Ajouter une intrigue dans votre langueA historical drama based on the life of Chhatrapati Sambhaji Maharaj, the son of Chhatrapati Shivaji Maharaj.A historical drama based on the life of Chhatrapati Sambhaji Maharaj, the son of Chhatrapati Shivaji Maharaj.A historical drama based on the life of Chhatrapati Sambhaji Maharaj, the son of Chhatrapati Shivaji Maharaj.
- Prix
- 2 nominations au total
Ankit Anil Sharmaa
- Santaji
- (as Ankit Anil Sharma)
Sommaire
Reviewers say 'Chhaava' is acclaimed for its grand scale, historical authenticity, and Vicky Kaushal's powerful performance as Sambhaji Maharaj. The film is celebrated for intricate battle sequences and detailed costumes. However, it faces criticism for inconsistent pacing, weak music, and underdeveloped supporting characters. Some find it overly dramatic and lacking narrative depth, with historical inaccuracies and Bollywood clichés. Despite these issues, many appreciate its effort to highlight an important historical chapter.
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The cinematography in Chhaava is nothing short of spectacular. Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.its very romantic and best movie of this year so I suggested to everyone to watch this best movie of this year.
Laxman Utekar's Chhaava focuses on the Battle of Burhanpur and its impact on the Maratha-Mughal war, rather than being a complete biopic of Chhatrapati Sambhaji Maharaj. The first half of the film struggles with pacing, but the second half gains momentum, leading to an intense and emotionally charged climax. The confrontation between Sambhaji Maharaj and Aurangzeb, particularly the exchange between Vicky Kaushal and Vineet Kumar, stands out as one of the film's most powerful moments. The battle sequences are well-executed, but the background score by A. R. Rahman lacks the necessary intensity to match the spirit of the Marathas. The action scenes are largely effective, though some exaggerated stunts and editing choices take away from the realism. Despite this, the film excels in its cinematography, costume design, and CGI, successfully recreating the historical setting.
The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
The performances elevate the film. Vicky Kaushal delivers a commanding portrayal of Sambhaji Maharaj, capturing his strength, determination, and sacrifice, especially in the final moments. Akshaye Khanna leaves a strong impact as Aurangzeb, despite limited dialogue, while Rashmika Mandanna, though competent, feels miscast. Ashutosh Rana provides solid support, and Vineet Kumar stands out with his gripping screen presence. While the film has its shortcomings, it succeeds in honoring Sambhaji Maharaj's legacy, ensuring that his courage and sacrifice remain etched in the minds of the audience.
Movie was good; though whoever directed the background music totally effed it up, I had to shut my ears every time a fight scene came.
Also I think it should have had more Marathi dialect, rashmika's hindi sounded a bit off, action scenes were really good, though they should've shown some tactical schemes by marathas, as they were known for their tactics and skills.
There were a lot of politics going on during that time, movie did not cover it however it is based on the life of Shambha ji's life and the movie did good there, costume and makeup artists did a really good job. The first half seemed a bit off, although movie caught the rhythm by the second half.
Also I think it should have had more Marathi dialect, rashmika's hindi sounded a bit off, action scenes were really good, though they should've shown some tactical schemes by marathas, as they were known for their tactics and skills.
There were a lot of politics going on during that time, movie did not cover it however it is based on the life of Shambha ji's life and the movie did good there, costume and makeup artists did a really good job. The first half seemed a bit off, although movie caught the rhythm by the second half.
The cinematography in this movie is nothing short of spectacular.
. Art direction is superb.
. Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.
. Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.
. But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!
Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.
. It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.
Best movie of this year yet.
So I suggest to everyone to watch this to know the history of forgotten heroes.
. Art direction is superb.
. Every frame feels like a painting, with beautifully composed shots that highlight the grandeur of the Maratha Empire. Whether it's the vast expanse of a battlefield, the golden hues of a sunset over a fort, or the intricate detailing of a palace, the visuals transport the audience back in time. The use of lighting, especially in dramatic sequences, adds a poetic quality to the storytelling, making key moments even more impactful.
