Carmilla

...I can't think why they even bothered to name this "Carmilla". Carmilla was an aristocrat, a Countess. This Carmilla is a slob. Carmilla was disturbing, enthralling, and frightening by turns. This Carmilla is just annoying. Carmilla fed on peasant girls while slowly draining Laura dry of her life forces. This Carmilla drinks blood in cartons. Carmilla was passionate. This Carmilla wouldn't know passion if it was handed to her on a plate. Add to that appalling acting, a script of which the less said the better, and a filmography centred around "Don't show, tell", and it's an insult to every lesbian vampire out there, and to Joseph Sheridan Le Fanu.

Why does anyone sane and educated like it?

It often takes me a long time to get around to watching series of any kind, generally not until long after anyone else is still talking about them. Having watched a few adaptations in the past couple years, of one degree of faithfulness or another, of Joseph Sheridan Le Fanu's novel, I'd been itching to watch this web series of which I'd heard so much at one time or another. I can only say that the wait was more than worth it, because 'Carmilla' is an absolute joy!

It definitely shines through that so much hard work went into making the series, and I can only salute all involved for their efforts that paid off so handsomely. Though it's surely not the only point of comparison (I'd be the last to know - again, hardly a fierce devourer of series), I recognize distinct kinship to the 2012-2013 modern 'Pride and prejudice' adaptation, 'The Lizzie Bennet Diaries.' Building the production on a shoestring budget meant a single camera, minimal equipment generally, and mostly fixed settings that changed only from one season to the next, and storytelling proceeded mostly by way of telling and not showing. It works very well, however, as creator Jordan Hall and occasional co-writers Tamara Moulin and Ellen Simpson show sharp intelligence and wit to let the characters and dialogue speak for themselves. That 'Carmilla' is a tad action-oriented at times, and increasingly so in the second and third seasons, rather reflects the genre underpinnings of the narrative, and also how this series is arguably slightly more sophisticated in some ways than comparable works of the Internet Age.

It can't overstated how critical Hall, Moulin, and Simpson's keen minds were to reimaging a story first published 140 years prior; so many details had to be changed to make the plot more concise, and sensible to modern viewers - which in this case also meant adding elements and shifting the focus, even as the bare essence of the leads' interactions remains the core. Moreover, twisting the construct such that the narrative and scene writing are even more reliant on characters and dialogue required some major ingenuity, not to mention the perfect cast. Casting director Marsha Chesley knocked one out of the park, though, because everyone assembled for the series is simply terrific in embodying their roles, and I could hardly imagine anyone else in their place. Each role is written with brilliant personality and gratifying complexity, and the ensemble bring them to life with spirited, capable, and earnest range, nuance, and physicality. Sharon Belle, K Alexander, Annie M. Briggs, Sophia Walker, Ian D. Clark, and others among the supporting cast are altogether splendid, each having an opportunity to shine at one point or another and aptly demonstrating their skills. Of course, more than anyone else, Elise Bauman and Natasha Negovanlis are stupendous as series leads Laura and Carmilla. The pair have wonderful chemistry together, and the strength of their charm and performances alone goes very far in carrying the day across all three seasons. True of everyone here, I hope that Bauman and Negovanlis in particular have many more and bigger things to come to them, because they deserve it.

The story itself is a smart blend of romance, mystery, supernatural horror, and adventure, all (more or less) within a college setting, with further genre elements dancing on the edges and touches of comedy for flavor. In all the years since Le Fanu's work was published the lesbian overtones of 'Carmilla' have been accentuated, and are centered here with Laura and Carmilla as the plot delves into territory recalling 'Buffy the vampire slayer.' With all this in mind, each episode is a mixture of substantial character moments, dialogue of varying intensity, and occasional instances of solid action as the saga demands; the writers do a fantastic job of keeping it fresh at all times. Through it all director Spencer Maybee illustrates a keen eye and superb mindfulness in orchestrating each shot and scene, and I can only be impressed with what was pulled together for a series of such limited means and specific intent. Even within such a scope, 'Carmilla' very ably evokes feelings of tension, suspense, or genuine chills - but is also in turn joyfully heartfelt, with clever humor and scenes of romance earning laughs and cheers, and significant emotional weight. And the contributions of those behind the scenes are just as dandy - immaculate hair and makeup work, eye-catching costume design, great filming locations and set decoration, marvelous editing, and seamless post-production visual effects.

