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Barton Fink

  • 1991
  • Tous publics
  • 1h 56min
NOTE IMDb
7,6/10
133 k
MA NOTE
POPULARITÉ
3 614
355
John Turturro and Isabelle Townsend in Barton Fink (1991)
Home Video Trailer from 20th Century Fox Home Entertainment
Lire trailer2:14
2 Videos
99+ photos
Dark ComedyFarcePeriod DramaPsychological DramaPsychological ThrillerSatireShowbiz DramaComedyDramaThriller

Un dramaturge renommé de New York est convié en Californie pour écrire des scénarios de film : il y découvrira le revers de la médaille hollywoodienne.Un dramaturge renommé de New York est convié en Californie pour écrire des scénarios de film : il y découvrira le revers de la médaille hollywoodienne.Un dramaturge renommé de New York est convié en Californie pour écrire des scénarios de film : il y découvrira le revers de la médaille hollywoodienne.

  • Réalisation
    • Joel Coen
    • Ethan Coen
  • Scénario
    • Joel Coen
    • Ethan Coen
  • Casting principal
    • John Turturro
    • John Goodman
    • Judy Davis
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,6/10
    133 k
    MA NOTE
    POPULARITÉ
    3 614
    355
    • Réalisation
      • Joel Coen
      • Ethan Coen
    • Scénario
      • Joel Coen
      • Ethan Coen
    • Casting principal
      • John Turturro
      • John Goodman
      • Judy Davis
    • 291avis d'utilisateurs
    • 128avis des critiques
    • 69Métascore
  • Voir les informations de production sur IMDbPro
    • Nommé pour 3 Oscars
      • 19 victoires et 29 nominations au total

    Vidéos2

    Barton Fink
    Trailer 2:14
    Barton Fink
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers
    A Guide to the Films of the Coen Brothers
    Clip 1:56
    A Guide to the Films of the Coen Brothers

    Photos130

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    + 123
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    Rôles principaux34

    Modifier
    John Turturro
    John Turturro
    • Barton Fink
    John Goodman
    John Goodman
    • Charlie Meadows
    Judy Davis
    Judy Davis
    • Audrey Taylor
    Michael Lerner
    Michael Lerner
    • Jack Lipnick
    John Mahoney
    John Mahoney
    • W.P. Mayhew
    Tony Shalhoub
    Tony Shalhoub
    • Ben Geisler
    Jon Polito
    Jon Polito
    • Lou Breeze
    Steve Buscemi
    Steve Buscemi
    • Chet
    David Warrilow
    • Garland Stanford
    Richard Portnow
    Richard Portnow
    • Detective Mastrionotti
    Christopher Murney
    Christopher Murney
    • Detective Deutsch
    I.M. Hobson
    • Derek
    Meagen Fay
    Meagen Fay
    • Poppy Carnahan
    • (as Megan Faye)
    Lance Davis
    • Richard St. Claire
    Harry Bugin
    • Pete
    Anthony Gordon
    • Maitre D'
    Jack Denbo
    • Stagehand
    Max Grodénchik
    Max Grodénchik
    • Clapper Boy
    • Réalisation
      • Joel Coen
      • Ethan Coen
    • Scénario
      • Joel Coen
      • Ethan Coen
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs291

    7,6132.9K
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    Avis à la une

    7Rumples

    Memorable, disturbing, and very Coen-esque!

    I'm still not entirely sure what to think of this film. One thing is sure, it won't be easy to forget. This movie is clearly the product of a writer who has struggled with their muse, and equally one who has a healthy mistrust of Hollywood - the sausage grinder. Although Hollywood has been critiqued in film before in similar ways, memorable scenes, clever dialogue, quality acting, and a surreal plot and setting, add together to make this an unusual and different film. Maybe another viewing might add a different dimension. This is by no means 'light entertainment' and it leaves plenty of questions unanswered. But on the whole, an intelligent movie, if something of an enigma. My vote 7/10
    8mymeister

    rewatching

    Re-watching this after I guess decades?

    I enjoyed it but not overwhelmingly so. I think less than when i originally watched.

    However I am reading, with amusement, the other reviews on here. They go on and on about how the movie skewers Hollywood and New York elites. No it doesn't. Instead this movie is dead simple: a playwright who says he is for the common man (and I mean man) is not really so. He is more interested in being seen as the great artist.

    How do we see this?

    He comes out to Hollywood and goes on and on in front of John Goodman about how he is for he common man while ignoring what Goodman had to say. Goodman repeated three times how he had stories to tell and Fink just ignored him.

    Fink is more interested in himself as the great writer than actually focusing on the ask: write a wrestling movie, don't overthink it, write something similar to what others have done.

