The Circle
- 2017
- Tous publics
- 1h 50min
NOTE IMDb
5,4/10
103 k
MA NOTE
Une femme décroche un emploi de rêve dans une puissante entreprise de technologie appelée le cercle, uniquement pour découvrir un programme qui touchera à la vie de l'humanité tout entière.Une femme décroche un emploi de rêve dans une puissante entreprise de technologie appelée le cercle, uniquement pour découvrir un programme qui touchera à la vie de l'humanité tout entière.Une femme décroche un emploi de rêve dans une puissante entreprise de technologie appelée le cercle, uniquement pour découvrir un programme qui touchera à la vie de l'humanité tout entière.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 4 victoires et 1 nomination au total
Nick Valensi
- Beck Bandmate
- (as Nicholas Valensi)
Julian von Nagel
- Julian
- (as Julian Von Nagel)
Amie McCarthy Winn
- Marion
- (as Amie McCarthy-Winn)
Avis à la une
I don't get it, how did this movie end the way it did? What was that? The story was built up but never ended, it's like it's just half a movie.
The movie is a waste of time simply because it doesn't go anywhere. They create a scene, introduce characters, start the narrative and then, out of nowhere, it just ends.
Did the crew forget a bunch of pages from the script in the printer?
Another question is, how is it a thriller? Maybe back in 2017 the scene in itself was horrifying (no it was not). Anyways, here on Earth in 2023 companies as the Circle are mandane and the whole set up is not enough to thrill anyone.
I loved Karen Gillan here, heck, the whole cast was good, the idea and teased moral is timeless, but the plot is a total mess. It's a pity though because it felt like it led somewhere.
The movie is a waste of time simply because it doesn't go anywhere. They create a scene, introduce characters, start the narrative and then, out of nowhere, it just ends.
Did the crew forget a bunch of pages from the script in the printer?
Another question is, how is it a thriller? Maybe back in 2017 the scene in itself was horrifying (no it was not). Anyways, here on Earth in 2023 companies as the Circle are mandane and the whole set up is not enough to thrill anyone.
I loved Karen Gillan here, heck, the whole cast was good, the idea and teased moral is timeless, but the plot is a total mess. It's a pity though because it felt like it led somewhere.
Director James Ponsoldt's The Circle depicts the story of a not-so-distant future, or perhaps an alternative present, in which one company dominates digital media, data gathering, and surveillance services. Based upon the four-year-old novel by author Dave Eggers, you'll notice some stark similarities between this motion picture narrative and the smash hit TV series Black Mirror. The biggest difference between the two is that The Circle is fast-faced and poorly written whereas Black Mirror is a slow-burning but well-written anthology series. In addition to the similarities between the aforementioned, there are certainly elements of The Truman Show in this movie as well. With a powerhouse cast, brilliant composer (Danny Elfman), and excellent editing, The Circle appears to have what a blockbuster needs; however, the hollow characters, poor character development, fractured subplots, and overall diegesis hold the film back from reaching the impact that it could have had. Having taken a digital media and privacy class in graduate school, and published a few articles, this is a film that I was looking forward to in order to analyze how the social commentary or commentary on the human condition regarding reasonable expectations of privacy and big data were integrated into the plot. Sadly, the screenplay was not strong or developed significantly enough to provide big data and privacy discussions.
Mae Holland (Emma Watson) hates her job at the water company, so she is incredibly excited when her friend Annie (Karen Gillan) lands Mae an interview at The Circle, the world's most powerful technology and social media company. Mae's fear of unfulfilled potential impresses the recruiters at The Circle and she lands the opportunity of a lifetime. After Mae puts herself into harm's way but rescued, thanks to The Circle's newest surveillance and data gathering system, she is encouraged by the company founder Eamon Bailey (Tom Hanks) to take a more active role in technology development by participating in an experiment that puts Mae's life on display for the world (in the vein of The Truman Show) to see. Once Mae turns on that camera, she has more "friends" than she ever imagined and becomes an instant online celebrity. Unfortunately, this decision will affect those closest to Mae and the negative ramifications will reach far beyond her inner circle and begin to impact humanity at large. Sometimes, people just don't want to be found or be "social."
