Suit le sergent de l'armée américaine John Kinley, et l'interprète afghan Ahmed.Suit le sergent de l'armée américaine John Kinley, et l'interprète afghan Ahmed.Suit le sergent de l'armée américaine John Kinley, et l'interprète afghan Ahmed.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 3 nominations au total
Christian Ochoa Lavernia
- Eduardo 'Chow Chow' Lopez
- (as Christian Ochoa)
James Nelson-Joyce
- Jack 'Jack Jack' Jackson
- (as James Nelson Joyce)
Gary Anthony Stennette
- Desk Sergeant
- (as Gary Stennette)
Avis à la une
Guy Ritchie's The Covenant is a great movie with an interesting story on an important subject matter. It has some intense action scenes and many moments of suspense. The music is fantastic, elevating every scene. That's now three movies where I've noticed a great musical score by composer Christopher Benstead, along with Wrath of Man and Operation Fortune.
Jake Gyllenhaal gives a great performance as usual. The surprise stand out is Dar Salim, who did a great job of getting me invested in his character and wellbeing. I wish Antony Starr (The Boys, Banshee) had a bigger role, but it was cool to see him have scenes with a star of Gyllenhaal's caliber. He's such a great actor and I continue to wait for him to get major movie roles.
I'm impressed with the subject matter covered here. It's so sad and needs to be addressed. It's not the first time the American government has broken promises or shirked responsibilities resulting in catastrophic outcomes for the people who put their trust in them. Some people will immediately call you unpatriotic for even bringing this up. But wrong is wrong, regardless of who does it.
(1 viewing, opening Thursday 4/20/2023)
Jake Gyllenhaal gives a great performance as usual. The surprise stand out is Dar Salim, who did a great job of getting me invested in his character and wellbeing. I wish Antony Starr (The Boys, Banshee) had a bigger role, but it was cool to see him have scenes with a star of Gyllenhaal's caliber. He's such a great actor and I continue to wait for him to get major movie roles.
I'm impressed with the subject matter covered here. It's so sad and needs to be addressed. It's not the first time the American government has broken promises or shirked responsibilities resulting in catastrophic outcomes for the people who put their trust in them. Some people will immediately call you unpatriotic for even bringing this up. But wrong is wrong, regardless of who does it.
(1 viewing, opening Thursday 4/20/2023)
You cannot go wrong with Jake Gyllenhaal. He should have won an Oscar by now as he is every bit as intense and talented as Leonardo DiCaprio. "The Covenant" starts out as what seems to be a garden-variety war movie, but with interesting off kilter shots and soundtrack, compliments of Guy Ritchie. Then it takes you to its main act, which capably veers away from action scenes to emphasize something human, honorable, and heartfelt. A surprising twist from a brutal, violent movie is that instead of the usual revenge theme, this is about "paying your debts" and doing something that redeems one's integrity. The journey to get there is quite intense, and Gyllenhaal finds himself an equally dramatic match with Dar Salim portraying Ahmed. His deep eyes say so much even when he is not saying anything.
Good story, well cast, acted & directed; I was gripped.
It's just good old fashioned film making. A great story. Clearly defined characters. The film is accessible & entertaining, leading you through a gamut of emotions.
I would argue it's Guy Ritchie's most accomplished film making to date. It's made in a very proficient & masterful way. It reminds me of Eastwood film making at its best.
As for the leads. Both men do an excellent job. You like them. You want them to succeed.
It's basically a very good film that's accessible which people will enjoy. Watch it. Sit back with some popcorn and enjoy.
It's just good old fashioned film making. A great story. Clearly defined characters. The film is accessible & entertaining, leading you through a gamut of emotions.
I would argue it's Guy Ritchie's most accomplished film making to date. It's made in a very proficient & masterful way. It reminds me of Eastwood film making at its best.
As for the leads. Both men do an excellent job. You like them. You want them to succeed.
It's basically a very good film that's accessible which people will enjoy. Watch it. Sit back with some popcorn and enjoy.
The least Guy Ritchie film Guy Ritchie has ever directed and I mean that in the nicest way possible, The Covenant (or officially Guy Ritchie's The Covenant for those that may not have known otherwise) is the British director's second box office bomb of 2023 but unlike Operation Fortune this Afghanistan set war thriller is Ritchie on top form, delivering a thrill a minute Hollywoodized romp that is one of the most well-rounded of the directors recent works.
A far cry from the likes of Snatch or The Gentleman, The Covenant is Ritchie dialling many of his trademarks way back while still managing to embed his Jake Gyllenhaal vehicle with the same type of energy, editing wizardry and character quirks that made him one of the most well-liked directors in the industry.
A completely fabricated tale inspired by work of local Afghani interpreters during the allied occupation of the country that lasted 20 years from the early 2000's until recent times, The Covenant is a white knuckle experience that follows Gyllenhaal's committed and no fuss Sergeant John Kinley and Dar Salim's (in a real breakout role for the performer) local interpreter Ahmed on a treacherous journey behind enemy lines when a seemingly routine operation their squad heads out on turns into a deadly battle to survive.
Delivered by the drone discovering Ritchie, backed by a rollicking score from composer Christopher Benstead and founded around the charismatic and committed turns from its two leads, The Covenant is far from a typical American war movie that is far more concerned with its characters than endless firefights and preaching and while those moments come and are undeniably well-staged by Ritchie and his team, its the small moments that make The Covenant more than just another big-budgeted Hollywood thriller.
