Kumail Nanjiani, comédien né au Pakistan, et Emily Gardner, étudiante diplômée, tombent amoureux, mais le choc des cultures leur donne du fil à retordre. Lorsqu'Emily contracte une mystérieu... Tout lireKumail Nanjiani, comédien né au Pakistan, et Emily Gardner, étudiante diplômée, tombent amoureux, mais le choc des cultures leur donne du fil à retordre. Lorsqu'Emily contracte une mystérieuse maladie, Kumail se voit obligé de faire face aux fougueux parents d'Emily, aux attentes... Tout lireKumail Nanjiani, comédien né au Pakistan, et Emily Gardner, étudiante diplômée, tombent amoureux, mais le choc des cultures leur donne du fil à retordre. Lorsqu'Emily contracte une mystérieuse maladie, Kumail se voit obligé de faire face aux fougueux parents d'Emily, aux attentes de sa propre famille et à ses véritables sentiments.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 19 victoires et 101 nominations au total
- Fatima
- (as Shenaz Treasurywala)
Avis à la une
The amazing part of this movie is that it deals with deeply serious complex issues, but does so with humor and grace. The screenplay is remarkable and nuanced, but is infused with a comedian's sense of humor that captures the real human comedy that exists in all personal relationships. You will die laughing when Emily's bewildered father turns to Kumail in a hospital cafeteria and asks him, "What do you think of 9/11?" and Kumail responds as a comedian should to such an outrageously stupid question. Ray Romano and Holly Hunter are excellent in the roles of Emily's parents.
While based on a true story, I'm sure parts have been fictionalized to bring the drama and the humor of the events to the screen, but it appears that the basic Romeo & Juliet premise is based on the screen writers' real relationship. The film's ability to balance the deadly serious and the comedic reminds me of the wonderful film 50/50 (2011) which also dealt with a deadly illness with a similar light touch. This beautiful film which deals so well with the complexities of overcoming cultural differences serves as a good anecdote to our charged political climate and especially with the demonization of Islam that has become all too dangerous in this country. I hope it is the breakout comedy hit of the summer when it goes into wide release in July.
'The Big Sick' is based on the real courtship of Kumail Nanjiani and his now-wife, Emily Gordon. Kumail's traditional Pakistani Muslim family is unhappy with his relationship with Emily, a White American. When Emily is waylaid by a mysterious illness, Kumail must take charge of the crisis with her parents, Beth and Terry, whom he barely knows.
'The Big Sick' is an overwhelming experience, that left me with a big smile on my face. Its beautiful love-story, with the backdrop of two diverse families, from two extreme ends of the world. Kumail Nanjiani and Emily V. Gordon re-tell their heartwarming, albeit intense journey, with pure skill. The two successfully capture their real life experiences & nurture into a terrific cinematic experience. The Writing is top-notch & offers a realistic take on different religions, without ever taking sides. Such Writing deserves an Oscar Nomination. Michael Showalter's Direction is simplistic, yet wonderful. Cinematography & Editing are effectively done. Art & Costume Design are perfect.
Performance-Wise: Kumail Nanjiani is wonderfully restrained, delivering a performance driven by pure feeling. Zoe Kazan as Emily, is extraordinary. Although she gets limited screen time in comparison to the others, the actress leaves a solid mark. Ray Romano & Holly Hunter, as Emily's parents, are flawless. What Performers! Anupam Kher as Kumail's Father & Adeel Akhtar's as Kumail's brother, are excellent. Bo Burnham & Kurt Braunohler shine as Kumail's fellow stand-up mates. Others lend support.
On the whole, 'The Big Sick' is an Unmissable Gem. Two Big Thumbs Up!
The Big Sick is one of those rare movies that presents itself as 3 genres, in this case Drama, Comedy, and Romance, and it services each of those genres equally. So well that you have to mention all 3 if you're talking about the movie. It's not just a Rom-Com or a Rom- Dram, it's most certainly a Rom-Com-Dram. I haven't seen a film so effortlessly balance the 3 genres. This is all while seemingly reinvent the formula for a romantic comedy to beautifully fresh results. The Big Sick uses witty humor, charming leads, and socially important topics to give us the best film of the summer thus far.
