Tilt

I dont c why everyones giving 1/10s it's not as bad as you guys are making it out to be. The first half is pretty suspenseful and has the psychological horror film feel with all the tension, you get to know the characters etc. But after that its kinda just the same thing. And the ending really disappointed me- i get what it was going for, one of those movies that has minimal detail and leaves the viewer thinking about it afterwards, but there wasn't enough in the whole second half of the movie at all. Ending makes no sense- you never find out WHY the main character is doing what he's doing other than 'he's stressed' like okay im stressed too don't mean i go around bashing up homeless blokes. But if they'd added more to the second half, and kept it in the same style as the first half it would've been super good. But i dont think it's fair to take a dookie on movies like this cus i would like to see this kindof enigma in more modern horror movies, because the tension is way more scary than any in-your-face jumpscare.

A psychological thriller / leftist propangda movie about a downfall of an ultra-liberal white American man.

The man is unemployed, he but doesn't care about that since he believes he's working on a very important documentary movie. Yet his samely ultra-liberal American wife doesn't like the fact that he doesn't bring the money and they're already starting a family. There's almost nothing happening during the whole movie and this is one you can get through skipping parts. But the acting is good and cinematography is nice, plus it's not that boring to watch (especially if you start skipping through it).

As for the leftist propaganda, they're a bit obsessed with hating Donald Trump in this movie. Calling him names while watching his speech on the TV, using a mask of him to scare each other, etc. And of course all that message about capitalism, America's past / future and such. He talks almost nothing but politics and propaganda.

p.s. There's already one fake review (March 18 2018, 9/10 review written via a fresh IMDB account created the same day), maybe they'll bring some more later. Watch out for these.

"Tilt" is billed as the first horror film of the Trump Era, although it was filmed before the actual 2016 election took place. Joe is a documentary filmmaker living in LA with his pregnant wife, nurse Jo. He has been working on a new doc that aims to expose the "myth of the Golden Age" in American history, specifically the post-war period roughly from 1947 to the advent of the Beatles. Trouble is, Joe keeps expanding his vision, but Jo needs him to buckle down to work in a "real" job, one that brings in money, and oh, by the way, to become an adult already. But Joe's sense of reality is unravelling, one scene after another…. I could see what filmmaker Kasra Farahari was going for here, but despite the excellent acting by Joseph Cross and Alexia Rasmussen, the film ends up being just too disjointed to work. Like Joe's documentary, "Tilt" really needs a sharper focus on a smaller theme.

An unemployed documentary filmmaker (Joseph Cross)'s behavior becomes increasingly erratic in the months after his wife becomes pregnant.

This film is something like the next generation answer to "Falling Down". A man is stressed out by his life, and it manifests itself in ways that are not really helpful to society. However, whereas Michael Douglas simply became increasing violent, our protagonist here also seems to be heading in a direction of mental derangement, and the viewer may not always be able to predict what will happen next. This subtle difference is what would make "Tilt" a so-called "genre" film, but "Falling Down" not so much.

What also makes the protagonist interesting to watch (and really, this is essentially a character study) is his own inflated sense of self. He goes through the struggle and stress of compromise with his wife, and this is really laid bare when he confronts another man and asks that man about his single status. We are then informed that a dichotomy exists: marriage or freedom. Our protagonist chose marriage, and therefore (under these limited guidelines) sees that he has forfeited his freedom.

And his ambition may be ill-placed. While he is certainly knowledgeable and passionate about his film deconstructing the fallacy of the "American Golden Age", he also seems to have delusions of being the next Noam Chomsky or Howard Zinn. He is ironically convinced that there is great commercial value in anti-capitalist material. And while that may be true, the ideas of America's "war profiteering" or "evolved propaganda" are already out there. He would be adding a whisper to a scream. (Does the viewer recall Michael Moore's "Capitalism: A Love Story"? Even with Moore's sizable influence, it had little impact.)

Then there is the Trump connection. While this inclusion of the 2016 election cycle makes for a perfect counter-balance to the anti-establishment views of our subject, it has the unfortunate side effect of making the movie sort of dated. Will it have the same impact five years from now? Though it brilliantly have me wondering if it was filmed in "real time" or after the fact, given its early 2017 release. When our subject says "the day of the blustering angry white man is over", was this scripted with the knowledge in mind that Trump had won, or still at a time when that decision was unexpected?

"Tilt" was screened at the 2017 Tribeca Film Festival. Though it may not have been the best of the "midnight" offerings, it is still an excellent film. Anyone drawn to character studies or overtly psychological movies is encouraged to seek it out. Most likely, it will have either a wider release or appear on demand by the third quarter of the year.

I'm baffled by the low rating and so many negative reviews for this movie. One person even said that the main actor "had no charisma", which really cracked me up. This is a really dark character in a really dark, really odd movie, not Ryan Reynolds in Deadpool. We're not meant to like this guy or find him charming, we're meant to be intrigued by his darkness and want to see where it'll take him.

I really loved all of the implied things that happened, even moreso than the things we could actually see. Except for that one scene which literally had me coughing for a full minute, I almost threw up. It's been about 2 hours and my throat still hurts. (And I do not have a week stomach for blood, violence, etc. This was something different.)

The movie started off really strong, but the second half didn't quite measure up to the expectations the first half set up, hence 7.5/10. I really liked it and could have easily watched another hour of what he's going to do next.

Although this movie does mention politics and has some anti-Trump references, it's not a political movie and you shouldn't let that deter you from seeing it.