Another addition to his wildly unpredictable and enjoyable new career phase that has moved on from quiet Oscar contenders and the odd bigger project to fully fledged Michael Bay/Road House remake era, Gyllenhaal brings his A-game here as Kinley and whether its shouting at an unfortunate phone operator or quietly pondering recent traumatic events in the wilds, Gyllenhaal is typically solid here and Salim matches him with the quiet but feisty Ahmed, both actors creating a likeable double bill of players that are hard not to be captured by.
A perfect Ritchie film for long time fans or those that may have never previously enjoyed his unique stylings or creativity, The Covenant may be easy to dismiss on face value but it's top notch Hollywood film-making in many ways and deserving of a much bigger audience than it was afforded in its cinematic run.
Final Say -
A rip-roaring war thriller with great lead turns that rarely lets up across a two hour runtime, The Covenant is in many ways a new type of film for Guy Ritchie that marks a new potentially exciting career move for the director to prove he's more than what many have pigeonholed him to be.
4 on hold phone calls out of 5.
Jordan and Eddie (The Movie Guys)
A far cry from the likes of Snatch or The Gentleman, The Covenant is Ritchie dialling many of his trademarks way back while still managing to embed his Jake Gyllenhaal vehicle with the same type of energy, editing wizardry and character quirks that made him one of the most well-liked directors in the industry.
A completely fabricated tale inspired by work of local Afghani interpreters during the allied occupation of the country that lasted 20 years from the early 2000's until recent times, The Covenant is a white knuckle experience that follows Gyllenhaal's committed and no fuss Sergeant John Kinley and Dar Salim's (in a real breakout role for the performer) local interpreter Ahmed on a treacherous journey behind enemy lines when a seemingly routine operation their squad heads out on turns into a deadly battle to survive.
Delivered by the drone discovering Ritchie, backed by a rollicking score from composer Christopher Benstead and founded around the charismatic and committed turns from its two leads, The Covenant is far from a typical American war movie that is far more concerned with its characters than endless firefights and preaching and while those moments come and are undeniably well-staged by Ritchie and his team, its the small moments that make The Covenant more than just another big-budgeted Hollywood thriller.
Another addition to his wildly unpredictable and enjoyable new career phase that has moved on from quiet Oscar contenders and the odd bigger project to fully fledged Michael Bay/Road House remake era, Gyllenhaal brings his A-game here as Kinley and whether its shouting at an unfortunate phone operator or quietly pondering recent traumatic events in the wilds, Gyllenhaal is typically solid here and Salim matches him with the quiet but feisty Ahmed, both actors creating a likeable double bill of players that are hard not to be captured by.
A perfect Ritchie film for long time fans or those that may have never previously enjoyed his unique stylings or creativity, The Covenant may be easy to dismiss on face value but it's top notch Hollywood film-making in many ways and deserving of a much bigger audience than it was afforded in its cinematic run.
Final Say -
A rip-roaring war thriller with great lead turns that rarely lets up across a two hour runtime, The Covenant is in many ways a new type of film for Guy Ritchie that marks a new potentially exciting career move for the director to prove he's more than what many have pigeonholed him to be.
4 on hold phone calls out of 5.
Jordan and Eddie (The Movie Guys)
This is not a war movie. This is not an action movie. This is cathartic experience of the releasing of a bond of sacrifice, honor and humanity. Take out all the all guns and violence and you are left with two men who went through hell together and once you go on that journey you don't come out the other side until both of you are resting at home in bed with your families. There is no need to explain anything to us. Guy Ritchie manages to show us a story in such a nuanced why, the the interpreter not only interprets language, he interprets eyebrow movements, the shape of some ones smile, a little look there. In fact a good interpreter is one that can interpret what is not said and what is not done in the correct way. The actor who plays Ahmed was absolutely engrossing, he was able to draw us in and care about who story merely by the way he shows us, not even what he says and does, I really hope he gets recognition for this film, maybe even a Best Supporting Actor Nod. Jake Gylenhall was flawless as always. You felt the hook that was in him, like it was a real physical thing and he heeded to take out, otherwise he would not live in peace and be only half a man by not fulfilling his commitment, a commitment not spoken about it words but in sacrifice. I put this film in the same class of great Afghanistan war movies as 'Lone Survivor' (2013) as one of the best films ever made about the war in a Afghanistan. Long after the credit roll you are still left with their stories stuck in your head. Well done to the whole cast and crew for putting something together that I believe will become a timeless masterpiece.
Le saviez-vous
- AnecdotesAfter the negligent discharge of a firearm that resulted in the tragic death of one woman on the set of Rust (2024) in 2021, Guy Ritchie strictly enforced that there would be absolutely no real guns on the set of this film. All firearms shown throughout the film are air-soft guns (BB guns) or rubber.
- GaffesDuring the video chat with his wife, John Kinley's webcam cover is on.
- Citations
Sergeant John Kinley: You are out of your bounds, Ahmed. You are here to translate.
Ahmed: Actually, I'm here to interpret.
- Crédits fousAs the end credits roll, photographs of real-life soldiers with Afghan interpreters are shown.
- Bandes originalesA Horse with No Name
Written by Dewey Bunnell
Performed by America
Courtesy of Warner Records
By arrangement with Warner Music Group Film & TV Licensing
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- How long is The Covenant?Alimenté par Alexa
Détails
Box-office
- Budget
- 55 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 16 938 039 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 380 188 $US
- 23 avr. 2023
- Montant brut mondial
- 21 948 551 $US
- Durée2 heures 3 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What was the official certification given to The Covenant : Mission en Afghanistan (2023) in Canada?
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