Un commandant de char grisonnant doit prendre des décisions difficiles alors que son équipage et lui-même se frayent un chemin à travers l'Allemagne en avril 1945.Un commandant de char grisonnant doit prendre des décisions difficiles alors que son équipage et lui-même se frayent un chemin à travers l'Allemagne en avril 1945.Un commandant de char grisonnant doit prendre des décisions difficiles alors que son équipage et lui-même se frayent un chemin à travers l'Allemagne en avril 1945.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 6 victoires et 23 nominations au total
Brad William Henke
- Sergeant Davis
- (as Brad Henke)
Avis à la une
War is hell. It is a macabre sarcasm of Life. It perverts all normal socially-accepted truths. And, in such a hell, only demons can survive -- - only demons can know how to excel.
War Daddy (the inhuman, nearly immortal, soulless, progenitor of all destruction) says it best: "We're not here for 'Right or Wrong'... we are here to kill them."
Perhaps, one imagines that there will be peace and happiness, beyond the unrelenting violence... but, after such implacable destruction, not only of lives... but of Life... what consolation can there be?
Every chicken-hawk, war-mongering coward, should be required to witness this film. It is harrowing. It is cleansing. It teaches that violence begets violence. All that is pure and good, is destroyed by war... and it is only the purity of goodness, that restores goodness after the war is over. One wonders if it does any good to know the fact... for the demons in charge refuse to learn. And their deaths, after a time, proves nothing.
I am filled with unrelenting sadness over this film. Its perfection shall go on, unappreciated. Its unblinking honesty will go on, unheeded. For, there will be other wars (there are many, now). There will be other demons, who's lust for conquest will obliterate everything they know... even/especially the things they profess to love.
Because war is hell, and paradise does not exist in this realm... or, even after. The perversity of war... the final image... testifies to this fact. Life with war, is tainted. A poisoned well does not come clean.
War Daddy (the inhuman, nearly immortal, soulless, progenitor of all destruction) says it best: "We're not here for 'Right or Wrong'... we are here to kill them."
Perhaps, one imagines that there will be peace and happiness, beyond the unrelenting violence... but, after such implacable destruction, not only of lives... but of Life... what consolation can there be?
Every chicken-hawk, war-mongering coward, should be required to witness this film. It is harrowing. It is cleansing. It teaches that violence begets violence. All that is pure and good, is destroyed by war... and it is only the purity of goodness, that restores goodness after the war is over. One wonders if it does any good to know the fact... for the demons in charge refuse to learn. And their deaths, after a time, proves nothing.
I am filled with unrelenting sadness over this film. Its perfection shall go on, unappreciated. Its unblinking honesty will go on, unheeded. For, there will be other wars (there are many, now). There will be other demons, who's lust for conquest will obliterate everything they know... even/especially the things they profess to love.
Because war is hell, and paradise does not exist in this realm... or, even after. The perversity of war... the final image... testifies to this fact. Life with war, is tainted. A poisoned well does not come clean.
I can gladly say that David Ayer's World War II flick 'Fury' lived up to my expectations. The audience are confronted with the horrors of war, accompanied with some truly spectacular well-crafted battle scenes that proves Ayer's desire to create something new and profound. Ayer keeps the gritty realism he employed on his other acclaimed films only this time uses it to depict the journey of a tank crew in Germany in 1945. The performances are strong from Brad Pitt, Logan Lerman and even Shia LaBeouf has proved he has a hidden acting talent after his heyday on the set of 'Transformers'. An emotional war-drama that packs a punch with visceral action scenes and an atmospheric score, definitely worth a watch.
I would have given this movie a 10-star rating if not for the last 30 minutes. The first 90 minutes perfectly showed how every war is ugly and disgusting. The Americans, although on the side of the justice and righteousness, were equally ugly and disgusting on the battlefield. Unfortunately, the last 30 minutes of the movie tried to turn it into a heroic story, which was not in accordance with the first 90 minutes and became a political propaganda of USA.
When one watches this movie you need to keep in mind that not all war movies are the same and the focus of the movie depends on who made the movie, how it was made and who is watching it? Make sense...of course not but in a nutshell keep an open mind. Is it about war? Yes some of it is. It is about bonding and camaraderie? Yes of course, it highlights strained relationships in very stressful and violent situations. I enjoyed the movie and being ex military in the 3rd Armour Division you do tend to pick things out BUT I could do that in just about any military movie I have seen especially from WWII to date. Without being too specific I spotted armor and infantry tactical strategies which confused me a bit but other than that I did enjoy this movie. War is ugly and this movie does not miss that point.
Reviewer after reviewer criticizes this movie for its phony depictions of the war, clichés and unrealistic battle scenes. There is only one significant fact that is crucial to know when it comes to the accuracy of the depiction; Shermans were going to be your coffin in a face-off with a Tiger. If you want serious historical detail then consider watching a WWII documentary. I think the overall depictions were secondary and only serve as the backdrop for the director's real message which was the painful slow process of the relationship that was built between these guys in a tragic situation. I think Ayers did a masterful job at this. You think Brad Pitt is a second rate actor? Watch his facial expressions during the scenes in the room with Logan Lerman and the 2 women; Watch his nervous breakdowns. Watch him in the "Why are you such an asshole?" scene. Watch him as he jokes with his guys about Hitler and chocolate bars. Even with Wardaddy's personal weaknesses, by the middle of the movie you understand why these guys liked, admired and respected him, and I'll bet you do also. His timing and delivery, in my opinion, are better than Tom Hanks on this best day. Watch LaBoeuf's nervous leg, and a list of other endearing nuanced details; He plays a very convincing religious proselytizer. During the tank battle if you didn't feel like your life was threatened then you were probably on xanex. I'm not sure that there is another film that conveys this kind of claustrophobic camaraderie from a tank crew's viewpoint. If there is, I've never seen it.
Le saviez-vous
- AnecdotesThe second time a genuine Tiger I tank has been used in the production of a WWII film. It features "Tiger 131" from the UK's Bovington Tank Museum, the only fully functioning Tiger I tank in the world.
- GaffesAll Sherman tank hatches are secured, or otherwise lockable, from the inside. The Fury crew would have never left one unlocked for the Germans to open from outside the tank.
- Citations
Boyd 'Bible' Swan: Wait until you see it.
Norman Ellison: See what?
Boyd 'Bible' Swan: What a man can do to another man.
- Crédits fousReal Word War II archive footage is shown during the first part of the end credits.
- Bandes originalesThe Old Rugged Cross
Written by George Bennard
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
- How long is Fury?Alimenté par Alexa
- What was the timeline for Fury? How much time passed between Norman joining the crew and the final battle?
- Did any Shermans or for that matter any tanks have an escape hatch located at the bottom of the tank?
- Does Alicia von Rittenberg do her own singing when Emma sings along with Norman's piano playing?
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Corazones de hierro
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 68 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 85 817 906 $US
- Week-end de sortie aux États-Unis et au Canada
- 23 702 421 $US
- 19 oct. 2014
- Montant brut mondial
- 211 822 697 $US
- Durée2 heures 14 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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