NOTE IMDb
7,7/10
67 k
MA NOTE
Alors qu'un enseignant et sa femme participent à une production de « Mort d'un commis-voyageur », celle-ci est agressée dans leur nouvelle maison ; son mari est bien déterminé à retrouver le... Tout lireAlors qu'un enseignant et sa femme participent à une production de « Mort d'un commis-voyageur », celle-ci est agressée dans leur nouvelle maison ; son mari est bien déterminé à retrouver le coupable en dépit des objections de sa femme traumatisée.Alors qu'un enseignant et sa femme participent à une production de « Mort d'un commis-voyageur », celle-ci est agressée dans leur nouvelle maison ; son mari est bien déterminé à retrouver le coupable en dépit des objections de sa femme traumatisée.
- Réalisation
- Scénario
- Casting principal
- Récompensé par 1 Oscar
- 17 victoires et 32 nominations au total
Maral Baniadam
- Kati
- (as Maral Bani Adam)
Avis à la une
This is a true masterpiece, one of the best films of the year. Even though Farhadi's 'A Separation' is even better, this is a great display of storytelling and psychological understanding of the director. There are three elements that ought to be highlighted. 1) Without gimmicks and hyperboles it shows how a common man, with his natural strengths and flaws, gets his own moral code defied by the violence that exists in all societies but that in this case, touched his family. 2) The visual language. Again, it's subtle and straightforward, but its always at the right distance of the characters. 3) The counterpointing of Miller's play is marvelous! What happens to them in real life always affects the development of the play and the tensions backstage have a richness that takes the audience to a new level. A must-watch!!!
The name of the film "Salesman" have 2 coincident meanings at the same word: one of the meaning is pertaining to the first role actor in theater who his occupation have to sales somethings in term of managing his life poorly and another meaning is affiliated with a woman (ex- tenant of the apartment) who sales her body in an inappropriate way for making money intentionally. In addition, aforementioned movie show us that taking revenge is not really easy when we imagine ourselves in that situation because if you are there instead of guilty person, maybe you act worse than him. What's more, Audience during watching these Sequences, face with a dilemma between forgiveness or revenge which this atmosphere is entirely fantastic and make us satisfied after watching this terrific film.
Masterfully shot in Teheran, the film follows the ill fortunes of a theatrical married couple who, while rehearsing Miller's play Death of a Salesman, find themselves having to abandon their crumbling apartment and to seek alternative accommodation. The film is openly an allegory about social, urban and marital decay. But way beyond it, it is about the costs of masculine pride. By far more than a very good 'Iranian film', this is a superb statement about the unbearable consequences of trying to live up to codes of honour that centre on the female body. In my opinion, actress Taraneh Alidoosti is the hero of the film, both in her performance and in the role she occupies in the script. In contrast to appearances, she is the mover of everything that takes place in this fantastic film. A cinematic poem and a masterpiece in unfolding the twists of human psychology.
I loved how this movie had some women characters that shows the exact situation of Iranian women. The old lady: "Oh...thank god you are alive.Thank you for saving him.He is my everything.I can't live without him."These are the words of an old lady in a 35 year-old marriage toward his husband which has been cheating on her for 3 years!How dumb is she!? It's the story of many women in Iran which because of their situation should obey their husbands and love them blindly. Raana: She has been raped but she doesn't have the courage to sue also she is so embarrassed that this may become a discredit to her. The prostitute: Imagine A mother with a young daughter what should she do for a living?Nothing in a society specified for Men but to sell her body to those Men! And finally the woman in the taxi: This woman knows the situation of all the women above. she is now a women who had lost her trust to all men.Either something happened to her or to her friends she now sees men all like together.She's so paranoid that she doesn't see that Emad is doing nothing.
-- spoilers alert --
There are many other scenes i loved about the film for example when one of the student asked "how does a man become a cow?"and Emad answered "gradually" and It was actually proved during the film when an old man doesn't find it shameful to touch someone's wife while a kid find it shameful to go to bathroom with his mother's friend!!So again a man gradually becomes a cow!! -- spoilers end --
-- spoilers alert --
There are many other scenes i loved about the film for example when one of the student asked "how does a man become a cow?"and Emad answered "gradually" and It was actually proved during the film when an old man doesn't find it shameful to touch someone's wife while a kid find it shameful to go to bathroom with his mother's friend!!So again a man gradually becomes a cow!! -- spoilers end --
I love Iranian movies and the Separation is one of my favorites. Somehow with the Salesman it did not work out. The script is original but the story develops so slowly and drowns out. You do not feel the real drama and the true massage behind it. The director probably wanted to repeat his success using the same means as in the Separation but it lacks originality, something thrilling and insightful acting.
Le saviez-vous
- AnecdotesFarhadi was so taken by this project that he decided to stop his ongoing project in Spain with Penelope Cruz and return to Iran to shoot this movie in his home country.
- GaffesIranian actresses are not allowed to appear without hijab. And Iranian women don't wear hijab in their home. Farhadi always find a way to solve this problem, such as there always being a stranger in the house, but in the scene in which Rana is cleaning the house she is all alone and still wearing a hijab.
- ConnexionsFeatures La vache (1969)
- Bandes originalesSolfege
(uncredited)
Written by Sattar Oraki
Performed by Hana Kamkar, Emad Emami, Ali Baghfar, Maral Baniadam, Mehdi Koushki and Payam Eghdami
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Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 2 402 067 $US
- Week-end de sortie aux États-Unis et au Canada
- 71 078 $US
- 29 janv. 2017
- Montant brut mondial
- 6 953 604 $US
- Durée2 heures 4 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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