Le quotidien d'Adam, 27 ans, bascule le jour où il est diagnostiqué d'un cancer. Il l'annonce alors à sa petite amie, son meilleur ami et sa mère qui, tous trois, vont réagir différemment à ... Tout lireLe quotidien d'Adam, 27 ans, bascule le jour où il est diagnostiqué d'un cancer. Il l'annonce alors à sa petite amie, son meilleur ami et sa mère qui, tous trois, vont réagir différemment à la nouvelle et conduire le jeune homme à s'interroger sur la manière dont il veut vivre ce... Tout lireLe quotidien d'Adam, 27 ans, bascule le jour où il est diagnostiqué d'un cancer. Il l'annonce alors à sa petite amie, son meilleur ami et sa mère qui, tous trois, vont réagir différemment à la nouvelle et conduire le jeune homme à s'interroger sur la manière dont il veut vivre cette épreuve.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 12 victoires et 28 nominations au total
Avis à la une
The film introduces us to Adam (Joseph Gordon-Levitt) who is a very nice, very normal, very low-key guy who works at a radio station as a writer ... a very conscientious radio writer. Adam experiences a nagging pain in his back, which is unusual for a healthy 27 year old. After a few tests, the emotionless doctor informs him that he has a rare spinal cancer ... also very unusual for a healthy 27 year old. From this point forward, the film borders on brilliance at times.
Adam's girlfriend is played by Bryce Dallas Howard; his mother by Angelica Huston; and his best friend by Seth Rogen. Each reacts in different ways to Adam's diagnosis, but what's really interesting is not just how these people react, but also how Adam reacts. He moves forward in his meticulous manner, but all the while we know the emotions are brewing. We see this in his sessions with his therapist-in-training played by Anna Kendrick.
Seth Rogen's character is basically a carbon copy of his act in 40 Year Old Virgin. He spews profane one-liners faster than our ears can process. Despite the aggressive front, Rogen's character is a friend with a heart ... and one who doesn't hesitate to share his medicinal marijuana.
So while Rogen's character generates much of the laughter, the real treasure of this film is in the subtleties of each character in certain moments ... and each character has their moment. Many will compare this to Adam Sandler's film Funny People, which also starred Seth Rogen. But this movie has infinitely more depth and substance than that one offered.
My warning: brace yourself. My theatre was filled with tears and sniffles, with significant laugh out loud moments mixed in. This is an emotional, self-reflective film that will confound you as you inexplicably laugh while listening to cancer talk.
Adam (Joseph Gordon-Levitt) has to deal not only with his own emotions when he is diagnosed, but also those of a close friend, Kyle (Seth Rogen), an inveterate partier and ribald quipper, and his chronically worrisome mother (Anjelica Huston). Losing his girlfriend, Rachael (Bryce Dallas Howard) along the way adds to the potential downbeat.
Yet director Jonathan Levine and writer Will Reiser keep it all as upbeat as possible, not in small part due to Rogen's constantly funny chatter, which comes at just the right times as the plot gets heavy with cancer surviving techniques (the film turns out to show the way to battle: with humor).
Of course, Rogen has had training playing a similar role in Funny People with Adam Sandler. No one plays a weed-smoking buddy better than he. Gordon-Levitt is also an actor who can just about better than anyone else play the soulful, endearing, slow-moving romantic as he did in (500) Days. As a cancer victim, he engages the audience in observation of a vulnerable hero, who fights with a serenity and equanimity that could be a model for those wishing to survive and those who wish to help.
50/50 is a comedy with compassion, a distant cousin to the prevalent bromances that rarely treat the support men give each other in times of real danger. Usually it's vacuous women who supply that danger and significant support. Hooray for the men this time.
The inevitable comparisons between "50/50" and 2009's "Funny People" are unfortunate. While I stuck up for "Funny People" more than most of my colleagues, even I will admit it is an incredibly flawed film that misses the mark on many levels. "50/50", then, plays out a bit like what "Funny People" should have been, right down to the performance of Seth Rogen. It is, first and foremost, a very funny movie and that is where "Funny People" first went awry. You can't make a comedy about cancer, or any other serious illness for that matter, and fail to produce a genuinely funny script. Laughs come often and organically. I also quite liked that writer Will Reiser (who based his script on the events of his own battle with cancer) makes it clear early on that he intends to laugh at cancer and if you're not up for that, you're in the wrong theater. That is not to say that the disease itself or the havoc it wreaks on Adam's life is disrespected or ignored; in fact, "50/50" gives a fairly realistic view of the hell that is aggressive cancer and the sometimes even more aggressive treatment. "50/50" is bold but soft, a combination that works well.
The dialogue between the characters in "50/50" flows with tremendous ease, especially in the scenes involving Adam and Kyle. This dynamic between JGL and Rogen is the meat of the film and the two play it out brilliantly. They have a chemistry that Anne Hathaway only wishes she could develop with well, anyone. (That was an unnecessary shot at Miss Hathaway. My apologies.) They reminded me of the type of friendship I might have with any one of my closer pals if we cursed more and occasionally smoked pot. Adam's other relationships are a bit awkward but whether this was done on purpose or not, it serves the narrative well. In my mind he would have a tense partnership with Rachael because they're clearly not suited for each other and any furtherance of his friendship with Katie beyond doctor-patient would be a bit odd.
