Cas et Dylan

Cas Pepper (Richard Dreyfuss) is a 30 year veteran doctor in a Winnipeg hospital who is suffering some sort of life changing experience. His dog dies. Dylan Morgan (Tatiana Maslany) is a talkative compulsively-lying writer who spends her time in the hospital getting inspiration. Cas reluctantly drives her home. She leaves her notebook in his car, and even more reluctantly, he goes back to return her book. Her boyfriend Bobby comes chasing her out with a gun. Cas hits Bobby with the car and they both go on the run. He's going west. Dylan finds that Cas is trying to write some sort of end-of-life note. Both are holding onto their secrets. Oh and Bobby's not really hurt.

Tatiana is playing the MPDG role except without the romance. She's great at this manic character. She has some hilarious lines. Richard Dreyfuss is playing the straight man reminiscent of 'What About Bob?'. They're both great at their roles. It's a fun road movie mostly for the two actors involved. Jason Priestley is a competent director. He's not really showing anything special but it looks very professional despite it being a low budget indie. I would like a few more dramatic scenes to build to the final act and dig into Cas' past a little more. Both actors are able to transition well nevertheless.

As a Canadian, I have a soft spot for films that depict my country. Cas & Dylan is a remarkable film starring Dreyfuss who made his international debut in The Apprenticeship of Duddy Kravitz, another great Canadian movie. I feel that Dreyfuss should be given some Canadian award for the work he's done here, because Cas & Dylan is a great depiction of Canada as far as Canadian sensibilities to the issues that are brought forth in this film. This could not have been filmed in the US. It simply wouldn't have worked. Throughout the movie, you are brought along on a journey of discovery, a journey that culminates in a surprisingly positive vibe. This is a journey not only across my beautiful country, but a journey through the souls of two peculiarly matched characters. For fans of Dreyfuss, this is a treat. Overall, this film is geared toward filling your heart and soul. Highly recommended.

"A journey is a person in itself; no two are alike. And all plans, safeguards, policing, and coercion are fruitless. We find that after years of struggle that we do not take a trip; a trip takes us." John Steinbeck The concept of a road movie featuring a mis-matched duo who don't get along, directed by Brandon from Beverly Hills 90210, sounds like a horrendous straight-to-TV movie. The reality is that this might just be this year's Little Miss Sunshine. It is a surprisingly sweet movie, tinged with darkness and light in equal measure. The plot centres around Dr Cas Pepper (Dr Pepper!!!), who at the start of the film is diagnosed with an inoperable brain tumor and decides, rather than spend his few remaining days in a hospital bed hooked up to machines, he is going to go out on his own terms. At the same time Dylan, played by Orphan Black star Tatiana Maslany, literally barges her way into the Doctor's life and the unlikely duo begin their journey "out west" where, along the way, Dylan plans to help Cas with his suicide note.

The storyline is nothing new, however, what sets this apart is the two magnificent leads. Richard Dreyfuss delivers his best performance in decades, sidestepping what could have been a clichéd grumpy old man performance into a fully developed character that demands both sympathy and respect. Tatiana Maslany is practically incandescent, bringing Dylan to life with charisma and sadness that contradicts her front of being a fee spirit. Her obvious lies and exaggerations do not convey an irritating Zooey Deschanel level of kooky, but instead make the viewer pity the girl who is obviously inventing a life better than the one she currently occupies.

Jason Priestley seems a bizarre choice for someone who is known primarily as a teen heart throb and has only previously directed television episodes. However, he displays a wonderful eye for both characters and visuals. The scenery, as the duo take their cross country trip through the various landscapes of Canada, is as beautiful as anything a Planet Earth documentary could show. For a film that is primarily just two people in a car talking, he avoids any gimmicky shots and shows a confidence in his two leads to hold the audience's attention. Priestley has shown hidden depth as an actor before in both Tombstone and the criminally underrated Love and Death on Long Island, which was sadly eclipsed by the similar Gods and Monsters. He is just as surprising as a director and one gets the feeling that his accomplishments behind the camera will soon outstrip his achievements in front of it.

The film is laced with wonderful moments of humour and heartbreaking moments of tenderness that never leaves the viewer feeling emotionally manipulated. It is rare that comedy-dramas deliver on both fronts but this one does wonderfully. The unlikely trio of Dreyfuss, Maslany and Priestley has delivered a beautiful film that will hopefully find a deserved audience and, if nothing else, should see a rise in the sale of orange VW Beatles. You may leave the cinema with a tear in your eye but you will have a smile on your face. - See more at:www.followingthenerd.com

Just saw it at the Dublin Film Festival and it's an absolutely great movie. The acting of both leads is perfect. You never stop believing them. And you go with them through the whole journey (both the literal road journey and the bigger metaphorical one). The movie is actually surprisingly light and funny (considering the story). Even though it touches rather serious topics of life and death, it manages to do so very gently and inoffensively and with a good deal of humour. It kind of focuses more on them learning from each other how to live then on him dying. So the overall feeling is surprisingly optimistic. And, since it's a road movie, you'll get some beautiful wide-screen shots of Canadian landscape to enjoy as well.

I love road trip movies, mismatched pairs, and irrepressible young women. this movie has them all plus the old pro, Richard Dreyfuss, perfect as the loner-curmudgeon. Hard to see how any man could resist the looks and charm of his female co-star, also. The movie does not attempt to have Big Meaning, but should be enjoyed on its own terms. Also, some nice scenery on the journey. The story is well-paced with no overly long scenes. it will not appeal to those of the hard-boiled, real life school, although it does have a good measure of that. But it is mixed with the whimsy. You can see the relationship between the two actors develop throughout the trip and that is the heart of the story.