Rain Dogs

I didn't expect much from this series and watched the first two episodes inattentively and without much interest. However, starting with the third episode, I was already much more concerned about the plot. Now I think this series is brilliant in its own way.

First of all, there are few movies where the theme of codependency and toxic relationships is shown realistically: there is neither an ideal and helpless victim, nor a ruthless abuser. There are only people who try, love and try again. And then, what dialogues! My special thanks to the scenarists.

Of course, I would like to see something more holistic in the plot and more aesthetic in terms of framing and directing, but since the author's vision is like that, I accept this product as it is.

And for sure I can't wait to see main characters' new ups and downs.

I've given this a 10. Honestly, it's more an 8/9 but with only 783 reviews at time of writing, the 97 reviews who have given this 1 stars were not giving it anywhere near a fair appraisal. When so few vote overall, this brings the average down unfairly. I hope people don't get put off. This is a good well written gritty British drama comedy with strong performances from a great cast. It's shot well and the sound and soundtrack accompany the scenes well.

Yes, it's annoying how the narrative centres on Costello chasing a book deal; for some reason I find watching people chasing dreams unobtainable to most, tiring. But the relationships between the characters are interesting and relatable, Florian is an entertaining troubled soul. Len the pervert is also a good bit of eccentric fun. I loved the scene where Costello gifts one of his paintings and the recipient et al try to interpret it.

All in all a great British production. Thank you.

It's like a jigsaw puzzle where all the emotional pieces don't go together yet somehow fit. Thus the overall picture has uneven, rough edges and a lack of symmetry.

Jack Farthing plays a brilliant but vile version of Hugh Grant complimented by Daisy May hiding her First in English Lit under her pebbledash exterior. Although at times it may seem to be writhing in the dysfunctional and lacking emotional empathy, it is real as a bag of mouldy potatoes. Drugs, gambling, cheating, lying, and glorious food banks are the norm, not romance, candlelit dinners or happy endings.

Take Ade Edmondson as the Lenny the perv. He epitomises disgusting and most would avoid writing his character like the bubonic. No hankies needed, just all be prepared like a good Boy Scout to be shocked.

Not nice but true.

It's bleak, it's dark, it's engaging and me and the missus were hooked from the first episode. I thought the characters were well cast and haven't seen another series quite like it. Nice to see somehting original.

I may be biased as I've loved Daisy in everything else I've seen her in. I was really pleased to see her in a straight role and watch her not just doing another comedy role- I hope she gets more opportunities off the back of this.

Haven't finished the full series yet, so may still be dissapointed, but have enjoyed this so far and would suggest people make their own minds up. And don't get put off too much by the negative reviews.

This alternative series is a breath of fresh air! I am very surprised by the relatively low score here, because this series is both innovative, well-made, varied, topical and humorous. Daisy May Cooper in particular excels here. She stars as the tired but resilient single mother Costello Jones. This is essentially the star here, and rightfully so. She is incredibly good at portraying both social challenges and economic problems - in general, the alienation that many people experience today. But her character never gives up. I think it's wonderful to follow her, and her small and big battles. I hope this series has a long life because Costello Jones has only just shown us what she is capable of.