For all The Circle has going for it, the weak screenplay keeps it from being the blockbuster that it so desperately wants to be. A great movie typically begins with solid writing, and that is what's missing here. After five minutes (or so it seems) of opening title logos, perhaps that is indirect evidence that there were just too many hands in the pot, each trying to take the movie's narrative in a different direction. Much like Frozen plays off like two different movies crudely sewn together, The Circle appears to be one movie for the first two acts, but takes an unexpected and unfulfilling turn in the third. A couple of conspicuous unanswered questions come after Mae meets TrueYou designer and founder Ty (John Boyega). He designed the platform that launched The Circle. At one point he asks Mae to meet him in a secret tunnel (where all the servers are stored) and tells her that "it's worse than I thought." Great opportunity to introduce intrigue, suspense, and more. The problem is that the audience is never told what Ty finds or what happens with what he found. You can remove that whole subplot and the movie remains the same. There are other subplots that are nicely introduced, but never carried out as well. Any or all of them can be removed and the film proceeds the same. Not good. If you can remove several subplots or unfulfilled turning points and the film's diegesis remain largely untouched, then you have poor writing. The third act in and of itself leaves audiences with a hurried ending that does little to provide closure to the narrative; however, it does support the film's circular logic and irony. Hardly satisfying.
In terms of the allegory here, The Circle is a Google-like company with Apple's technology. Eamon Bailey is a Steve Jobs type innovator with characteristics of Mark Zuckerberg and Google's Eric Schmidt. Thankfully, The Circle does not represent any one company, but rather combines all the most notable innovations and technological achievements of Google, Apple, Facebook, Instagram, and more into one globally dominating company. Antitrust issues are introduced early on, but again, that's never fully developed. The movie highlights many issues faced by private citizens, governments, and digital data driven companies today; therefore, it sets the foundation for a movie that could have been thought-provoking, but the writing hinders that ability. The irony in the movie is for every digital answer to streamlining services or bolstering conveniences, a little privacy is eroded each time. Pretty soon, if one shares enough information, the idea of privacy is extinct. Privacy was central to the plot, but it just wasn't handled in the most effective way. Concepts such as "off the grid," self-proclaimed "celebrity," and "calls to action" are displayed and discussed in the film, connecting this augmented reality to real-world issues each of us encounter or think about. One particularly interesting theme in the movie is deep friendship. Unfortunately, this was not fully fleshed as is the case with most of the movie; but still, it does get touched upon.
If you were hoping for another film like the brilliant Social Network, then you will undoubtedly be disappointed. Films such as The Circle should be memorable, but unfortunately this one is very much forgettable. Coincidentally, the movie itself is as hollow as the plot and characters.
Written by R.L. Terry
Edited by J.M. Wead
Mae Holland (Emma Watson) hates her job at the water company, so she is incredibly excited when her friend Annie (Karen Gillan) lands Mae an interview at The Circle, the world's most powerful technology and social media company. Mae's fear of unfulfilled potential impresses the recruiters at The Circle and she lands the opportunity of a lifetime. After Mae puts herself into harm's way but rescued, thanks to The Circle's newest surveillance and data gathering system, she is encouraged by the company founder Eamon Bailey (Tom Hanks) to take a more active role in technology development by participating in an experiment that puts Mae's life on display for the world (in the vein of The Truman Show) to see. Once Mae turns on that camera, she has more "friends" than she ever imagined and becomes an instant online celebrity. Unfortunately, this decision will affect those closest to Mae and the negative ramifications will reach far beyond her inner circle and begin to impact humanity at large. Sometimes, people just don't want to be found or be "social."
