Ajouter une intrigue dans votre langueObsessed with living up to her dead father's legacy, a young sheriff finds her mettle tested when locals are found ripped to shreds.Obsessed with living up to her dead father's legacy, a young sheriff finds her mettle tested when locals are found ripped to shreds.Obsessed with living up to her dead father's legacy, a young sheriff finds her mettle tested when locals are found ripped to shreds.
- Director
- Writers
- Stars
Molly Belle Wright
- Young Maddy
- (as Molly Wright)
Ross Buchanan
- Mr. Kitchener
- (as Ross Orr)
Samuel Seau
- Dicko
- (as Samuelu Seau)
Avis en vedette
Aka The Red... A remote community in the Australian outback is being hunted by a killer. Young sheriff Maddie struggles to deal with the situation. It gets more shocking when the killer turns out to be a seemingly invincible giant zombie kangaroo.
The premise is dumb. The CGI kangaroo looks dumb. At least, the zombie part has a good ending. This could have been like Cujo or steer fully into camp. There just isn't anything here. None of the characters are that compelling. The sheriff is almost interesting, but I couldn't pay attention to the others. This is a small B-horror that fails to do more.
The premise is dumb. The CGI kangaroo looks dumb. At least, the zombie part has a good ending. This could have been like Cujo or steer fully into camp. There just isn't anything here. None of the characters are that compelling. The sheriff is almost interesting, but I couldn't pay attention to the others. This is a small B-horror that fails to do more.
Of course I had to sit down and watch the 2024 horror comedy "The Red" (aka "Rippy") when I stumbled upon it by random chance. I mean, a horror comedy with zombie kangaroos, that just sounds like a blast, especially if it was going to be anything like the 2006 horror comedy "Black Sheep" or the 2014 "Zombeavers".
Writers Richard Barcaricchio and Ryan Coonan certainly had an interesting concept for the movie here, but ultimately the storyline proved to be bland, lackluster and generic. So it wasn't as if the writers revolutionized the horror genre, nor bring anything new to the genre, aside from zombie kangaroos; but those you hardly get to see, so... I found the narrative boring and uneventful, and it was a disappointing movie to sit through, to be bluntly honest. I wanted to like "The Red", I really did, but there just wasn't anything to win me over.
While "The Red" is listed as a horror comedy, I have to say that the movie was frightfully devoid of anything funny. So this was actually straight up a horror movie. A bit disappointing actually.
Initially I was thrilled to see that the movie had Michael Biehn in a leading role. In fact, he was actually the only face on the screen that I was familiar with. I will say, however, that the acting performances in the movie were good. Personally I don't get why they opted to go for Michael Biehn for this role, as his American accent sort of clashed with the rest of the Australian accents from the other performers.
Visually then the movie was not particularly impressive. Most of the scenes take place in the dark, and director Ryan Coonan rarely lets you see anything that involves the zombie kangaroos. Another disappointment, to be bluntly honest. That whole thing with keeping scenes in the dark and leaving the imagery up to the audience belongs in the 1980s. When I sit down and watch a horror movie, of course I want to see the gory mayhem and the creature effects. I will say, that the little gore that was in "The Red" was actually good, and it helped lift up the movie a notch.
All in all, I found "The Red" to be a big disappointment. But I am sure that there should be an audience out there for a movie such as this. This is not a movie that will find its way back to my screen a second time.
My rating of director Ryan Coonan's 2024 movie "The Red" lands on a generous four out of ten stars.
Writers Richard Barcaricchio and Ryan Coonan certainly had an interesting concept for the movie here, but ultimately the storyline proved to be bland, lackluster and generic. So it wasn't as if the writers revolutionized the horror genre, nor bring anything new to the genre, aside from zombie kangaroos; but those you hardly get to see, so... I found the narrative boring and uneventful, and it was a disappointing movie to sit through, to be bluntly honest. I wanted to like "The Red", I really did, but there just wasn't anything to win me over.
While "The Red" is listed as a horror comedy, I have to say that the movie was frightfully devoid of anything funny. So this was actually straight up a horror movie. A bit disappointing actually.
