Franky

SYNOPSIS: Franky (Josh Wiggins) and Ballas (Darren Mann) are popular high school swimmers and are also best friends. After sharing an intimate act together at a party when everyone left, Franky is left questioning his sexuality as Ballas slanders Franky to other students.

REVIEW: A hidden gem is exactly how I'd describe this film. Came out very early in 2019 and for some reason no one was talking about it. It wasn't marketed much at all. In fact, I only saw it because one day I decided to check my theater that gets independent films early sometimes and I watched the trailer to this.

This coming-of-age film is really grounded and touches on sexuality in a very sincere a real way. I'm heterosexual, however, I've had gay friends and I've heard plenty of stories of how people are treated when coming out. I loved the dynamic of Franky having this sexual act with his friend and still denying being gay. I feel that's a very real thing. Also, having gone a few years hating his father for leaving his mother after revealing himself as homosexual. Then still having a hard time having the courage to go to his father for advice. Josh Wiggins is incredible at playing this character and really emulating someone going through an incredibly tough and confusing situation while also being very young and KYLE MacLachlan was great as his father. You also see how his best friend handles the situation, which is by slandering Franky in order to save face. A very toxic way to handle this, but it was also believable to me to see this exterior "alpha" feeling the need to survive in his environment and prove to still be "strong" due to the mis-directed thought that you can't be yourself and be strong at the same time. I truly hope that more people end up seeing this film one way or another. If you're reading this... it's not too late. I don't care what drake says. Go see it. 8.3/10.

This film tells an engaging story of two teenage guys. I like Natasha as well, she's really sweet. The ending is quite open ended though, I would have liked more closure.

It never would have happened if we weren't wasted.

Just like in chemistry class at the start of the film, there's a lot of intense experimenting among the youngsters in this movie. Especially sexually. However, when this experimenting turns out bad for Ballas (Darren Mann), he starts losing his mind. Because it could be detrimental to his reputation as a tough stallion who prefers to brag about the number of times he did it with his girlfriend. His blood brother, friend for life and partner in crime Franky (Josh "Walking Out" Wiggins) suddenly becomes the feared enemy. Franky is treated as a purebred pariah whose proximity causes paranoid reactions. As if he's the carrier of disgusting STDs. From one day to the next, Franky belongs to the camp of the outcasts in a youth community where popular teens, who measure up to the ideal of beauty, are in charge and seem to lay down the standard rules for acceptance.

"Giant Little Ones" belongs both in the category of "Coming of age" films and the category containing films with a gay/lesbian theme. Now about that last item. The film deals with that topic in a clever way. And this by not explicitly revealing anything about the actual sexual orientation of the persons involved. At the end of the film, we still don't know whether Franky or Ballas should come out of the proverbial closet. And that makes "Giant Little Ones" a film that feels authentic. As in reality, some people need a lot of time to discover their sexual preferences. The only personage in this film who does this coming-out is Franky's father (a limited but defining role played by Kyle "Twin Peaks" MacLachlan). A situation that causes conflicting feelings for Franky. On the one hand, there is a love-hate relationship between him and his father. Its the opinion of Franky that Ray has disrupted the ideal family portrait and that he abandoned them. On the other hand, Franky starts to have doubts regarding his sexual orientation. There's the question of whether or not he has inherited genetic material from his father.

The whole fuss starts when Franky and Ballas go to bed and sleep there together after a hellish birthday party, during which excessive alcohol and probably other mind-altering drugs are consumed. Initially, it all looks like a perfectly normal idea. Two friends sleeping in the same bed. Although, they both are in a questionable state. And all this because the plans Franky had with his so-called girlfriend Priscilla, failed that evening. That's why they ended up together, instead of fooling around with their girlfriends. Anyway, it's abundantly clear that their friendship reached a completely different level that evening. Blurred images of someone tossing and turning plus one of the two fleeing the scene early in the morning, are both good indications to back this up. When afterward Ballas takes a distant demeanor (or even better, an aggressive, hostile attitude) and visibly doesn't want any contact with Franky anymore (and other fellow students as well.

Josh Wiggins' acting is outstanding. A fresh young man who on the one hand effortlessly is invited to the club of popular boys and at the same time has an attitude as if this reputation doesn't really interest him. Darren Mann also played a convincing role and was the perfect choice to play the role of Ballas. He has a charisma that fits such a guy who makes peers' lives miserable because they are less fortunate when it comes to appearance and heritage. Such a kid who must uphold his reputation with his fellow confreres and therefor degrades himself to harassment and play that annoying tough-guy routine. And of course, such a person is idolized by members of the opposite sex who practice the same standards. Let's try and describe such a girl. A blond bimbo with a shockingly low IQ whose sole purpose in life is to open her well-shaped, slender tanned legs wide open as quickly as possible in such a way that this popular jock can get his kicks. A victory for the young lady in question whose reputation goes sky-high among like-minded female souls. And finally, I think Taylor Hickson's role was the most moving.

Visually, "Giant Little Ones" isn't really spectacular. But narratively speaking, it's an excellent, almost brilliant film. The film shows how fake a part of American youth is. A plastic payment card has more character and charisma than most of those mannequins from posh circles. Not only these cartoonish fake persons with their derogatory and homophobic behavior are being presented here. But also those who stay true to themselves, are put in the spotlight. The message "Be yourself" is extensively displayed here. The hilarious lesbo Mouse (Niamh Wilson) in particular loudly proclaims this message by doing things the way she likes it. "Giant Little Ones" has both emotional and funny moments. And what it mainly did, was surprise me. In a positive way, that is.

More reviews here: movie-freak.be

This is a very well made, well cast film. The main subject is adolescence, and how painful it can be. While most of the reviews here seem to be wholly focused on the sexuality aspect, it is also largely about how teens navigate the ebbs and flows of their social relationships, both with their peers and with their parents. Sexual experimentation is on view, to be sure, as is unchecked homophobia and the havoc it can wreak. The film presents no easy resolutions to the problems encountered along the way. Just like real life.

Unsentimental and smart portrayal of what happens in your upper middle class suburb when your alpha bff and high school swim teammate gets wasted one night and goes down on you, and you're pretty much ok with it but he can't deal with it. No maudlin cliches here, no soft core exploitation. The boys (20-ish performers playing 16 - 17) are preternaturally beautiful and very good actors, and that is enough -- intelligent suggestions of sex, locker room nudity, etc keep us in the story, and serve to evoke in us a sense of the reality of lust and sexual tension better than any literal exhibition of their flesh, or graphic erotic simulations ever could -- while at the same time the film is not at all coy about the fact that it is about the vagaries of adolescent attraction, both physical and emotional. It's kind of like an extended DeGrassi episode minus the lovable stupidity, and with a high degree of realism. This is evolved, aware film making -- not epic in scale like BROKEBACK, it only plays a few notes, but plays them very well. The actors never fail us -- the leads as well as those playing the parents and siblings, who thankfully are fully realized and have their own individual character arcs. Josh Wiggins in the lead, suggests a mix of young DiCaprio and young Matt Damon in looks, skill, vulnerability and honesty. Darren Mann as his troubled friend alternately broods and explodes like a young Brando. The two convey a deep, unexamined connection, fueling the action of the piece. A seasoned Kyle MacLachlan as an estranged gay dad mines subtle acting gold from an almost too-saintly deus ex machina voice of reason role. Everybody is good in this, without exception. All that and a comic nonbinary pal struggling to find the perfect prosthetic to stuff in their pants . . .