If there are any weaknesses to detract from the viewing experience, they are ultimately quite minor relative to the fabulous quality herein. Some of the writing dallies too much with tropes or clichés, for example, and some inclusions strain suspension of disbelief. Some specific moments come off as stilted in their execution; I don't mean to cast blame on the cast or the director, but by some concatenation the timing just sometimes feels a little off. Yet, again, these pale in comparison to the tremendous entertainment value, and the series is highly enjoyable from start to finish - and importantly, the third season is an incredibly strong finish. By and large the writing is sharp and intelligent in updating Le Fanu's tale; Bauman and Negovanlis, and their co-stars, are exceptional; the craft of each episode from behind the camera exceeds what one may assume of such an endeavor. Strictly from a standpoint of personal preference I can understand that it won't appeal to everyone, especially where the format is concerned, yet overall I'd have no qualms suggesting this to all comers. If anything about the concept remotely sparks one's interest, I can only give 'Carmilla' my heartiest and most enthusiastic recommendation, and I wish we could have gotten more. Very, very well done!

Although the series starts a little slow and might lack the bigger budgets of more dynamic online series, it has a honest and antiquated atmosphere which lets you connect deeply with the characters; not unlike a Harry Potter miniseries.

The recent popularity of this series is unprecedented and continues to march beyond 10 million Youtube Views (end of 2014).

It's also a breath of fresh air at how the characters gender and sexual identities are unabashedly poised and brings a fresh breath of normalcy to modern relationships.

The lead (Elise Bauman) and title lead (Natasha Negovanlis) actors who play Laura and Carmilla are charmingly believable and are able to bring their own genuine and entertaining wit. The supporting cast complement each other splendidly and are well developed as well as entertaining.

I strongly recommend giving this show a watch if you're a guy or girl, straight or not so straight as you will find that long lost fun mixing in old school Buffy, Sabrina with a mix of modern Sookie Stackhouse.

I would honestly recommend this to every single person I see if that were socially acceptable. Making female perspectives the default (in Tatiana Maslany's words) is so refreshing and just watching the show is empowering. It's cheesy romantic fantasy, yes, but: - there's a gender non-binary character - there are multiple gay characters - the main couple is lesbian - all of the lead roles are female - the girls save the boys, not the other way around - there's an emphasis on both girl-on-girl friendship and romantic attraction, portrayed better than those things usually are (probably because most creators/crew are women) So 8/10 for representation. It's just not a typical web series. It's obviously low-budget, but they do it well, and I think that actually allows you to focus more on the story. The acting is 7/10 overall, but they interact incredibly well with each other and the actors are such awesome people in real life that their personality shines through the characters. It's funny, heartwarming, frustrating, intelligent, romantic, silly, and serious all at the same time. I can't think of any other web series like it, nor any other series like it, for that matter. It's so unique, both in a "wtf how did they come up with that" way and in the way it handles fantasy and real issues together. I give it a 10/10 because it's one of those things that once you watch it, there's nothing specific you can say to explain why it affects you. Movies, series, books, and music that you truly love are often impossible to explain, you just have to watch it to understand. J Sheridan LeFanu wrote an excellent novella, but this adaptation is a whole new level of wonderful. The fandom is also really excellent. In short, if you're not watching Camilla, you're really missing out.

Wow. Where has this been hiding? I'm not one to watch web series. So, I went in expecting very little and I was really surprised by how much I enjoyed it. I binged watched all four seasons in a row.

The story is really creative and fun. And I love the fact that they try and make it feel real. Just some random collage student who gets sucked into a world of vampires, magic and other creatures. There's no real quality with the filming, but the story is really fun. And every episode ends on a cliffier that makes you keep watching. It has a great intensity that sucks you right in and keeps your attention the entire time.

The acting is where the series wobbles a little. The main character Laura played by Elise Bauman is not a good actress. She sounds like she is saying lines and struggles to have emotion on her face. Everyone else is fantastic. They're all very smooth. But Laura's lack of ability really stands out like a sore thumb amongst everyone else who can act. She does get annoying after awhile. But near the ending of the last season she did improve a little.

I really enjoyed the lesbian relationship in the series. It was my favourite thing about the entire show. I loved how natural and normal they made it. There was nothing to hide or explain, it was just like any other relationship. This made the show down right good. What was even better is it wasn't just all butterfies and roses. There was lots of great drama, funny moments and slow burns.

I would have watched this series a long time ago if i would have known it existed. Many times I searched on google for lesbian series or movies and I never saw this on the list. The other day I did an extensive search on google and randomly stumbled across this series. I wish it would have better advertised. The series really deserves it.