For all The Circle has going for it, the weak screenplay keeps it from being the blockbuster that it so desperately wants to be. A great movie typically begins with solid writing, and that is what's missing here. After five minutes (or so it seems) of opening title logos, perhaps that is indirect evidence that there were just too many hands in the pot, each trying to take the movie's narrative in a different direction. Much like Frozen plays off like two different movies crudely sewn together, The Circle appears to be one movie for the first two acts, but takes an unexpected and unfulfilling turn in the third. A couple of conspicuous unanswered questions come after Mae meets TrueYou designer and founder Ty (John Boyega). He designed the platform that launched The Circle. At one point he asks Mae to meet him in a secret tunnel (where all the servers are stored) and tells her that "it's worse than I thought." Great opportunity to introduce intrigue, suspense, and more. The problem is that the audience is never told what Ty finds or what happens with what he found. You can remove that whole subplot and the movie remains the same. There are other subplots that are nicely introduced, but never carried out as well. Any or all of them can be removed and the film proceeds the same. Not good. If you can remove several subplots or unfulfilled turning points and the film's diegesis remain largely untouched, then you have poor writing. The third act in and of itself leaves audiences with a hurried ending that does little to provide closure to the narrative; however, it does support the film's circular logic and irony. Hardly satisfying.
In terms of the allegory here, The Circle is a Google-like company with Apple's technology. Eamon Bailey is a Steve Jobs type innovator with characteristics of Mark Zuckerberg and Google's Eric Schmidt. Thankfully, The Circle does not represent any one company, but rather combines all the most notable innovations and technological achievements of Google, Apple, Facebook, Instagram, and more into one globally dominating company. Antitrust issues are introduced early on, but again, that's never fully developed. The movie highlights many issues faced by private citizens, governments, and digital data driven companies today; therefore, it sets the foundation for a movie that could have been thought-provoking, but the writing hinders that ability. The irony in the movie is for every digital answer to streamlining services or bolstering conveniences, a little privacy is eroded each time. Pretty soon, if one shares enough information, the idea of privacy is extinct. Privacy was central to the plot, but it just wasn't handled in the most effective way. Concepts such as "off the grid," self-proclaimed "celebrity," and "calls to action" are displayed and discussed in the film, connecting this augmented reality to real-world issues each of us encounter or think about. One particularly interesting theme in the movie is deep friendship. Unfortunately, this was not fully fleshed as is the case with most of the movie; but still, it does get touched upon.
If you were hoping for another film like the brilliant Social Network, then you will undoubtedly be disappointed. Films such as The Circle should be memorable, but unfortunately this one is very much forgettable. Coincidentally, the movie itself is as hollow as the plot and characters.
Written by R.L. Terry
Edited by J.M. Wead
Robbie K back, after being off the grid for a week. Tonight's review is on the latest "dystopian" feature film called The Circle. Former Hermione Granger, and more recently Belle, Emma Watson leads the film as she attempts to take us into the workings of a technological conglomerate who has knowledge as its key principle. Yet the trailers paint a much darker secret hidden in its stony walls, one that promises to be a real nail biter. Will this movie deliver those thrills, or are we stuck with another wash out? I'll do my best to answer that question, so sit back, and please read my latest thoughts.
LIKES:
Nice tool development Emma Watson Culturally Relevant Film Solid Moral Lesson
Summary: We all know technology is becoming the heart of the world, if not already the heart of this country. And certainly, we all know that these technological marvels often require laborious development and maintenance to get the bugs out. The Circle portrays this very well, helping to develop the very tool that we all love. Throughout the journey, you'll get to see the development of the two-faced beast that is technology, and how it requires tweaking to get just "right". Not the highest selling point for a movie, but pretty cool.
Of course, we all know many are going to go for the lovely Ms. Watson, to support the super actress they adore. Good news, Watson does a solid job holding up most of the movie, as she is primary the only main character of the film. Watson brings her charm to the screen once more, portraying intelligence, fortitude and inspiration in a manner that many will latch on to. Her accent is pretty sound (though it fluctuates at times), but she manages to deliver her lines with a decent balance of emotion, to sell her points most of the time.