    How do we see this? He insists on staying in a fleabag hotel as a sort of hairshirt to goose his artistic suffering and therefore creativity. But he doesn't need that creativity as he has been asked to write a straightforward wrestling movie in the style of past movies.

    He could have stayed in a fancy hotel, enjoyed the lifestyle and written the wrestling movie.

    Oh and those Hollywood elites? What the same ones who want to put out a wrestling movie that the public loves. Some elites huh!
    8artzau

    Another Coen Brother great!

    I liken the Coen brothers to Haagen-Daz ice cream, i.e., various stages of good. I would argue this dark film, laden with more allegories than Dante, is not their best...but, it's good, damn good. To begin with, stellar performances form Turturro, Goodman, Mahoney, Buscemi and Lehner. The thing I find amazing is the skill in bringing so much darkness to such a bright, colorful cinemagraphic work-- remindful of Ingmar Bergman's Cries and Whispers, in that regard-- that teeters on the edge. Goodman's last scene walking into the burning hotel room is eerie but very bright (why not? The damn place is burning down.) This is another great Coen brother film and let's hear it for Ethan and Joel! See it!
    9RaiderJack

    Another Coen Brothers Classic!!!

    I recently purchased "Barton Fink" along with "Miller's Crossinhg", another Coen Brothers gem.

    Barton Fink quite simply is a writer who cannot see the forest for the trees. He is so taken with the fact that he is a writer that he can't write. He is so idealistic that he misses fantastic opportunities to become a writer for the ages because he wastes precious time proselytizing. John Goodman perfectly sums up everyone's frustration with Barton Fink when after a series of unfortunate occurrences, Barton asks him "Why me?" to which John's character answers "Because you don't LISTEN!" Set in 1930s Hollywood we follow the exploits of a one-hit wonder, Barton Fink, who has written a successful Broadway play and is summoned by the powers that be to Hollywood. After much cajoling to take the job from his agent, Barton arrives in Los Angeles determined to become the writer for the common man where he insists true stories live. The trouble with Barton, however, is he does not have time for the common man because he has so romanticized their lot as well as his particular quest in speaking for them.

    Excellent performances from John Turturo, John Goodman, Judy Davis, John Polito (often overlooked, but his scenes ALWAYS become his!!) and the inimitable Tony Shaloub.

    I have decided after a slew of Coen Brothers films I currently have in my collection, that any project these guys are involved with deserve more than passing scrutiny.
    8gavin6942

    Lesser-Viewed Coen Brothers Film Really Hits Hard

    While many of us know "Fargo" and "Big Lebowski", many fans still haven't heard of "Barton Fink", which is too bad. This is probably John Turturro's best role (and his least weird). Tony Shalhoub also gives an outstanding performance (at least as good as he was in "The Siege").

    John Goodman? Heck, even he is pretty good here and I'm not a big fan of his (though the Coen Brothers do him justice like no others can). His portrayal of the questionable neighbor just really suits him.

    There is supposed to be deep symbolism in this film -- some say it's an allegory for the rise of Nazism (and I can see that), while others say it's just a critique of Hollywood. I don't know. But, you know what? No matter what it's about, it's beautiful in a nihilistic way... and you will want to know: what's in the box? And I'm not going to tell you.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The first film to win all three major awards (Palme D'or, Best Director, and Best Actor) at the Cannes Film Festival. Also, it was unanimously chosen for the Palme D'or.
    • Gaffes
      Briefly visible at the top of the screen when Detective Mastrionotti introduces himself to Barton.
    • Citations

      Charlie Meadows: Look upon me! I'll show you the life of the mind!

    • Crédits fous
      The 20th Century Fox logo appears over silence; the "fanfare" is not played.
    • Connexions
      Edited into The Clock (2010)
    • Bandes originales
      For Sentimental Reasons
      by Edward Heyman, Al Sherman and Abner Silver

      Licenced with Permission the Successors of Marlo Music Corporation (ASCAP)

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    FAQ21

    • How long is Barton Fink?Alimenté par Alexa
    • What was that sticky substance that ran down the hotel walls?

    Détails

    Modifier
    • Date de sortie
      • 25 septembre 1991 (France)
    • Pays d’origine
      • Royaume-Uni
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Бартон Фінк
    • Lieux de tournage
      • Mount Hollywood Dr Tunnel, Los Angeles, Californie, États-Unis(picnic)
    • Sociétés de production
      • Circle Films
      • Working Title Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 9 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 6 153 939 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 268 561 $US
      • 25 août 1991
    • Montant brut mondial
      • 6 154 231 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 56 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Stereo
    • Rapport de forme
      • 1.85 : 1

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    John Turturro and Isabelle Townsend in Barton Fink (1991)
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