Love Hunters

What at first seems to be a boring conventional kidnapping thriller with a teenage girl, who disobeys her mother and gets in trouble just because of that, soon becomes a quite good psychological play between the main three characters.

Vicki is a teenage girl, who is not coping well with the divorce of her parents. While dining with her mum, Vicki angrily admits that she resents her leaving her family and she mentions, that she is going to a party. Mum disallows. Next, there is the sequence, which kidnapping movies evidently can't live without. Vicki sneakes out of her mum's house and goes to a party. On her way, a car starts driving next to her...

From that point on, story develops many drama elements (gore scenes aside). There are 4 key characters that generate the story. One is a not-give-up fighter who is trapped with a manipulative psychopath and a confused life-scarred individual. Another important character is Vicki's mum, who does not get as much screen time as the other three, but just enough to add another aspect of tension - tension that only mother's unconditional love can provide.

This movie is about mother's love and care for their children. On one hand there is a mother, who chooses to leave her husband, but still wants to stay in touch with her daughter; and on the other hand, there is a mother who 'does not yet deserve to be a mother and must first prove it that she can be one.' The movie manages to show the incompatibility between the purest form of love and evilness in it's most twisted way.

The acting of the main cast is absolutely brilliant, especially Emma Booth's. How she manages to portray the most nuanced character of the story is extraordinary and worth pointing out.

Every act of violance is there for a reason and the movie without it would not get the same effect out of the scenes. It is a movie well worth watching because it manages to be optimistic even when researching the lowest hollow of a human nature.

Oof, that was brutal. It's movies like this that make me question why I keep watching movies like this.

The story is quite simple, boiling down to a murderous couple tormenting their latest victim. As a Canadian, it brought to mind the relationship between Karla Homolka and Paul Bernardo, but upon researching the film, it seems it more closely shadows the case of Australian couple David and Catherine Birnie. Which is to say that I suppose every country has a similar tale that lives in local infamy, while the world at large tries to tune out how frequently these things actually happen.

Attempting to turn this kind of tragedy into a piece of entertainment puts you on shaky ground. Even the survivor of the real life case has called out the film for needlessly drawing attention to these horrible people. The movie does go out of it's way to avoid the gore porn tag, with a lot of the violence being implied and appearing off-screen, and the tone never approaching a glorification of the situation. The filmmakers do understand the gravity of the circumstances and make you uncomfortable by design. There is a mastery in how they deliver this, and many of the scenes are chillingly effective.

The movie also justifies it's existence through it's exploration of the relationship dynamic of the killers. It poignantly portrays domestic abuse and the kind of conditioning that emotionally shackles people to situations that externally seem obviously bad. It handles this subject matter well, with a believable dynamic between leads Emma Booth and Stephen Curry.

Nevertheless, the very nature of the premise is grotesque, regardless of how much tact you approach it with. It's brutal exposition of misery is sure to leave you feeling icky, and will be of little value to all but the most calloused moviegoers.

Hounds of love is a brutal, needlessly revolting exploration of the minds and deeds of psychopaths. No spoiler needed there. It is brilliantly acted, but as I sat and gave nearly 2 hours of my time to it, i wondered why it was made? With 'Snowtown' a few years back, and an endless number of overseas films dealing with this content, the Australian film industry is not going to stay afloat with horrific scenes as ones captured in this film. I''m not sure I am ever going to be able to laugh at Stephen Curry again; he plays the truly evil lead character here. Emma Booth who came to prominence a decade ago in the industry is impressive here; no doubt; it is guttural and devastating her performance. Ashleigh Cummings as the poor teenager violated by the couple is scaringly believable. The film recreates the look and feel of Western Australia in late 1987 and is creatively shot, edited and directed, but again I ask - why? This is not entertainment. It is torture porn. It is based on real life serial killers as was Snowtown but it has no real purpose.

I am viewing it as part of the 2017 AACTA screening process for the Australian film awards. Certainly Cummings and Booth deserve nods for their work, and Susie Porter is always sturdy and believable; here in a supporting role. Judging by the several pages of reviews already submitted for this film, my entry is probably not required, but this viewer is obviously not impressed by such horror and torture. No matter how brilliantly acted.

"Never talk to strangers. If someone ever tries to take you, fight with everything you have." ― Lisa Unger, Ink and Bone

Young writer-director Ben Young must have watched Jonathan Demme's Silence of the Lambs at least once because his Hounds of Love has earmarks of brilliant thriller/horror ultimately hinging on character and not blood. Young even introduces his film by observing that the real terror comes from what is not seen.

Much of this film, set in Perth, Australia, at Christmas time, 1987, is about the idea of a psychotic couple abducting and killing young women who happen to be stupid enough to get in the car of strangers. I say "idea" because once the girl is chained to a bed, the couple begins to reveal their psychoses, almost exclusively about the loss of children in their lives.

Although John White (Stephen Curry) does most of the physical heavy lifting as he abuses the girl, his partner, Evelyn (Emma Booth), is the tormented one and the object of abducted teen Vicki's (Ashleigh Cummings) campaign to drive a wedge between the two. The home and neighborhood is working class Perth, where similar events actually happened; the atmosphere is joyless living, not impoverished, just not nourished by the better angels of culture.

As the film moves assuredly to the climax, the characters' arcs move toward their deserved fate: Vicki shows a presence her initial bratty teen side did not evidence, John becomes more vulnerable because he is visceral rather than cerebral, and Evelyn struggles with her desire to have her children back in her life and her desire to be loved by John.

The title, Hounds of Love, ingeniously plays off the couple's dog and everyone's hunt for love, even Vicki's wounded but intrepid mother. Yes, life can have its moments of horror beyond the terrors of abuse and abduction.

Hounds of Love is meaty film from a talented filmmaker and a delight to see in a summer sure to be filled with explosions not of the mind.

I thought that this movie was perfectly fine with some really nice performances. The movie looked great with some really nice shots. Visually it was a pleasure to watch. The plot was nothing wildly original.. or really original at all. Yet, still did a good job at keeping you engaged with a certain amount of thrill while still moving a little slowly/building tension.

The three main actors really did a great job, the two crazies and the young girl. Their performances were grounded and visceral on multiple levels, the best of the three being the crazy woman, bravo. The parents paled in comparison and their delivery in their one scene together was honestly cringe and probably should have been cut.

All in all I thought most everything was well done, and if it had just had a bit more of originality sprinkled into the plot I think it could have been even more successful. Well done regardless, would recommend.