Six histoires traitent chacune d'un aspect différent de la vie dans le Far West.Six histoires traitent chacune d'un aspect différent de la vie dans le Far West.Six histoires traitent chacune d'un aspect différent de la vie dans le Far West.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 6 victoires et 38 nominations au total
Alejandro Patiño
- Cantina Bartender (segment "The Ballad of Buster Scruggs")
- (as Alejandro Patino)
Clinton Roberts
- Cantina Scum (segment "The Ballad of Buster Scruggs")
- (as Clinton Robert)
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Finally a movie that feels genuine start to finish and a movie that entertains.
You are never sure where it starts and where it will end,all the characters immediately feel real without wasting any time.
And perhaps most importantly, this is a movie that does not insult your intelligence like almost all other movies do.
I was fortunate enough to see this at the LFF with the Coen brothers present. During their introduction they mentioned how they wrote each chapter as a series of shorts over 25 years, and it certainly felt like this both in good ways and bad. Each story was completely different from the one either side of it and none were short of originality. Stories unfolded in the way only a Coen brother's film could - a style that I have always admired.
What was slightly disappointing was its lack of continuity. Each of the stories are completely contained and the final short was one of the most disappointing for me ending in quite an anticlimax. I understand these shorts are independent of one another but had they intersected in some way I think there could have been a much more satisfying conclusion. But the subversion of that expectation I also admire, my brain was just full of the interesting situations that could have unfolded had these characters come into contact with each other - as per a Tarantino film. It could also have ended with a different short as the 5th story for me (and the gold panning segment) was arguably the best.
Aside from the story itself the film has great visuals, some amazing one liners and incredible acting performances - especially considering the lengths actors went to in order to get into character for just a 20 minutes segment of a film. Overall expect 6 Coen brothers shorts sewn together with the thinest fabric imaginable and a time at the cinema like you haven't had all year.
What was slightly disappointing was its lack of continuity. Each of the stories are completely contained and the final short was one of the most disappointing for me ending in quite an anticlimax. I understand these shorts are independent of one another but had they intersected in some way I think there could have been a much more satisfying conclusion. But the subversion of that expectation I also admire, my brain was just full of the interesting situations that could have unfolded had these characters come into contact with each other - as per a Tarantino film. It could also have ended with a different short as the 5th story for me (and the gold panning segment) was arguably the best.
Aside from the story itself the film has great visuals, some amazing one liners and incredible acting performances - especially considering the lengths actors went to in order to get into character for just a 20 minutes segment of a film. Overall expect 6 Coen brothers shorts sewn together with the thinest fabric imaginable and a time at the cinema like you haven't had all year.
The first 17 minutes were the highlight, and it went downhill from there. That first segment, "The Ballad of Buster Scruggs", was excellent. I could watch an entire movie based on that character, played extremely well by Tim Blake Nelson. It was interesting and funny.
"Near Algodones" kept me interested, and I enjoyed the characters, but there was no take away, so it kind of fell flat.
"Meal Ticket" was worthless and should have been cut altogether. It was extremely boring and sad.
"All Gold Canyon" and "The Gal Who Got Rattled" were enjoyable and interesting. Good characters and beautiful cinematography. Both segments kept my interest.
"The Mortal Remains" had some interesting dialogue but it fell off and didn't seem to have a point.
So one segment was fantastic, three others were pretty good, and two were completely forgettable. A mixed bag, but I generously give it a 6/10.
"Near Algodones" kept me interested, and I enjoyed the characters, but there was no take away, so it kind of fell flat.
"Meal Ticket" was worthless and should have been cut altogether. It was extremely boring and sad.
"All Gold Canyon" and "The Gal Who Got Rattled" were enjoyable and interesting. Good characters and beautiful cinematography. Both segments kept my interest.
"The Mortal Remains" had some interesting dialogue but it fell off and didn't seem to have a point.
So one segment was fantastic, three others were pretty good, and two were completely forgettable. A mixed bag, but I generously give it a 6/10.
The Coen Brothers are some of the most popular and also best movie directors currently working. They created one of my all time favourite movies in The Big Lebowski (1998), and some of the best movies of their respectable decades such as the cult hit Fargo (1996) & the Neo-Noir Western No Country for Old Men (2007).
And now they return in 2018, together with Netflix, to present the most unique movie of the year!
The Ballad of Buster Scruggs tells six individual and self contained storys in the Wild West. As usual, the movie looks stunning. It is beautifully shot, has some of the best cinematography of recent years and it's just a joy to watch. Also the composed soundtrack is really fitting. As said, the movie is cut in six minor portions: The Ballad of Buster Scruggs, Near Aldgones, Meal Ticket, All Golds Canyon, the Gal who got Rattled & the Mortal Remains.