All of the supporting actors hold their own. As spot-on as I might have been with JGL all those years ago, I would have never guessed, after reluctantly watching "Twilight", that Kendrick would be an actress whose performances I truly look forward to. This isn't quite to the level of her work in "Up in the Air" but it is good and believable nonetheless. Huston's character seems a bit over-the-top in the early going but the depth of her character comes to light in the late stages and Huston pulls it together splendidly. And Rogen gives what might be his best performance to date. To be fair, I'm not much of a Rogen fan so I'm far from an expert on his value as an actor. But whereas he was completely outclassed in "Funny People" and pretty much plays the same character in almost every film, he shows a little more strength in "50/50" than he ever has before (with the possible exception of "Knocked Up"). I actually liked him and I haven't felt that way toward him very often.
But of course, the weight of "50/50" rests almost entirely on the shoulders of JGL and he holds up to the challenge. One of the best compliments I can give an actor is to say that he and his character become one and the same. That's what JGL does here and that's why "50/50" succeeds. He envelopes himself into the Adam character and makes his portrayal incredibly believable. It is almost like watching a documentary on a young cancer patient. Adam handles his disease with class and dignity but not without emotion. His outbursts are few but powerful and through them JGL sells the story beautifully. Simply put, this guy is a star and "50/50" serves as the announcement of such to those of you who didn't already know this to be fact.
"50/50" is honest and at times tough to watch but never purposefully harsh or depressing. In fact, it is generally positive but in a way that isn't all sunshine and unicorns. It is smart, hilarious, and even touching while all the time remaining respectful of the audience's ability to relate to difficult circumstances without artificial emotional fishing. It is an excellent film marked by one outstanding performance that deserves the attention received come Award Season.
Adam is played by Levitt, a marvelous actor who is continuing his string of quirky, yet well made independent films where he plays an off-the-wall protagonist. Adam is twenty-seven and works for a Seattle radio company. He is informed that he has a rare form of Cancer called Neurofibrosarcoma, and is told he only has a 50% chance of living with it. Frustrated, but moving day by day in a seemingly calm manner with his buddy Kyle (Rogen), Adam continues his long journey only to be bothered by his annoying, self-centered girlfriend (Howard) frequently. Through thick and thin, Adam starts to cope with his disease and manages to stay calm for most of the picture.
We all have to die at one point. It's part of the life. But I can't imagine the sadness and calamity brought upon someone who finds out they have a rare form of Cancer and that their chances of living are fifty-fifty. At twenty-seven nonetheless. My mother, who has work in a Chemotherapy unit for about a decade, said that the youngest she has even seen someone die from Cancer is two and a half years old. Some people, hardly get to experience life at firsthand because of Cancer.
There are so many forms of Cancer, rare and common, harmless and not, that your chances of getting it are very high. Getting it is at random, but coping with it is even harder. While 50/50 has a heartbreaking, and is sometimes emotion-testing and tear-jerking, it still has a strong comedic relief thanks to Seth Rogen, who is rather unfairly bashed in a majority of his films.
The acting is superb by both leads, the parents of Adam played by Angelica Houston and Serge Houde are portrayed effectively and in a loving way, and the screenplay and Johnathan Levine's direction never fails or works against this film in any way. Three years prior he was creating good chemistry between Ben Kingsley and Josh Peck in The Wackness. Now, he's finally mastered in creating two characters that do nothing but sparkle when on screen together. You can't really call this a Seth Rogen film because while his comedy is here, his underlying sweetness shows through the cloth of this film more than it has ever done before. The last time he gave a performance this well done was in Sandler's Funny People.
Thanks to a wonderful third act in terms of direction and screenplay, you get an all out emotional breakdown from the characters and yourself. 50/50 has a way with making emotional moments not seemed contrived, but welcomed. I think out of everyone in the theater, my mom was more emotional than the average person in the general public which is understandable.
Many films have come out this year, and many have been ignored. Comedies and dramas alike have been swept under the bus with other blockbusters in theaters at the same time. I plan on doing a list of the top ignored and underrated films of 2011. I hope 50/50 doesn't make that list.
Starring: Joesph Gordon-Levitt, Seth Rogen, Bryce Dallas-Howard, Angelica Houston, and Serge Houde. Directed by: Johnathan Levine.
Le saviez-vous
- AnecdotesAdam (Joseph Gordon-Levitt) is based on screenwriter Will Reiser, who was diagnosed with cancer, and later recovered. Seth Rogen (Kyle) helped Reiser cope with his disease, and convinced him to write a screenplay during their early twenties together.
- GaffesWhen Adam is running in Seattle at the beginning of the film, the Lion's Gate Bridge in Vancouver, BC is seen in the background.
- ConnexionsFeatured in The Tonight Show with Jay Leno: Épisode #19.208 (2011)
- Bandes originalesBricks or Coconuts
Written and Performed by Jacuzzi Boys
Courtesy of Mexican Summer
By arrangement with Terrorbird Media
Meilleurs choix
- How long is 50/50?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- I'm with Cancer
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 35 014 192 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 644 095 $US
- 2 oct. 2011
- Montant brut mondial
- 41 097 853 $US
- Durée1 heure 40 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1