Ajouter une intrigue dans votre langueSet in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.Set in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.Set in the early 1960s and during the era of Vatican II, a young woman in training to become a nun struggles with issues of faith, the changing church and sexuality.
- Récompenses
- 5 victoires et 14 nominations au total
- Sister Genevieve
- (as Lisa Stewart Seals)
- Cathleen Age 7
- (as Eliza Mason)
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Couple of comments: this is the feature length debut of writer-director Maggie Betts, And what a debut it is! Betts takes a close look at what the road is like towards becoming a nun, with a 6 months postulate and then the 18 months novitiate. These are all young women with an idealistic view of the Catholic church. In a parallel story, Betts also examines the consequences of the Vatican II reforms. The Reverend Mother who runs the convent is entirely opposed to any ref0rms. "Isn't the church just perfect as it is?", she retorts when a younger nun questions her. As one might expect, the pace of the movie is quite slow and deliberate, so this isn't for anyone in a hurry. At times it almost feels like a documentary. I was bowled over by it all, to be honest, and felt deeply invested into these characters. There are a number of scenes in the movie that will break your heart (the disbelief of Kathleen's mother upon learning what Kathleen intends to do with her life; the "chapel of faults"--I shan't say more...). As it plays out, one can't help but be reminded of "The Nun's Story" starring Audrey Hepburn (when asked why she decided to become a nun, one of the young ladies refers to that movie). The movie is helped enormously by several towering performances: Melissa Leo as the Reverend Mother is outstanding, but even better is Margaret Qualley as Kathleen (in one of her first movie roles--she is best known for her recurring role in HBO's The Leftovers). Qualley reminded me physically immediately of a younger Kirsten Stewart. The range of emotions that Qualley is able to convey on the big screen makes it very clear to me that this is a major up-and-coming talent, the last of which we surely haven't seen. Same can be said of writer-director Maggie Betts. If it sounds like I am gushing about this movie, you bet I am. This movie is for me one of the best I have seen this year.
"Novitiate" premiered at this year's Sundance Film Festival to immediate critical acclaim. No idea why it's taken so long to reach my local art-house theater here in Cincinnati, but better late than never. The Saturday evening screening where I saw this at was attended very nicely. You could hear a pin drop, as the theater was enraptured by this film. If you are in the mood for a probing psychological drama that poses some serious questions about religion and faith and features several stunning acting performances, you cannot go wrong with this, be it in the theater, on VOD or eventually on DVD/Blu-ray. "Novitiate" is HIGHLY RECOMMENDED!
Wow, the film may be slow to build up for the finale, but the finale is very profound. I am still rendered speechless and am very saddened by the unintended consequences of the reforms. Having the entire world and the entire reason of existence being invalidated is unimaginable. The film finished for twenty minutes already and I am still having a heavy chest. It is a very profound film.
The film is about a group of young girls who pledge themselves to become nuns. The film takes place somewhere in the early 70's, so there were many taboo elements including discovering sexuality that were just frowned upon at the time, especially at a Catholic school. The mother superior in the film is stern and cold but times are changing and the students discover the tolls that their pledged lifestyle takes on them and find out who they really are.
Margaret Qualley and Melissa Leo are just stellar in this film. Leo is always consistently good and she is just born to play the roles such as the Reverend mother in this film. The set and costume design is sleek and seems authentic for the time period and religious backdrop. Its a film that questions religion and how much of ourselves we can give to God. I find it interesting that the filmmaker had such a creative effort and if there were any personal influences in making the picture.
There is a crisis of faith and exploring human sexuality, which directly interferes with the practices of the sisterhood in the film. Its a good watch, although I think the film could have been shorter. It doesn't always work and probably will fizzle out as the year goes on but for real film lovers like myself its something to check out and form an opinion for.
7/10
As the movie progresses, I started to believe that her mother was right. Young women who want to love and serve Jesus are systematically brutalized and humiliated by the Reverend Mother (Melissa Leo). In fact, the Reverend Mother appears consumed by her desire not to allow the young women to think. She also makes it difficult for them to bond with each other. She demands total and absolute obedience from all the women--postulants, novitiates, and nuns.
Then, Vatican II ends, and the Catholic church wants to modernize and change. Whether this is good news or bad news for the nuns is an open question in the context of this movie.
You'll have to see the movie to learn what happens to Sister Cathleen and the other novitiates. We saw this film at Rochester's excellent Little Theatre, but it will work on the small screen. As I write this review, the movie has a anemic 6.7 IMDb rating. I think it's better than that.
On a whim Nora takes Cathleen to the local Catholic church, her mother is not religious in the least, but thinks Cathleen should at least have some exposure to church. Cathleen is immediately in awe of the church and it's teachings. When the opportunity to attend a Catholic school comes up, her mother is hesitant, but agrees to let her attend when she is told there are full scholarships available. Cathleen is a quiet, shy girl and makes few friends in the years that she attends. She immerses herself in her studies and her faith. When Cathleen announces to her mother she is entering the convent to become a nun her mother is aghast and begins to think Cathleen has lost her mind. Cathleen listens to her mother's rants, does not say a word in response, and then simply walks away.
Cathleen and nineteen others enter into the convent for a variety of reasons, but none as single minded as Cathleen. Just as she's entering the Sisters of the Beloved Rose convent, Vatican II (1962-1965) is underway which will forever change the Catholic church. Mother Superior (Melissa Lea) has spent forty years at the convent and believes there is no reason for the church to consider its relationship with society or other religions and continues to ignore the Vatican's new direction. She has spent her entire life within the walls of the convent and acknowledges she does not, nor does she want an identity outside of that.
Cathleen undergoes emotional, mental, physical, psychological, sexual, and spiritual self examination as do all who have entered the convent. In the end, only five of the twenty will become "brides of Christ" and become nuns. Her mother can only observe from the outside her daughter's journey and hopes to reunite with her one day soon.
Great movie for people who don't know much about the Catholic church and the changes they've made in attempt to be "more modern." One of the lesser know facts is over 90,000 nuns left their vocations during Vatican II due to those changes, one of which was nuns were no longer required to wear their habits. Word of caution: Not for younger viewers due to sex scenes.
Le saviez-vous
- AnecdotesShot in Tennessee.
- GaffesToward the end of the movie, as a nun undresses, she is completely nude under her habit. It would have been rare that any nun would not have on some sort of undergarments in the 1960's.
- Citations
Reverend Mother: I can feel you, right next to me, for so long. With me all that time, my darling husband. And now you've abandoned me! And you hoped that I would lose faith in you? You imagined that I would just walk out those gates? I cannot. I made a commitment forty years ago. And even if you choose to turn your light from me forever... I am yours. Oh, my darling husband.
- ConnexionsReferences Au risque de se perdre (1959)
- Bandes originalesPie Jesu
Written by Gabriel Fauré
Meilleurs choix
- How long is Novitiate?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Genç Rahibeler
- Lieux de tournage
- Scarritt Bennett Center, Nashville, Tennessee, États-Unis(The convent of the Order of the Sisters of Blessed Rose)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut aux États-Unis et au Canada
- 580 346 $US
- Week-end de sortie aux États-Unis et au Canada
- 22 724 $US
- 29 oct. 2017
- Montant brut mondial
- 580 346 $US