A romance is only as good as its leads and their chemistry. Luckily, Kumail Nanjiani and Zoe Kazan grace the screen with a refreshingly awkward and charming presence. Being that I haven't really seen either of them in anything else, their relationship felt miraculously original. The Big Sick is based on Nanjiani's actual life, but this felt like a comedy unrestricted by real-life accounts while also honoring a serious subject matter that has its place. However, the two's chemistry isn't all this film has, its entire ensemble is something to behold. Ray Romano, Holly Hunter, Anupam Kher, Adeel Akhtar, Zenobia Shroff, and the various comedians do a wonderful job of rounding out the fantastic cast.
It doesn't fall back into genre clichés or tropes, doesn't fall back into an overly physical comedy (like most comedies do now), and it most certainly doesn't go the direction you think it's going to go. The Big Sick benefits from having a diverse cast and story and an impeccably funny but also poignant script. Heck, it also doesn't hurt that it takes place and was filmed in my hometown of Chicago. But the important thing is, this film restores my faith (once again) in original romantic comedies. Go see it.
+Diverse
+Original
+Funny & heartwarming
+Balances its 3 genres impressively
10/10
Maybe because it's based on the pretty crazy life experiences of comedian Kumail Nanjiani, "The Big Sick" resonates better than most cookie cutter plots. Sure there's sparks, joy, conflict, and tears, but there's also religion, racism, and history. Best of all, there's great chemistry between the leads and the various convoluted familial web players.
Plus Holly Hunter. Yup, Holly Hunter is in this, and of course, she is fabulous. Almost steals the movie. Almost. In fact all the performances are great, including several juicy supporting roles.
Nothing can get in the way of Kumail and Emily's fabulous love story. Hilarious, charming, and sneaky smart.
Le saviez-vous
- AnecdotesThe film was released in the United States on Kumail Nanjiani and Emily V. Gordon's tenth wedding anniversary.
- GaffesWhen Kumail is eating fast food and receives a text saying that he is supposed to be on stage in 20 minutes, the text is marked as being sent 1 day beforehand.
- Citations
Terry: So, uh, 9/11.
[everyone looks at Terry expectantly]
Terry: No I mean, I've always wanted to have a conversation with
[gestures at Kumail]
Terry: about it. With
[gestures again at Kumail]
Terry: people.
Kumail: You've never talked to people about 9/11?
Terry: No what's your, what's your stance?
Kumail: What's my stance on 9/11? Oh um, anti. It was a tragedy, I mean we lost 19 of our best guys.
Beth: Huh?
Kumail: That was a joke, obviously. 9/11 was a terrible tragedy. And it's not funny to joke about it.
- Crédits fousIn the beginning of the end credits, photos of shown of the real-life inspiration behind the Emily character, as well as the wedding between Emily V. Gordon and Kumail Nanjiani and Nanjiani's real-life parents.
- ConnexionsFeatured in Conan: Holly Hunter/Natasha Lyonne/Robert Cray & Hi Rhythm (2017)
- Bandes originalesDevil's Haircut
Written by Beck (as Beck Hansen), James Brown, Phil Coulter (as Philip Coulter), Thomas Kilpatrick, Tom Scott (as Tommy Scott), Michael Simpson & John King
Performed by Beck
Courtesy of Geffen Records under license from Universal Music Enterprises
Courtesy of BMG Rights Management (US) LLC
Courtesy of Picadilly Music Corporation
Used by permission of Fort Knox Music, Inc.
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- How long is The Big Sick?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Un amor inseparable
- Lieux de tournage
- Chicago, Illinois, États-Unis(location)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 5 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 42 873 127 $US
- Week-end de sortie aux États-Unis et au Canada
- 421 577 $US
- 25 juin 2017
- Montant brut mondial
- 56 411 585 $US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1