The Medium

Thai-Korean supernatural horror, Banjong Pisanthanakun's 'The Medium,' burns slowly but intensely throughout. It has all the elements of Asian horror unique to the Korean and Thai genres, such as creepy music and a darkly saturated filter. The film loses steam at times owing to flaws in its mockumentary style, but Pisanthanakun succeeds far more when he concentrates on the complexities of the familial links and what some of the key reveals imply for each character.

Thailand's official submission to 2022's Oscars is the creepiest exorcism movie I have ever seen. It's so scary, brutal, captivating and provocative. It grabs your attention and keeps you on the edge of your seats from the very beginning until the credits start rolling. It's the year's best horror film so far.

Saw this at the cinema last night, and while I found it to be good-looking and well-made, with an interesting setting, it was still nothing new or special. I've seen everything in this film before. Nowhere near on the same level as The Wailing, which this shares many elements with.

The screaming and running around and people acting possessed in the last act becomes tedious after a while, as there's barely any emotional involvement with the characters. I simply did not care about any of the characters who made it to the last act.

Not often I'd say this about a horror film, but this would have been improved by actually being subtler, and leaving out some of the mayhem. And an edit - this is much too long at 130mins.

This was suprisingly good until the characters got completely stupid. There was some great creativity in the plot, but like so many movies, the writers relied on utter stupidity from the characters to drive the plot and situations forward. Some great scenes in this film though. Very hardcore in some aspects.

The scariest film of the year so far and one of the creepiest entries in the world of horror in recent years, The Medium begins as a documentary about a shaman possessed by a local deity in North-east Thailand but soon develops into a dreadful & diabolical nightmare that you can't escape from. Powerful, petrifying & perturbing in equal measure, this Thai-South Korean supernatural horror reeks of death & devilry.

Co-written by Na Hong-jin (The Wailing) & directed by Banjong Pisanthanakun (Shutter), the film employs the faux-documentary format to narrate its tale of faith, inheritance, malaise & malison and gradually brings the viewers into its world of beliefs, curses & superstitions with its informative approach & natural acting from the cast. It takes its time, is never in a hurry & starts to ratchet things up only after the audience is fully on board.

While suffused with a feeling of something sinister & unholy brewing under the surface from the beginning, the film's horror elements lunges to the forefront only after the board is set & all the characters are properly introduced. And the execution is genuinely effective & nerve-wracking. There are scenes in here that are downright shocking & disturbing but what lends those moments their uncanny weight & power are the thoroughly convincing performances.

Overall, The Medium is one of those unnerving horror offerings that feels cursed, brims with an ill-omened quality and is smeared with a blood-curdling atmosphere that only intensifies as plot progresses. Intelligently directed, deftly scripted, finely detailed & strongly bolstered by Narilya Gulmongkolpech's bone-chilling act, the film does run longer than it needs to but the terror it invokes from its eerie setting & skin-crawling imagery is as unrelenting as it is unsettling. Don't miss it.