They do not have anything particular in common plot wise, but thematically they all tell the huge story of the Wild West - the dark & crazy, sometimes sad side of it. Because make no mistake, this is a really brutal movie. While the first story is very big on comedic relief, the later chapters get really dark, especially the third having a heartbreaking and strangely poetic ending. The fifth story was probably the most cinematic story, since it told a beautiful little tale that could've been easily explored in a regular film. And the last story is basically only one huge dialogue. It's remarkable at how the Coens write their dialogue - it's eventually only people talking about their lifes and out of nowhere the mood changes into complete danger and suspense. The acting of the over all many performers was great as usual, with especially notable performances by Liam Neeson, Tom Waits & Tim Blake Nelson.
There are a few tiny things that bothered me (would've liked a bit more of Gleeson), but these are minor concerns. The Coens are back with another tightly written, thought provoking and fully enjoyable movie that reflects on not only their recurring themes/patterns of violence & fantastic dialogue but also to tell the huge story of the Wild West in its most heartbreaking fashion.
This is the most unique movie of the year!
The Ballad of Buster Scruggs tells six individual and self contained storys in the Wild West. As usual, the movie looks stunning. It is beautifully shot, has some of the best cinematography of recent years and it's just a joy to watch. Also the composed soundtrack is really fitting. As said, the movie is cut in six minor portions: The Ballad of Buster Scruggs, Near Aldgones, Meal Ticket, All Golds Canyon, the Gal who got Rattled & the Mortal Remains.
They do not have anything particular in common plot wise, but thematically they all tell the huge story of the Wild West - the dark & crazy, sometimes sad side of it. Because make no mistake, this is a really brutal movie. While the first story is very big on comedic relief, the later chapters get really dark, especially the third having a heartbreaking and strangely poetic ending. The fifth story was probably the most cinematic story, since it told a beautiful little tale that could've been easily explored in a regular film. And the last story is basically only one huge dialogue. It's remarkable at how the Coens write their dialogue - it's eventually only people talking about their lifes and out of nowhere the mood changes into complete danger and suspense. The acting of the over all many performers was great as usual, with especially notable performances by Liam Neeson, Tom Waits & Tim Blake Nelson.
There are a few tiny things that bothered me (would've liked a bit more of Gleeson), but these are minor concerns. The Coens are back with another tightly written, thought provoking and fully enjoyable movie that reflects on not only their recurring themes/patterns of violence & fantastic dialogue but also to tell the huge story of the Wild West in its most heartbreaking fashion.
This is the most unique movie of the year!
How do you rate a movie that is very well done, but you just don't connect with it at all? I love the Coen brothers, and I watched this with an open heart. Not every Coen brothers movie knocks it out of the park, but all of them are at least smart and interesting. The same holds true for this one, though I'm sorry to say that I found myself bored throughout most of it.
Six stories is a lot to process in one sitting. The problem for me was that I would be watching one of the segments, trying to understand its significance or find something to appreciate story-wise, and then we moved on to the next tale.
There was nothing wrong with it and I would consider watching it again some time with a fresh perspective. This movie did seem to have a grasp on itself and I trust that the Coens knew what they were doing. It was very unique and beautifully shot, but I think this one ranks low on the Coen's filmography. And if this wasn't a Coen brothers movie, I would probably be more dismissive of it.
Six stories is a lot to process in one sitting. The problem for me was that I would be watching one of the segments, trying to understand its significance or find something to appreciate story-wise, and then we moved on to the next tale.
There was nothing wrong with it and I would consider watching it again some time with a fresh perspective. This movie did seem to have a grasp on itself and I trust that the Coens knew what they were doing. It was very unique and beautifully shot, but I think this one ranks low on the Coen's filmography. And if this wasn't a Coen brothers movie, I would probably be more dismissive of it.
Le saviez-vous
- AnecdotesThe poker hand Buster Scruggs refuses to play in the saloon is a two-pair of black aces and eights, known as "the dead man's hand." According to legend, that was the hand 'Wild Bill' Hickok had when he was shot in the back of the head and killed by Jack McCall.
- GaffesAfter the Cowboy in Near Algodones is about to get hanged for the first time, the horse wanders from its initial spot under the tree. If the rope around the Cowboy's neck is long enough to let the horse wander that far, he would have landed on his feet if the lawmen had had luck fulfilling the deed. Also, the rope changes angle in closeups vs. in landscape footage.
- Citations
Buster Scruggs (segment "The Ballad of Buster Scruggs"): There's just gotta be a place up ahead where men ain't low-down and poker's played fair. If there weren't, what are all the songs about? I'll see y'all there. And we can sing together and shake our heads over all the meanness in the used-to-be.
- ConnexionsFeatured in Monkey in the Morning: #ThotAudit Taxing Boobs (2018)
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La balada de Buster Scruggs
- Lieux de tournage
- Scottsbluff, Nebraska, États-Unis(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the streaming release date of La Ballade de Buster Scruggs (2018) in Australia?
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