Wild Oats

Eva Fenton (Shirley MacLaine) buries her husband as her best friend Maddie Reynolds (Jessica Lange) hysterically cries at the funeral. She's alone except for her daughter Crystal (Demi Moore) who is looking to sell her home. She is shocked when her husband's $50k life insurance arrives with an erroneous $5 million payout. Maddie's husband ran off with his young secretary and she's sick. Eva decides to take Maddie on a vacation to the Canary Islands where Eva falls for Chandler (Billy Connolly). Meanwhile, insurance investigator Alvin Vespucci (Howard Hesseman) and Crystal chase them to retrieve the money.

Andy Tennant may not be a top level director but the flaws here are mostly due to the writing. MacLaine and Lange try their best but they can't overcome the weak writing. It has some bad sitcom writing. When it tries to be broad, it doesn't know how to do it right. The only saving grace is the legendary actors on the screen. I stayed with this for them but I was not rewarded.

While it wasn't a bad movie, it really was a bit of a waste for such a great ensemble, Definitely left me wanting more.

I was so happy to see a movie with such a fantastic cast of old people - I especially love Shirley MacLain and Billy Connolly, and the rest of the cast was also good. However, the script went from mediocre to really bad, the plot was worse, and the whole thing nose-dived in the second half. Which is a shame, it had such potential. No wonder it never opened in the theaters. I wish they would redo it, write a decent plot with an improved script, and re-release it next year. They would only have to do the second half. The movie starts out with MacLain and Lange at the funeral of MacLain's husband. It goes on to show the widow receive a falsely made out check from his life insurance. One of the best scenes in the whole movie is her calling the insurance company to try to straighten out the mistake. Then the story already starts to go downhill. Why doesn't she just deposit the check without worrying about being arrested? Or just send it back and ask for a correct one with a payment of $50,000 instead of 5 million? Everything is overdone with no reason behind it. And it just gets steadily worse with very little good stuff in between. It is not even worth watching for the actors, as the script is abominable.

I'm giving this a 7 because of the acting and the feel-good story. We need that nowadays, and I won't diminish it.

"Wild Oats" stars Shirley Maclaine as a widow, Eve, who receives a $5 million check from her husband's insurance when it was supposed to be $50,000 - and she knows it. After attempting to reach the insurance company and getting the runaround from their automated voice system, Maclaine and her best friend Maddie (Jessica Lange) decide to spend it.

They take off for a resort in Spain; meanwhile, the insurance company is onto them and has sent an elderly insurance man (Howard Hesseman) after Eve.

Maddie and Eve, meanwhile, are having the time of their lives, Eve with a charming old man, Chandler (Billy Connelly) and Maddie with a hot young stud (Jay Hayden).

This is somewhat predictable but the cast, which includes Demi Moore as Eve's daughter, makes it watchable.

It's a slight story and it didn't belong in a theater (though Sony disagrees - apparently it debuted on Lifetime before hitting the theaters) but I won't trash anything that makes me smile like this one did.

Both Shirley and Jessica are experienced talents capable of bringing to live a real topper script, compared to this humdrum 1980s TV movie script they've been saddled with.

If they had their hands on a truly competent script, these two would sizzle in both the comedic and dramatic aspects. The direction don't fare any much better, and all you get is a lazy evening mildly enjoyable fare.

Demi Moore is given next to nothing real to do here, except mouth tacky predictable soap opera lines ... another waste!

What wasted opportunity with such acting talents on hand!

Andy Tennant (Director here) just snoozing out another of his sub-par bland celluloid.

The producer, script writer, director ... all ought to be zip-locked and cast away into 80s TV movie land!