Ajouter une intrigue dans votre langueA mysterious traveler slips into the heart of Karachi's underbelly and rises through its ranks with lethal precision, only to tear the notorious ISI-Underworld nexus apart from within.A mysterious traveler slips into the heart of Karachi's underbelly and rises through its ranks with lethal precision, only to tear the notorious ISI-Underworld nexus apart from within.A mysterious traveler slips into the heart of Karachi's underbelly and rises through its ranks with lethal precision, only to tear the notorious ISI-Underworld nexus apart from within.
- Réalisation
- Scénaristes
- Vedettes
Madhavan
- Ajay Sanyal
- (as R. Madhavan)
Avis en vedette
Well, well, well... Pathan, War 2, Singham, and so on and so forth. Pathan was Shahrukh's comeback and we all know his nuances: he drives a movie on his shoulders. Yet, when it came to spy thriller, it was frankly so-so. Then we all know star studded movies like the lastest Singham and War 2... There's only masala with heavy star cast and a very, very little storyline or nothing on the spy topic. I can definitely say, they were mass movies relying on starcast and some CGI.
So then comes Dhurandhar. Not to say again but a heavy star studded movie with spy and espionage elements. But the difference, the stars gave phenomenal performances, including the young lady Saira and our own Rakesh Bedi. While everyone applaused Akshaye Khanna, Sanjay Dutt, Arjun Rampal and ofcourse Ranveer Singh, I felt these two side characters were equally good in whatever roles they were offered.
Now coming to spy world. The movie showcases what's there, is there. How it works, how things topple upside down due to a slight mistake, or how you may have to take chances, heavy chances to get something done. When you have one and only aim, your chances heavily rely on your guts and brain. Because be it or not, a rotten apple in a crate may leave its rottenness in other apples.
Moreover, the movie is shown with the point of view of Indian forces, and some actual incidents, that blend with the overall sentiments and anger of a viewer.
Again, there is some gore, but not so much and elaborated like movie Animal. But not so less that you can watch with kids.
I did feel little glitches here and there but overall, a wonderful movie. And yes, I am waiting for the next part.
On a side note. The movie is long, but you won't yawn anytime during its running time.
So then comes Dhurandhar. Not to say again but a heavy star studded movie with spy and espionage elements. But the difference, the stars gave phenomenal performances, including the young lady Saira and our own Rakesh Bedi. While everyone applaused Akshaye Khanna, Sanjay Dutt, Arjun Rampal and ofcourse Ranveer Singh, I felt these two side characters were equally good in whatever roles they were offered.
Now coming to spy world. The movie showcases what's there, is there. How it works, how things topple upside down due to a slight mistake, or how you may have to take chances, heavy chances to get something done. When you have one and only aim, your chances heavily rely on your guts and brain. Because be it or not, a rotten apple in a crate may leave its rottenness in other apples.
Moreover, the movie is shown with the point of view of Indian forces, and some actual incidents, that blend with the overall sentiments and anger of a viewer.
Again, there is some gore, but not so much and elaborated like movie Animal. But not so less that you can watch with kids.
I did feel little glitches here and there but overall, a wonderful movie. And yes, I am waiting for the next part.
On a side note. The movie is long, but you won't yawn anytime during its running time.
If Uri: The Surgical Strike was the roar, Dhurandhar is the bite. Aditya Dhar has returned with a spy thriller that does not just rely on loud patriotism but backs it up with grit, intelligence, and a scale that Indian cinema rarely attempts. Clocking in at over three hours, it is a marathon of a film, but one that leaves you breathless rather than exhausted.
This is the Ranveer Singh we have been waiting for. As the covert operative Hamza Ali Mazari, Singh strips away his usual high-energy flamboyance to deliver a performance of simmering intensity. He is quiet, lethal, and emotionally vulnerable. Whether he is navigating the treacherous lanes of Karachi or breaking down in a rare moment of solitude, he anchors the film with a maturity that defines the second act of his career.
While Ranveer is the soul, Akshaye Khanna is the electrifying current running through the narrative. As the antagonist Rehman Dakait, Khanna is terrifyingly calm and intellectual, proving once again why he is one of the most underutilized actors in the industry. The face-off scenes between Singh and Khanna are masterclasses in tension, relying on psychological warfare rather than just explosions.
What stands out most is the technical brilliance. The film respects the intelligence of the audience, weaving a complex web of espionage involving historical stakes without feeling like a history lesson. The hand-to-hand combat is visceral and realistic, avoiding the gravity-defying stunts often seen in the genre. Shashwat Sachdev's background score is a character in itself - pounding and relentless during the action, yet haunting during the emotional beats.
Is it long? Yes. But the runtime is justified by the depth of the world-building. Dhurandhar is a mass entertainer with class sensibilities - a rare beast that satisfies the action junkies and the cinephiles alike. It is a high-octane saga that cements Aditya Dhar as a master of the war-spy genre. A must-watch for anyone who loves grounded, intense cinema.
This is the Ranveer Singh we have been waiting for. As the covert operative Hamza Ali Mazari, Singh strips away his usual high-energy flamboyance to deliver a performance of simmering intensity. He is quiet, lethal, and emotionally vulnerable. Whether he is navigating the treacherous lanes of Karachi or breaking down in a rare moment of solitude, he anchors the film with a maturity that defines the second act of his career.