Initially I was thrilled to see that the movie had Michael Biehn in a leading role. In fact, he was actually the only face on the screen that I was familiar with. I will say, however, that the acting performances in the movie were good. Personally I don't get why they opted to go for Michael Biehn for this role, as his American accent sort of clashed with the rest of the Australian accents from the other performers.
Visually then the movie was not particularly impressive. Most of the scenes take place in the dark, and director Ryan Coonan rarely lets you see anything that involves the zombie kangaroos. Another disappointment, to be bluntly honest. That whole thing with keeping scenes in the dark and leaving the imagery up to the audience belongs in the 1980s. When I sit down and watch a horror movie, of course I want to see the gory mayhem and the creature effects. I will say, that the little gore that was in "The Red" was actually good, and it helped lift up the movie a notch.
All in all, I found "The Red" to be a big disappointment. But I am sure that there should be an audience out there for a movie such as this. This is not a movie that will find its way back to my screen a second time.
My rating of director Ryan Coonan's 2024 movie "The Red" lands on a generous four out of ten stars.
Rippy should have been Australia's answer to Cocaine Bear-a wild, blood-soaked, tongue-in-cheek marsupial massacre. Instead, it hops straight into the realm of the forgettable, weighed down by cringe-inducing earnestness, limp storytelling, and a complete lack of self-awareness.
Ryan Coonan's kangaroo slasher arrives with a killer concept: a jacked-up joey goes rogue in the Outback. Sounds like campy gold, right? Wrong. Instead of leaning into the absurdity, Rippy insists on dragging viewers through a desert of maudlin backstory, family trauma, and dead-serious exposition. You'll spend 85% of the runtime wondering if someone accidentally swapped the script with an abandoned Outback soap opera.
Tess Haubrich plays Maddie, a haunted sheriff with daddy issues so cliché they should've come with a warning label. The film opens with her narrating her dead father's legacy like a eulogy from a bad Hallmark movie. It doesn't get better. The emotional weight is forced, unearned, and entirely unnecessary in a film about a murderous kangaroo.
Michael Biehn, bless him, is the only one who understands the assignment. Playing Schmitty, a deranged, bathrobe-wearing bush prophet, he twitches, rants, and throws himself into the ridiculousness with abandon. Unfortunately, the script abandons him, leaving him stranded in a movie that's too embarrassed to be what it should've been: fun.
The kills? Meh. The gore? Minimal. The jokes? Non-existent. Not even a single half-decent pun-no "roo the day," no "marsupial mayhem," not even a cheeky nod to Skippy. When your monster is a murderous kangaroo, you owe the audience at least some wink-wink carnage. But Rippy squanders every opportunity to lean into Ozploitation chaos.
By the time the film finally delivers a campy one-liner in the closing minutes, it's too little, too late. You don't make a killer kangaroo movie and spend 90 minutes pretending you're making Mystic River.
Ryan Coonan's kangaroo slasher arrives with a killer concept: a jacked-up joey goes rogue in the Outback. Sounds like campy gold, right? Wrong. Instead of leaning into the absurdity, Rippy insists on dragging viewers through a desert of maudlin backstory, family trauma, and dead-serious exposition. You'll spend 85% of the runtime wondering if someone accidentally swapped the script with an abandoned Outback soap opera.
Tess Haubrich plays Maddie, a haunted sheriff with daddy issues so cliché they should've come with a warning label. The film opens with her narrating her dead father's legacy like a eulogy from a bad Hallmark movie. It doesn't get better. The emotional weight is forced, unearned, and entirely unnecessary in a film about a murderous kangaroo.
Michael Biehn, bless him, is the only one who understands the assignment. Playing Schmitty, a deranged, bathrobe-wearing bush prophet, he twitches, rants, and throws himself into the ridiculousness with abandon. Unfortunately, the script abandons him, leaving him stranded in a movie that's too embarrassed to be what it should've been: fun.
