Perfetti sconosciuti
- 2016
- 1h 36min
Sept amis de longue date se réuissent pour manger ensemble. Lorsqu'ils décident de partager le contenu de chaque texto, email et appel téléphonique qu'ils reçoivent, de nombreux secrets comm... Tout lireSept amis de longue date se réuissent pour manger ensemble. Lorsqu'ils décident de partager le contenu de chaque texto, email et appel téléphonique qu'ils reçoivent, de nombreux secrets commencent à se dévoiler, l'équilibre frisonne.Sept amis de longue date se réuissent pour manger ensemble. Lorsqu'ils décident de partager le contenu de chaque texto, email et appel téléphonique qu'ils reçoivent, de nombreux secrets commencent à se dévoiler, l'équilibre frisonne.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 13 victoires et 16 nominations au total
Avis à la une
It has been almost a year since my last Italian film and now I'm happy for choosing this. I was not certain that I would like it till I saw it. So I would say same to you that see it first and then judge the product. This is really a good comedy-drama with a dark tone. We all adapted the modern way of life and gadgets makes so easy to accomplish things around us. In that, cell phones might come the first. Carrying it all the time became only next to wearing clothes, surely an artificial/digital sense of man. It also has some flaws, like it may land you in troubles as it's a part of AI, not human. I think it is easy to forecast a man's future by checking out his phone rather than his horoscope.
Seven friends, including three married couples and one single man gather for a dinner party. They have been doing it for a very long time and that's where they all can share each others current life affair. Having some laughs and serious discussions, it defines the strength of their relationship. Every occasions won't be the same, there's always a first time for everything. That's how the event comes crashing out.
While the party was going smooth, unexpectedly a game emerges that they all must place their phones on the table to prove they have no secrets from each other. Incoming and outgoing calls, texts, emails, everything must be heard by everyone at the table. What do you think would happen? Before saying anything, just place yourself in that position and do you think you can get away with a clean slate? Obviously tough to answer that, only practical observation would bring the result.
"He's seeing a therapist, not a whore! Come on!"
Every time when there's an alert for an incoming call or message, the atmosphere gets more tense and as a viewer I went blinkless. It is not about what people hid from others, it is the reaction in the room when their secret was exposed. This is when adults become teenagers who try to explain the stuff when their parents find out their secrets. And so the friends become complete strangers. Because friends must back each other in the bad times, but in this scenario, it was totally out of the proportion regarding their action. Okay, if we push away the friendship, then how's the married one should take it. Feels very simple, since everyone involved in something, it has turned out to be a complicated affair.
Like I said I've seen plenty of similar themed films, but this one was something unique in a simple way. There's a vast difference between what do you witness in the opening compared to how it concludes. A bad mouth can spoil a beautiful occasion, but now it is avoided since people learnt to shut their mouth. Just remember the film 'August: Osage County' and this film was no way close to it as a story, but developed to the next gen, the digital troubles the mankind had set to face. This film revealed how much a cell phone would cause trouble, then think what would happen with the robots of the tomorrow. Surely in 20-30 years from now, a similar film will be made with the bots.
At some point, I thought it might be the Italian version of the 'Coherence' for inclusion of lunar eclipse in the plot. I'm not going to say anything about that, you'll get it in your watch. There's no end twist, but it was an unexpected final scene. By then you will understand the meaning of the title. Awesome screenplay and well performed actors, this is one of the best films of the year so far. This is not a sci-fi or a thriller or a visual spectacular, but a smart little drama and I'm sensing that somebody might consider it for a remake. I know everyone won't like as much I did, but I won't end my review without recommending it. If you like talk movies, sure you does enjoy it.
8.5/10
The film is strong on individual performances, a facetious script and honest character building.
Recommended!
Paolo Genovese, an Italian director who in the past had made decent, yet never really remarkable efforts in Italian cinema has now come out with what is the best film of 2016 so far, the film you have to watch this year, a nail biting thriller, that takes your breath away with its first reveal and never lets you catch it back, not until long after the film has ended. If there is one feature you will have to look out for in 2016 this is the one to go for.
