Borderline

I love Samara Weaving, and I'm happy to see Alba Baptista gaining space in an international production, but not even that saved Borderline from being a frustrating experience. For 90 minutes, all I could think was: "what the hell is this?"

The film tries to be an eccentric thriller with touches of dark humor, but it completely fails to balance the genres. There's no tension, no coherence, not even a solid script. It's a mess of scenes crashing into each other, as if the story is always on the verge of making sense but then refuses to follow a logical path.

The biggest problem is this lack of focus. Borderline seems to want to be everything at once but never commits to anything. Some moments suggest an intense thriller, while others try to lean into absurd comedy, but nothing really works. The humor falls flat because it lacks timing and impact, and the suspense never actually builds up, making it hard to feel engaged in the story. When it finally seems to find its direction, it quickly loses itself again, as if it's afraid of taking itself too seriously.

That said, I can't deny that Samara Weaving and Ray Nicholson carry the film on their backs. She continues to showcase impressive versatility in her roles, and he delivers a fantastic performance that makes me believe he'll become a major force in the industry in the coming years.

Another positive is the soundtrack, which, while not enough to save the film, adds a few moments of atmosphere. But overall, Borderline is an experience that won't appeal to everyone. It had all the ingredients to be a fun and unpredictable thriller, but instead, it's an exercise in patience, kind of stupid and never quite sure of what it wants to be.

Screenwriter Jimmy Warden takes the lead in directing a film he wrote himself, one that possesses a small charm as this ironic play about obsession and fame unfolds. He takes advantage of a cast that elevates the cast and makes the most of it, even if we encounter some less successful moments than others.

A cleverly thought-out thriller that uses dark humor as its mainstay, creating a film that, all things considered, generates good feelings due to its hilarious moments, which are quite accomplished and add that unexpected touch of affection for the film. To this end, we find a cast that works perfectly in coordination with its script, and the one who shines the most is Ray Nicholson, who is shown with the gestural and charismatic brilliance of his father, Jack. Meanwhile, there is a cast of well-chosen supporting actors and a Samara Weaving who isn't the Queen we know, but whose presence alone is enough to embellish the film.

It has many surprises as we delve into its story, and it truly captivates you with truly unexpected moments, as well as certain scenes that its director pulls out of his hat, creating unforgettable moments that are worth discovering upon seeing. While it may not have what it takes to end up being one of those great films of 2025, it has the merit of being a truly entertaining hit that grows endearing and overcomes its weaker moments thanks to a cast that substantially elevates those moments with charisma and talent.

A film unlike any other that brings out the best in its director, who has interesting things to show and deserves to be taken into account. It's not a perfect film, but it's worth giving it its time and seeing. It has truly worthwhile moments that will make you laugh out loud.

Movies like this are why people are turning movies like this off and watching movies from at least 10 plus years ago. This movie tries to be funny. It wasn't funny. This movie tries to be a thriller. It's not thrilling. This movie tries to be a horror. But there's not much of that either. What is this movie trying to be? Because it fails at everything that tries to do. So if I were you, I wouldn't waste one hour and 35 minutes of my life on this garbage, and instead, watch something from at least 10 years ago or so when they actually made competent movies.

2/10 don't waste your time like I did.

What a disappointment.

Good over-acting by Ryan Nicholson, Samara Weaving was better in 'Ready or Not' or 'Azrael'. Here, she has not that much to do.

The movie has some heavy issues concerning the script and the storytelling: The script starts with a lie and Ryan Nicholson as the first person narrator. The lie tricks the viewer and the first person narrative is never again important for the movie. Emotions are shown through the overuse of playing songs, meaning, the narrative is not confident in its script and storytelling. It has to use this trick in filmmaking showing that the direction is not good. So it's more of style over substance thing for the first time director.

The script takes decissions for a black comedy but the ideas don't really take off.

And: Borderline has nothing to do with hallucinations, so the title of the movie makes no sense.

At the end this movie is like an overlong music video.

Ryan Nicholson is rememberable, the movie unfortunately forgettable after watching.

The trailer was promissing a hilarious, dark comedy about stalking. The movie instead is not funny, not hilarious, has serious issues in storytelling, the characters and the script, but it has some dark, black humour.

"Borderline" had the ingredients to be something truly special, but instead, it settles for being just fine. The film teases a bold and sharp-edged narrative, yet it never fully embraces its potential, leaving an overall experience that is enjoyable in parts but frustratingly uneven.

The movie struggles with pacing. Several scenes drag on far longer than necessary, turning initially amusing or interesting moments into awkward stretches that overstay their welcome. More than once, I found myself thinking, "Why is this scene still going? It was funny a minute ago, but now it's just uncomfortable." This inconsistent rhythm makes the film feel sluggish at times, dampening its impact.

While the humor worked for me in many places-thanks to my appreciation for dark, offbeat comedy-it might not land for everyone. The film walks a fine line between being cleverly absurd and just feeling directionless. There are glimpses of brilliance in the writing, but they often get buried under scenes that lack focus or feel like they're stalling for time.

On the positive side, I really liked the character of Penny. Her dialogue, delivery, and presence (even if minimal) add energy to the film, making it feel brighter and more engaging whenever she's on screen. Her wit and charisma create some of the film's best moments.

Overall, "Borderline" could have been so much more. It had the potential to be a sharp, biting dark comedy, but instead, it settles for being intermittently amusing and frustratingly uneven. It's a film that I wanted to love but could only like-and just barely.