Yet the biggest strength of these movies is how culturally relevant it is to the audience. If you didn't gleam it from the trailers, The Circle is essentially a modernized version of the novel 1984 that once more addresses the issues of control, life sharing, and privacy. The film is certainly very political, but has a number of powerful lessons to teach about the place of technology and how easily it can be twisted. I myself liked the comments from Emma's followers, a fantastic representation of the shallow, superficial, and often selfish focus that the internet provides. The scenes are well developed to deliver the full emotional punch, which while not the most unique, can really shock you to the core at how true it can be.
DISLIKES: Cheesy acting at times Other actors diluted Missed character development Ignorant/Idiotic moments Lack of Suspense
Summary: Despite Watson's strong performance, she is involved in some overly cheesy moments. On many of the emotionally heated moments, she loses her balance and stretches into the overdramatic region, losing her accent and dialogue forte in the process. But even her worst acting doesn't hold a candle to some of the supporting characters who give either emotionally dull deliveries or lackluster performances. These moments are noticeable enough to offset the momentum of the movie, and derailing it from the quality the trailers promised.
An even worse quality for me was how the other actors of the star-studded cast were reduced to simplistic roles. Legends like Tom Hanks, Patton Oswalt and even the late Bill Paxton are reduced to very linear roles, with little character development or expansion beyond what you've seen in the trailer. With such a strong cast, I can't help but feel disappointed at the missed potential of this movie and how much this all-star cast could have done to amp up the quality of this movie.
Even worse, some of the characters, primarily Emma Watson's character, become so blindly ignorant that the intelligence they worked so hard building is diluted to an idiotic level. As a result, I found myself starting to loathe the character and how 180 they took the character. Yes, I understand the premise behind the movie, but it didn't work for me. Other characters also fell into this mix as well, each built to have this incredible skill that was either not used or rapidly reversed to make the characters seem weak.
Yet the most disappointing aspect of this movie is the lack of suspense. The trailer made this film out to be a mystery meeting dystopian policing. Not the case at all. The Circle has no mystery, laying all the facts on the table and leaving little to be uncovered. You would think there would be intense moments of espionage, or policing by superiors to build up excitement, right? Sorry, this film doesn't have that either, with the "exciting climax" not showing up until the last twenty minutes of the movie. As such, the movie is pretty dull and lacks the entertainment quality you might have been seeking.
The VERDICT:
The Circle is indeed a "scary" film, but it's mainly due to the reality check provides concerning the dangers technology can provide. This strong message is certainly the strongest aspect of the movie and Emma Watson was a fantastic choice to deliver it. Unfortunately, the weak characters, diluted roles, and lack of suspense took away from the entertainment quality of the movie. Such a dull delivery, leaves me recommending this one for renting at home, or at least recommending you read the book (or books) it is based on.
My scores are:
Drama/Sci-Fi/Thriller: 6.0 Movie Overall: 5.0
LIKES:
Nice tool development Emma Watson Culturally Relevant Film Solid Moral Lesson
Summary: We all know technology is becoming the heart of the world, if not already the heart of this country. And certainly, we all know that these technological marvels often require laborious development and maintenance to get the bugs out. The Circle portrays this very well, helping to develop the very tool that we all love. Throughout the journey, you'll get to see the development of the two-faced beast that is technology, and how it requires tweaking to get just "right". Not the highest selling point for a movie, but pretty cool.
Of course, we all know many are going to go for the lovely Ms. Watson, to support the super actress they adore. Good news, Watson does a solid job holding up most of the movie, as she is primary the only main character of the film. Watson brings her charm to the screen once more, portraying intelligence, fortitude and inspiration in a manner that many will latch on to. Her accent is pretty sound (though it fluctuates at times), but she manages to deliver her lines with a decent balance of emotion, to sell her points most of the time.
Yet the biggest strength of these movies is how culturally relevant it is to the audience. If you didn't gleam it from the trailers, The Circle is essentially a modernized version of the novel 1984 that once more addresses the issues of control, life sharing, and privacy. The film is certainly very political, but has a number of powerful lessons to teach about the place of technology and how easily it can be twisted. I myself liked the comments from Emma's followers, a fantastic representation of the shallow, superficial, and often selfish focus that the internet provides. The scenes are well developed to deliver the full emotional punch, which while not the most unique, can really shock you to the core at how true it can be.