The kills? Meh. The gore? Minimal. The jokes? Non-existent. Not even a single half-decent pun-no "roo the day," no "marsupial mayhem," not even a cheeky nod to Skippy. When your monster is a murderous kangaroo, you owe the audience at least some wink-wink carnage. But Rippy squanders every opportunity to lean into Ozploitation chaos.
By the time the film finally delivers a campy one-liner in the closing minutes, it's too little, too late. You don't make a killer kangaroo movie and spend 90 minutes pretending you're making Mystic River.
First off, the trailer is not really a good indication of what to expect from Rippy (aka The Red), which seems to imply it is a comedy horror movie (like 2014's Zombeavers), but in fact the material is played almost entirely straight. The closest film that springs to mind is another Australian film, Razorback from 1984 in which a giant boar terrorises an Australian community. Here, it's a zombie(!) Red Kangaroo that terrorises a small Australian mining town. Razorback is the better film.
Michael Biehn is hopelessly miscast (although at least he does not attempt an Aussie accent), and his apparent overacting (particularly during the first act) suggests he thought he was making a different kind of film. The lead, Tess Haubrich, who plays the small-town cop Maddy who lives in the shadow of her father's legacy, does the best she can with what she was given.
This is clearly a low budget film, and the dodgy cgi and practical effects could definitely have used some more money thrown at it. The movie tried but failed to bite off more than it can roo.
Michael Biehn is hopelessly miscast (although at least he does not attempt an Aussie accent), and his apparent overacting (particularly during the first act) suggests he thought he was making a different kind of film. The lead, Tess Haubrich, who plays the small-town cop Maddy who lives in the shadow of her father's legacy, does the best she can with what she was given.
This is clearly a low budget film, and the dodgy cgi and practical effects could definitely have used some more money thrown at it. The movie tried but failed to bite off more than it can roo.
I must be honest, I didn't expect much going into 'Rippy', thinking it was going to be a cheap B-movie. It probably didn't have a big budget, but the film surprised me with good cinematography, good performances, and good make-up.
Maddy's dad was a local hero. Now she is trying to live up to his legacy, and she is put to the test when bodies start turning up - ripped to shreds. When Schmitty (Michael Biehn) tells her about a giant kangaroo, she doesn't believe him. But when more bodies turn up, and Maddy narrowly escapes an attack by the creature, she puts together a hunting party.
The back story about Maddy's father probably wasn't necessary, but I suppose they wanted a tragic back story in order for the viewer to root even more for our protagonist. 'Rippy' is a good old-fashioned creature feature with a simple premise. Although there are comedic elements, this is by all means a horror, with some creepy moments. Being such a short film (83 minutes) it was fast-paced and I enjoyed every moment.
'Rippy' gave me a sense of 'Razorback' meets 'An American Werewolf in London', and I had a bloody good time with it!
Maddy's dad was a local hero. Now she is trying to live up to his legacy, and she is put to the test when bodies start turning up - ripped to shreds. When Schmitty (Michael Biehn) tells her about a giant kangaroo, she doesn't believe him. But when more bodies turn up, and Maddy narrowly escapes an attack by the creature, she puts together a hunting party.
The back story about Maddy's father probably wasn't necessary, but I suppose they wanted a tragic back story in order for the viewer to root even more for our protagonist. 'Rippy' is a good old-fashioned creature feature with a simple premise. Although there are comedic elements, this is by all means a horror, with some creepy moments. Being such a short film (83 minutes) it was fast-paced and I enjoyed every moment.
'Rippy' gave me a sense of 'Razorback' meets 'An American Werewolf in London', and I had a bloody good time with it!
Le saviez-vous
- AnecdotesThe original name of this movie's script was "Zombiroo" according to Michael Biehn.
- ConnexionsRemake of Waterborne (2014)
- Bandes originalesAin't No Love
Written & Performed by Chase The Sun (J.Rynsaardt, R. Van Gennip & J. Howell)
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- How long is Rippy?Propulsé par Alexa
Détails
Box-office
- Budget
- 7 500 000 $ AU (estimation)
- Brut – à l'échelle mondiale
- 128 510 $ US
- Durée1 heure 23 minutes
- Couleur
- Rapport de forme
- 2.39:1
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