L'équipe de tournage d'une websérie d'horreur se rend dans un asile abandonné pour une diffusion en direct. Le lieu dépasse leurs attentes alors qu'ils s'enfoncent plus profondément dans l'a... Tout lireL'équipe de tournage d'une websérie d'horreur se rend dans un asile abandonné pour une diffusion en direct. Le lieu dépasse leurs attentes alors qu'ils s'enfoncent plus profondément dans l'ancien bâtiment cauchemardesque.L'équipe de tournage d'une websérie d'horreur se rend dans un asile abandonné pour une diffusion en direct. Le lieu dépasse leurs attentes alors qu'ils s'enfoncent plus profondément dans l'ancien bâtiment cauchemardesque.
- Prix
- 3 victoires et 9 nominations au total
Oh Ah-yeon
- Ah-yeon
- (as Ah-yeon Oh)
Lee Seung-wook
- Seung-wook
- (as Seung-Wook Lee)
Mun Ye-won
- Charlotte
- (as Ye-Won Mun)
Avis en vedette
It is well-paced and just the proper length.
The setup is good.
The actors are competent.
And most importantly, the third act does not disappoint, drag or get all weird for the sake of being weird. There are some genuinely suspenseful and scary moments.
But yeah, rethink the high heel boots if ever invited on a live-streaming haunted horror adventure at a location highly rated by a cable news outlet.
The setup is good.
The actors are competent.
And most importantly, the third act does not disappoint, drag or get all weird for the sake of being weird. There are some genuinely suspenseful and scary moments.
But yeah, rethink the high heel boots if ever invited on a live-streaming haunted horror adventure at a location highly rated by a cable news outlet.
A terrifying found-footage horror from the South Korean film industry, Gonjiam: Haunted Asylum travels a well-worn path, packs the expected genre tropes, and implements the same formula that other similar examples before it did. And yet, everything about it is surprisingly better & far more effective, possibly due to its genuinely tense build-up & excellent rapport between its committed cast.
If you're a fan of scary B movies, the scares are amazing on the second half. I really hate the blacking out/glitching effect the movie did. I enjoyed watching it when everything rolled out.
If you like horror movie with first person pov i suggest you to watch this one. its worth your time and slowly building up your tension.
and the place is real since i searched it up and read the story, its not a fiction, i mean the place.
How much you get out of this Korean found footage horror will depend on your mindset for this particular sub-genre. There's really nothing new here - think along the lines of "Grave Encounters", but better executed with the use of upgraded technology to stream live any paranormal encounters. The premise is run-of-the-mill; a small crew from a horror web series "Horror Time" grab cameras to explore an abandoned and isolated asylum late one night for a live broadcast. However they get a lot more than what they initially bargained for.
No surprises in how the situation plays out, however the atmosphere is laid on thick. Pure dread, looming shadows and creaking sounds engulf a dank, colourless location that will simply swallow you up. It very much reminded me of the tone/ambiance found in Session 9, maybe even creepier. One thing though, no way would you get me in there after midnight.
After a slow beginning introducing the characters, chemistry dynamics and a little history of the asylum including other thrill-seekers that have disappeared after entering the building. It all works up quite nicely to the obligatory jump scares and equipment failure. What seemed simple at first showed the plot had a surprise or two up its sleeve in its paranormal loophole, which is all centred around the cursed room 402. There were a couple rather effective set-pieces, yet probably not enough incidents in what feels kind of drawn out. Still those moments we do get, and there are a good 3 or 4, are well-shot hair-raising thrills.
No surprises in how the situation plays out, however the atmosphere is laid on thick. Pure dread, looming shadows and creaking sounds engulf a dank, colourless location that will simply swallow you up. It very much reminded me of the tone/ambiance found in Session 9, maybe even creepier. One thing though, no way would you get me in there after midnight.
After a slow beginning introducing the characters, chemistry dynamics and a little history of the asylum including other thrill-seekers that have disappeared after entering the building. It all works up quite nicely to the obligatory jump scares and equipment failure. What seemed simple at first showed the plot had a surprise or two up its sleeve in its paranormal loophole, which is all centred around the cursed room 402. There were a couple rather effective set-pieces, yet probably not enough incidents in what feels kind of drawn out. Still those moments we do get, and there are a good 3 or 4, are well-shot hair-raising thrills.
Le saviez-vous
- AnecdotesThe filmmakers were unable to get permission from the South Korean government to film in the actual hospital, so scenes in the film set in Gonjiam were actually filmed in the National Maritime High School in Busan, with the production team adhering closely to the floor plan of the hospital to recreate exactly the same exterior and hallways.
- GaffesAt the start of the film, they meet in a restaurant for the first time. Yet on the way to the hospital, they refer to a previous trip. In the footage of everyone jumping into the water, it's all the same faces that supposedly just met. * EDIT - they referred to a previous trip & then *all of them that just met* went jumping into the water. They talked about doing it & then they did it. Not a goof.
- ConnexionsReferences Retour à la maison de l'horreur (2007)
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- How long is Gonjiam: Haunted Asylum?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Gonjiam: Haunted Asylum
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 115 252 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 19 017 $ US
- 15 avr. 2018
- Brut – à l'échelle mondiale
- 21 180 050 $ US
- Durée1 heure 35 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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