DISLIKES: Cheesy acting at times Other actors diluted Missed character development Ignorant/Idiotic moments Lack of Suspense
Summary: Despite Watson's strong performance, she is involved in some overly cheesy moments. On many of the emotionally heated moments, she loses her balance and stretches into the overdramatic region, losing her accent and dialogue forte in the process. But even her worst acting doesn't hold a candle to some of the supporting characters who give either emotionally dull deliveries or lackluster performances. These moments are noticeable enough to offset the momentum of the movie, and derailing it from the quality the trailers promised.
An even worse quality for me was how the other actors of the star-studded cast were reduced to simplistic roles. Legends like Tom Hanks, Patton Oswalt and even the late Bill Paxton are reduced to very linear roles, with little character development or expansion beyond what you've seen in the trailer. With such a strong cast, I can't help but feel disappointed at the missed potential of this movie and how much this all-star cast could have done to amp up the quality of this movie.
Even worse, some of the characters, primarily Emma Watson's character, become so blindly ignorant that the intelligence they worked so hard building is diluted to an idiotic level. As a result, I found myself starting to loathe the character and how 180 they took the character. Yes, I understand the premise behind the movie, but it didn't work for me. Other characters also fell into this mix as well, each built to have this incredible skill that was either not used or rapidly reversed to make the characters seem weak.
Yet the most disappointing aspect of this movie is the lack of suspense. The trailer made this film out to be a mystery meeting dystopian policing. Not the case at all. The Circle has no mystery, laying all the facts on the table and leaving little to be uncovered. You would think there would be intense moments of espionage, or policing by superiors to build up excitement, right? Sorry, this film doesn't have that either, with the "exciting climax" not showing up until the last twenty minutes of the movie. As such, the movie is pretty dull and lacks the entertainment quality you might have been seeking.
The VERDICT:
The Circle is indeed a "scary" film, but it's mainly due to the reality check provides concerning the dangers technology can provide. This strong message is certainly the strongest aspect of the movie and Emma Watson was a fantastic choice to deliver it. Unfortunately, the weak characters, diluted roles, and lack of suspense took away from the entertainment quality of the movie. Such a dull delivery, leaves me recommending this one for renting at home, or at least recommending you read the book (or books) it is based on.
My scores are:
Drama/Sci-Fi/Thriller: 6.0 Movie Overall: 5.0
No wonder the millennials hate this movie.
This is not the best movie you'll ever see, but it's better that one would conclude reading all the hate reviews that flooded IMDB. The plot and acting are decent, camera and editing nothing to write home about but bearable, overall slightly better than average movie. The movie tells the story of the generation created to live in a minute, not even a day, manipulated so easily by people and organizations that prey on this mental flaw, or vulnerability, to be politically correct... It's a grim future.
Set in the near future "The Circle" tells a horror story of the social media age involving an omnipotent American corporate, pitched somewhere between being Facebook-like and Google-like (note, lawyers, I just said "like"!) Emma Watson ("Beauty and the Beast") plays young intern Mae who, partly through the aid of family friend Annie (Karen Gillan, "Guardians of the Galaxy", "Doctor Who") but mostly through her own aptitude, lands a foothold job in customer services for the company. With the lush corporate campus fast becoming home, Mae is quickly singled out as having "executive potential" by the charismatic CEO Bailey (Tom Hanks, "Bridge of Spies") and his more taciturn sidekick Stenton (US comedian Patton Oswalt).
Progressively brainwashed into believing the company's intrusive snooping (a favourite motto is "Secrets are Lies") is all for 'the greater good', Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the 'general public' on IMDb think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson's character is such a 'doormat', in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into "the Circle way" as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they're not checking up on Mae's social life, but . Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega ("Star Wars: The Force Awakens") is completely wasted in his role as Ty; the Wozniak-like genius behind The Circle's technology. The script gives him very little to do other than stand around and look grumpy.