While Ranveer is the soul, Akshaye Khanna is the electrifying current running through the narrative. As the antagonist Rehman Dakait, Khanna is terrifyingly calm and intellectual, proving once again why he is one of the most underutilized actors in the industry. The face-off scenes between Singh and Khanna are masterclasses in tension, relying on psychological warfare rather than just explosions.
What stands out most is the technical brilliance. The film respects the intelligence of the audience, weaving a complex web of espionage involving historical stakes without feeling like a history lesson. The hand-to-hand combat is visceral and realistic, avoiding the gravity-defying stunts often seen in the genre. Shashwat Sachdev's background score is a character in itself - pounding and relentless during the action, yet haunting during the emotional beats.
Is it long? Yes. But the runtime is justified by the depth of the world-building. Dhurandhar is a mass entertainer with class sensibilities - a rare beast that satisfies the action junkies and the cinephiles alike. It is a high-octane saga that cements Aditya Dhar as a master of the war-spy genre. A must-watch for anyone who loves grounded, intense cinema.
Amazed to see a brilliant movie coming from Aditya Dhar, which is well scripted and offers you a cinematic experience.
It showcase the journey of weak Indian government in early 2000 against terrorism ; and how RAW launches a brilliant plan to infiltrate Pakistani mafia.
Akshya Khanna will blow your mind with subtle act. You will find him heroic
A must watch in theatres only !
It showcase the journey of weak Indian government in early 2000 against terrorism ; and how RAW launches a brilliant plan to infiltrate Pakistani mafia.
Akshya Khanna will blow your mind with subtle act. You will find him heroic
A must watch in theatres only !
The world of Dhurandhar is as mesmerizing as it is dangerous, with every corner of Karachi rendered in cinematic precision. Ranveer Singh delivers a layered performance that anchors the audience amid escalating threats and moral dilemmas. Director Dhar crafts sequences where strategic planning meets brutal action, keeping viewers perpetually on edge. The supporting cast contributes significantly, fleshing out a realistic criminal ecosystem. Cinematography and editing combine to maintain tension, while the score punctuates key moments. The narrative's blend of action, politics, and human drama makes the film a truly immersive experience.
Since the beginning Movie pace and Story hook you that much, you'll forget about popcorn on your lap.
Background music 10/10, Highly Impressive. I was complimenting while watching itself.
Casting 10/10, every actor is fit to the role and each and everyone gives 100% Story 9/10, After a decade we are witnessing such a good story and no disturbance by any love song in switzerland.
Direction 10/10, every single shot is too notch. So impressive
Please watch this film in theatre for better experience in terms of music most. I'm filled with compliments for this film.
Background music 10/10, Highly Impressive. I was complimenting while watching itself.
Casting 10/10, every actor is fit to the role and each and everyone gives 100% Story 9/10, After a decade we are witnessing such a good story and no disturbance by any love song in switzerland.
Direction 10/10, every single shot is too notch. So impressive
Please watch this film in theatre for better experience in terms of music most. I'm filled with compliments for this film.
Le saviez-vous
- AnecdotesAkshaye Khanna improvised the dance sequence which became famous. Also, his oxygen levels dropped during the shoot and he wore an oxygen mask between takes and completed the song.
- GaffesIn some scenes the dialogues don't match the lips.
- Citations
Ajay Sanyal: India's biggest enemies are Indians themselves. Pakistan comes second.
- Générique farfeluThe film begins with the quote "If you fall upholding Dharma, you will attain heaven. If you are victorious, the world is yours. So rise, O Arjuna, and prepare yourself for battle." - Bhagavad Gita - Chapter 2, Verse 37.
- Autres versionsThe film was granted an 'A' (Adults Only) certificate in India because of its strong violence, which resulted in mandatory cuts. The filmmakers were instructed to include a Hindi voiceover for the disclaimer. As a result, the length of the disclaimer was extended to incorporate the voiceover. The anti-drug and anti-smoking disclaimers were added in scenes depicting characters using addictive substances. Additionally, at the beginning of the film, violent visuals were removed and replaced with more suitable shots. In the second half, the Central Board of Film Certification (CBFC) requested that the filmmakers reduce the amount of violent visuals. Additionally, the name of a minister's character was altered. Finally, a cuss word was muted. One more change that happened at the censor process was that the makers added music and additional scenes to the end credits.
- ConnexionsReferenced in Single Papa: Dikha denge apni power (2025)
- Bandes originalesDhurandhar (Title Track)
Written by Hanumankind, Jasmine Sandlas & Babu Singh Maan
Performed by Muhammad Sadiq, Bibi Ranjit Kaur, Hanumankind, Jasmine Sandlas, Sudhir Yaduvanshi & Shashwat Sachdev
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Détails
Box-office
- Brut – États-Unis et Canada
- 8 570 000 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 980 000 $ US
- 7 déc. 2025
- Brut – à l'échelle mondiale
- 14 944 984 $ US
- Durée
- 3h 34m(214 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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