What is most surprising about what Genovese and all of his co-writers have achieved is how simple the whole thing is. It is a basic premise. It is shot unstylishly. The plot weave has two, three at best turn points. The packaging of the film is so simple it almost puts into discussion the visual nature of film itself. Yet, what Genovese does as a director and what the screenplay achieves with its tight and relentless pacing is filling all of the simple surface of the film with a dark and riveting twist that manages to hold the viewer's interest without ever calling attention on itself.
All of the scenes are shot with basic coverage. There is no shot in the film that calls attention to itself. Where this is compensated is with incredible blocking, masterful editing and overall impeccable timing. Just as Lumet in 1957 manged to make twelve men in a room visually interesting, Genovese, even if to a slightly lesser extent, manages to take this setting and charge every action and dialogue line with a climactic effort.
When confronted with such a screenplay a director has to realize he has to step back and make the lines breathe, make the actors relevant, give the dialogue a flow and a meaning, trying not to make it become irrelevant. That is what Genovese does and to a brilliant effect, just like last year Danny Boyle made Sorkin's words enlighten the screen with energy, the director here gives the dialogue the spotlight and supports it with one little action at a time, all of which prove to be genius moves.
It could be so easy to give all the credit to these brilliant actors, who admittedly rise to this occasion and give a collection of amazing performances, yet what Genovese those is so understated, so brilliantly unnoticeable it is the mark of a superbly directed movie. He walks perfectly the line between being a showman and being laid back, he ends up forging that perfect balance which makes every edit matter and what comes out on the other side is a white-knuckle thriller.
Still, this screenplay has to be taken into account as the primary reason of success for the feature. Its character outlining is remarkable, everyone of these people feels fully rounded, you can sense all of their history weighing in on their shoulders. Every line further develops the relation between these people and takes a step forwards in defining them, you simply cling to every word trying to get to know them, their reality feels so interesting you want to be a part of it. It has almost a voyeuristic nature that is not too unlike Hitchock's "Rear Window". Naturally all of these actors have their A-game on which is the final ingredient into the craft of this overwhelming film.
Were you wondering what film is missing from your catalog this year? Well here's this Italian one-room thriller that will take you by surprise and leave you with an ending that is brave and original, which seals the deal on the film and charges it with the most thematic effort it could have ever had.
The concept of the movie is so simple and makes it easy to watch and follow the plot. What I actually liked most is that you start thinking how much of yourself is there to reveal and how much could you be able to reveal to someone you have allegedly known your whole life. The truth is that people get anxious when you start browsing their mobile phones or computers without their control. Even if they maybe don't hide anything, they always believe there is a chance that something doubtful or too personal could be found. But we generally don't think about it because it is wrong for someone to stick his nose in our personal data shelter.
Anyway, the whole point is well interpreted throughout the movie. I started to wonder how bad that game could go. Combined with a likable Italian humor, this movie guarantees a perfect movie night. Just hope that people with whom you are watching it don't get similar ideas!
It has been a while I have been both touched by tears and laughter at the same time.
An incredible scenario, fantastically written, composed and acted upon. Interpersonal relationships at its finest.
The constant twists in the plot, along with great acting makes the movie to be fascinating from beginning to end.
If you like Woody Allen movies, you should definitely watch this one. Simply amazing!
Le saviez-vous
- AnecdotesIt has been remade over 20 times in many countries including Spain, Turkey, Mexico, South Korea, France, Hungary, Greece, India, China, and Russia. For this reason, it entered into the Guinness Book of World Records.
- GaffesAnyone who had something to hide could have easily switch the phone to flight mode, thereby blocking it from accepting messages or calls.
- Citations
Peppe: Eva, how do you know if you're in love?
Eva: Why are you asking me?
Peppe: You study these things.
Bianca: I'll tell you. If you talk to her for 30 minutes a day, you're in love.
Peppe: What if I talk for 60 minutes?
Carlotta: Then you're madly in love.
Lele: Then you stop talking, which means you're married!
- ConnexionsRemade as Teleioi xenoi (2016)
- Bandes originalesI Will Survive
Written by Freddie Perren (uncredited) and Dino Fekaris (uncredited)
Performed by Gloria Gaynor
Meilleurs choix
- How long is Perfect Strangers?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Perfectos desconocidos
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 32 207 491 $US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39:1