The film is sad in being the last movie appearance of the great Bill Paxton ("Apollo 13") who plays Mae's sick father and who died of complications following heart surgery two months before the film's release (the film is dedicated "For Bill"). Tragically, Mae's mother in the film, actress Glenn Headly ("Dirty Rotten Scoundrels") also died suddenly at the age of 62, also due to heart problems, a couple of months after the film's release. It's surprising the film doesn't have a "curse of The Circle" tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers ("Away We Go"). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year's "Nerve", a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of "being hoisted by your own petard" – it's overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
(For the graphical review, please visit bob-the-movie-man.com or check out One Mann's Movies on Facebook. Thanks.)
Progressively brainwashed into believing the company's intrusive snooping (a favourite motto is "Secrets are Lies") is all for 'the greater good', Mae champions the cause until a tragedy rocks her world and her company beliefs to the core.
Whenever I watch a film I tend to form my own opinion first before checking out what the 'general public' on IMDb think. In this case, I must confess to being a bit surprised at our divergence of views: a lot of people clearly hated this movie whereas I confess that I found it very entertaining. Certainly with the alleged role of Russia in influencing elections around the world via social media, the film is most certainly topical! Many reviewers seemed quite upset that Watson's character is such a 'doormat', in that her views are so easily manipulated by the corporate machine. But not every woman – as indeed every man – can or should be a Joan of Arc style role model in every film: why should they be?
I actually found her indoctrination into "the Circle way" as quite convincing, especially a creepy scene where two corporate lackies (Cho Smith and Amir Talai) say that they're not checking up on Mae's social life, but . Watson enjoys extending her post-Potter repertoire well, but the talented John Boyega ("Star Wars: The Force Awakens") is completely wasted in his role as Ty; the Wozniak-like genius behind The Circle's technology. The script gives him very little to do other than stand around and look grumpy.
The film is sad in being the last movie appearance of the great Bill Paxton ("Apollo 13") who plays Mae's sick father and who died of complications following heart surgery two months before the film's release (the film is dedicated "For Bill"). Tragically, Mae's mother in the film, actress Glenn Headly ("Dirty Rotten Scoundrels") also died suddenly at the age of 62, also due to heart problems, a couple of months after the film's release. It's surprising the film doesn't have a "curse of The Circle" tag on it.
The film was directed by James Ponsoldt, who also wrote the screenplay with novel-writer Dave Eggers ("Away We Go"). I particularly liked the on-screen use of captioning (posts) which was reminiscent to me of last year's "Nerve", a B-movie film I rated highly that also had a string social media theme.
While the ending of the film is a bit twee – a movie definition of "being hoisted by your own petard" – it's overall a thought provoking piece sufficiently close to the truth as to where society is going to raise the hairs on your neck.
(For the graphical review, please visit bob-the-movie-man.com or check out One Mann's Movies on Facebook. Thanks.)
Le saviez-vous
- AnecdotesBill Paxton and Glenne Headly, who played the parents of Mae, both died the year of the film's release. Paxton died two months prior to the film's release on February 25 due to complications from heart surgery, and Headly died of a pulmonary embolism on June 8, less than two months after the film's release.
- GaffesWhen Mercer is being chased by the drone, there is a camera attached to both the driver and passenger window but in one shot on the bridge the driver-side window is rolled down.
- Citations
[from trailer]
Eamon Bailey: Knowing is good, but knowing everything is better.
- Crédits fousA dedication to Bill Paxton at the closing credits which reads: "For Bill".
- Bandes originalesMetal Guru
Written by Marc Bolan
Performed by T. Rex
Courtesy of Spirit Music Group o/b/o Spirit Services Holdings, S.A.R.L.
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Détails
Box-office
- Budget
- 18 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 20 497 844 $US
- Week-end de sortie aux États-Unis et au Canada
- 9 034 148 $US
- 30 avr. 2017
- Montant brut mondial
- 40 656 399 $US
- Durée1 heure 50 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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