ava can refrain from lying. Yet, even Caleb is drawn into lies as he gets closer, even romantically, yikes! to Ava. Once again for science fiction, as soon as the robot gets to enjoy being like a human, trouble ensues. However, even if this film seems like a retread, say, of Never Let Me Go, very few filmmakers could match the ultra modern, yet still sexy, set design. And Isaac's character is so mercurial, at once comforting then tyrannical, that the film could be remembered if only for his star turn as the mad but charming scientist.

After all, Ex Machina is as much about a scientist playing God as it is about the bridge between robot and man. Each topic could, and has been, treated on its own. Here it is an exciting return to modern man as god and monster:

"I am God." Nathan

This movie is obviously allegorical, a fascinating tale about AI, but it is mainly about manipulation and power. It isn't for those wanting action or spectacular CGI, the movie is aimed at people who like to think, rather than passively wait to be entertained. There are themes here not only about AI, but also about surveillance, with excellent points about how data about us is collected by phone companies, search engine companies, commercial operating systems makers and so on. The plot seems simple but isn't, it's extremely clever, with the protagonist playing games, trying to stay one step ahead of one another. This is a movie with perfectly consistent internal logic that plays out perfectly. Don't go in expecting too much, however, as I can see most people will not be satisfied by this movie, but for me, it does what it sets out to do brilliantly. Therefore I give at least 9/10. And most recent movies have been getting 5/10 from me. This movie succeeds where another recent movie about AI, Transcendence, I think it is called, failed (but it was an interesting failure). A third movie about AI, a Spanish movie called Eva, was also brilliant. Eva was more moving and this movie more philosophical. But both movies were perfect in their different ways. The AI's name in this movie, Ava, seems to be a nod to the title of the Spanish movie. As an aside, it's nice that no "stars" appeared in "Ex Machina" and "Eva", the casting was great. Of course there are several aspects of this movie that are unrealistic and often absurd. But because this is an allegorical movie, these are acceptable, because the movie is making points, rather than striving for realism. It's more of a fairytale than accurate portrayal.

Ex Machina has a very fitting sense of false intimacy. This is done visually as many of the close-ups are seen through glass. No matter how close we get to the subject on-screen, there always seems to be at least one wall of glass between us and it or them. The film also makes a very distinct contrast between it's interior and exterior shots. Outside of the facility is breathtaking landscapes. It is big, beautiful, refreshing and vibrant. Inside seems like an endless futuristic maze of glass, mirrors, plastic, chrome and dim lights. It is clean, cold and claustrophobic. A perfect setting for the subject that is explored in this tight, tense sci-fi thriller.

Ex Machina is the best science fiction film on artificial intelligence since Blade Runner. While Blade Runner is an action thriller that relies more on it's epic visuals to tell it's story, Ex Machina is a dialogue-driven psychological thriller that slowly works it's way under your skin. Thought-provoking and terrifyingly suspenseful, an induced state of paranoia may linger long after the end credits begin to roll.

The less you know going into a film like this, the better your experience will be. Alex Garland has given us a modern science-fiction masterpiece. Performances from all three leads are flawless and every other aspect of the production, from the cinematography to the soundtrack, is perfectly suited for the story. Not only is Ex Machina an amazing achievement for a directorial debut, it's Alex Garland's best written work to-date.