. Actors have performed well. Storytelling by the director is also engaging even with the limitations as per the biopic of such a legend which ends brutally as of betrayal.
. But at someplaces background music is too loud like other grand movies since the last two years in an influence of south indian commercial works!
Moreover, at many places the action movements took a complete opposite side from- laws of physics. Again like south indian movies.
. It focuses on pride, family, a son, a king, a selfless devotee & a warrior with extreme physical strength.
Best movie of this year yet.
So I suggest to everyone to watch this to know the history of forgotten heroes.
One of the strongest aspects of Chhaava is its screenplay, which balances action with emotion. The dialogues are impactful, filled with the weight of history and the fire of revolution. There are several moments where the intensity of the dialogues alone sends shivers down the spine, particularly in confrontations between Sambhaji Maharaj and his adversaries. The supporting cast deserves a special mention-each character plays a crucial role in shaping the hero's journey. The women in the film, especially the portrayal of Sambhaji Maharaj's mother and his wife, add depth to the story, showcasing their influence and resilience in a world dominated by war and politics. The music
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And background score elevate the film's grandeur, making key moments even more unforgettable. The battle sequences are choreographed with precision, striking a fine balance between realism and cinematic spectacle.
. The film doesn't shy away from depicting the brutality of war, yet it never loses sight of the human emotions that drive these conflicts.
And background score elevate the film's grandeur, making key moments even more unforgettable. The battle sequences are choreographed with precision, striking a fine balance between realism and cinematic spectacle.
. The film doesn't shy away from depicting the brutality of war, yet it never loses sight of the human emotions that drive these conflicts.
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- AnecdotesThe speech scene before Sambhaji's final assault on Aurangzed was not rehearsed. The enthralling war-cry of "Om Namah Parvati Partaye Har Har Mahadev" (Glories to the consort of Goddess Parvati, Mahadev) was an improvisation by Vicky Kaushal. The script only mentioned the chants of "Jai Bhavani and Har Har Mahadev." However, when Kaushal delivered the line, Utekar decided to retain it for it was more raw and natural flowing.
- GaffesThe prayer callus on Aurangzeb's forehead changes shape, size and placement through out the movie.
- Citations
Chhatrapati Sambhaji Maharaj: Aurangzeb; the Swaraj you want to finish, is not any Sultanate; it is the Vision of Freedom of Chhatrapati Shivaji Maharaj, you can never destroy it!
- Autres versionsThe film was passed with a UA certificate by the Central Board of Film Certification (CBFC). However, the film had to go through certain modifications. The dialogue 'Mughal sultanat ka zehar' (The venom of the Mughal Empire) was replaced with 'Uss samay, kayi shaasak aur sultanat khud ko zinda rakhne ki koshish kar rahe the' (In those dark times, countless rulers and kingdoms fought for survival). Another dialogue 'Khoon toh aakhir Mughalon ka hi hai' (The blood is of the Mughals after all) was changed to 'Khoon toh hai Aurang ka hi' (The blood is of Aurang after all). The words 'haramzaadon' and 'haramzaada' were muted while 'Aameen' was replaced with 'Jai Bhavani'. A certain dialogue in the first half was replaced while a scene showing Maratha warriors clad in a saree was also removed. Further, '16 saal' (16 years) was replaced with '14 saal' (14 years), '22 saal ka ladka' (22-year old boy) was replaced with '24 saal ka ladka' (24-year old boy) while '9 saal' (9 years) was modified to 'kayi saal' (many years). Lastly, the CBFC members asked the makers to insert an audio-text disclaimer stating the name of the book from which the film is adapted and that it doesn't intend to defame anybody or distort historical facts.
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Détails
Box-office
- Brut – États-Unis et Canada
- 4 800 000 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 790 000 $ US
- 16 févr. 2025
- Brut – à l'échelle mondiale
- 8 219 603 $ US
- Durée2 heures 41 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39:1
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