NOTE IMDb
8,2/10
19 k
MA NOTE
Somaieh, la plus jeune fille d'une famille indigente, se marie et la peur envahit chaque membre de la famille quant à la façon de surmonter leurs difficultés après son départ.Somaieh, la plus jeune fille d'une famille indigente, se marie et la peur envahit chaque membre de la famille quant à la façon de surmonter leurs difficultés après son départ.Somaieh, la plus jeune fille d'une famille indigente, se marie et la peur envahit chaque membre de la famille quant à la façon de surmonter leurs difficultés après son départ.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 20 victoires et 18 nominations au total
Payman Maadi
- Morteza
- (as Peyman Moaadi)
Avis à la une
First-Time director Saeid Roustayi captures Iranian culture, the current poverty epidemic that everyday Iranians face from a realistic standpoint. The performances, story and cinematography all allow us a realistic glimpse into this family, whose dealing with many issues. The film touches on a lot of Iranian taboos and cultural fallbacks on a surface level, and delves deep into others. The family business is struggling, one brother is addicted (solid performance from Navid Mohammadzadeh), another sister doesn't marry (big deal in iranian culture), one is divorced, and another plans to be married off to supposedly wealthy Afghan. The main character, portrayed brilliantly by Peyman Moaadi struggles to make wise business and family decisions, and it becomes taxing.
For fans of Iran's realist movement should watch this. I felt like this accurately captured Iranian culture, while also posing vital questions about the situations.
For fans of Iran's realist movement should watch this. I felt like this accurately captured Iranian culture, while also posing vital questions about the situations.
I highly recommend this movie to everyone who like to see how an impoverished life can be in Tehran.
Somayeh's found a way to make a leap, from the destitution her family's buried deep, it's an arrangement, there's no desire, no spark or glue or love or fire, but it takes her to a place off the scrapheap. It's a choice that causes chaos and confusion, as she's a pivotal part of the family institution, how will they cope when she has left, although they'll all feel quite bereft, but she's always made substantial contribution.
It's a wonderful piece of filmmaking with some top drawer performances that leave you under no illusion of what poverty and drug addiction can lead to. The story flows seamlessly, the dialogue is raw and realistic, as with the rest of this directors films, it drops you into a world you could hardly imagine, a world of people living on the edge.
It's a wonderful piece of filmmaking with some top drawer performances that leave you under no illusion of what poverty and drug addiction can lead to. The story flows seamlessly, the dialogue is raw and realistic, as with the rest of this directors films, it drops you into a world you could hardly imagine, a world of people living on the edge.
This is an extremely good realistic movie about a family and it's miserable members. If you don't understand Persian language, you may find it little difficult to read the subtitle and keep up the fast moving documentary style visuals at the same time. But, as the film progress, it's amazing, you will get into it completely. Each character is well defined, there is no good or bad, everything is situation driven. This is the reason I love Iranian films so much. Amazing job on the acting as well.
Le saviez-vous
- AnecdotesSaeed Roustayi's directorial film debut.
- ConnexionsReferences Rocco et ses frères (1960)
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Forever and a Day
- Lieux de tournage
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 52 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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