D'où l'on vient

I really enjoyed "In the Heights" overall as a movie and musical. The best aspects were the overall story it told and some of musical dance numbers, e.g. The pool scene. The music itself was not at the same level as Hamilton, but it was still good. The characters were mostly very good with the best performed by Melissa Barrera and Olga Merediz. Anthony Ramos also does a very good job, but some aspects of the writing for his character were off. Also, some aspects of the side stories were too contrived and didn't add anything to the overall movie. But in the end these things mattered less and the movie pulls all of the important pieces together to still tell a great story. Congrats to all those who made this great film!

It's a good one time watch movie, mainly for its Music and dance through some great cinematography done with greats sets. The story is vague so you'll be disappointed, if you're mainly focused on the plot. Or else, you'll pretty much be entertained with some good music and dance shown.

On a beach, Usnavi (Anthony Ramos) tells a group of youngsters about a place called Washington Heights in the faraway Nueva York. It's the days before the 1999 blackout. Usnavi runs a bodega but dreams of returning to his childhood home of Dominican Republic. He has a crush on the beautiful Vanessa (Melissa Barrera) who dreams of being a fashion designer. Nina returns from Stanford and is unwilling to go back especially if her father Kevin Rosario (Jimmy Smits) has to sell off his business to pay the tuition.

It's a Lin-Manuel Miranda musical directed by Jon M. Chu. I really loved some of this. It is too long and probably has too many story elements. The two main young couples could be combined into a simpler single Romeo and Juliet romance. It would allow the DACA story to have more space to breathe. Despite all the hot young things, the most emotional song is Abuela's powerful life story. I do like the visual of Vanessa running down the empty street with the fabrics flowing down the buildings. I don't know if it's possible but Vanessa may be too beautiful. I would have liked for Nina's college drama to be shown. The emotional climax is really Abuela's song and the DACA protest. The movie drags on a bit long after that although that is a fine ending. The main theme of this movie is dream which does present a minor problem. By itself, it does not give that much kinetic energy to the story. Everybody is just pining for money (from the lotto) to make their dreams come to life. All in all, I love quite a bit of this even if it is long.

Came in with a very low expectation, not knowing this was inspired by a Broadway musical, not to mention I couldn't care less if this movie was delayed because of Covid-19 and had never seen the trailer before prior to my first viewing, but when I got around to watch it it, damnnnn... I was stunned and shocked to admit that this is in my top 3 Broadway/theater-based musical genre after La La Land & The Greatest Showman.

Rarely we get to see a Hollywood film where all of the cast are led by the Latino community. This movie speaks volumes for them, where the central message lies on hope, racism, dual standard, dreams, family, friendship, the art of letting go and what it means to become an outsider.

In the Heights is inspired by its Broadway musical and as far as the story goes, they cut Nina's storyline and it gets sidetracked when hers should also be the highlight alongside Vanessa's. The story doesn't go as deep as Les Miserables but isn't as shallow as The Greatest Showman either (The only problem with TGS for me), it stays somewhere in the middle, just enough to get your attention.

In the Heights sends chills down your spine every time you witness the cast dancing and singing. The best thing is that the music and showmanship get better the more times you watch it and I will assure you, you'll have your fingers tapping backward and forward on your device to rewatch some of your preferred numbers. My top 3 songs include In the Heights, 96,000 & Carnavel del Barrio.

What's outstanding in this film is that there are parts in almost every dance number, some dancers go unsynchronized with the choreography. But as the audience, you couldn't care less because the songs are so juicy and refreshing, the only thing you want is to just rejoice and have yourself grooving. What's even better is that the unsynchronization actually makes the movie better, with deeper related metaphors; in that we accept people's imperfections and to let go of the insecurities within us and just... enjoy your life to the fullest!

One thing though, the colour grading could have been better. It paints this dour, gloomy, half-cooked gritty world all over it. Even when the scorching Sun arrives, it seems to have appeared somewhat dull. I get the intended meaning behind it, that this community's life is pale and has its sufferings amidst Summer is happening but imagine if the colour is as bright as The Greatest Showman or La La Land or Once Upon a Time in Hollywood. You'll be drooling all over your shirt 🤤. P. S: Colours in musicals play a pivotal role in enlightening the world and its mood.

In the Heights is a cinematic treat for your eyes and ears; amidst the pandemic happening, the economic downturning and the mental health issues arising, there has never been a perfect time to release this film until now in Summer! This is an important film for all and it's what we need!

Now, I watch the trailer and listen to their music about 50 times a day, I promote it on my Instagram (@iamianiman) every day so that my friends know this is the hidden gem of the Summer. Can't wait to watch it again and again and again especially in the cinemas!

Verdict: In the Heights really sets the bar high, making it incomparable with other contenders this Summer. This crowd pleasing event is the ultimate cure for the world and the rekindle of lost friendship, shattered hopes and retired dreams all because of the pandemic.

P. S: If The Greatest Showman were created for the Winter, In The Heights were created for the Summer.

A friend who hopped on the Hamilton bandwagon relative early (with the original cast on Broadway) said to me, "I think this guy, Lin-Manuel Miranda, may be a freakin' (word substitution there) genius!" Naturally, I assumed that was the hyperbole common to those who think they've discovered something that is solid gold both. But having seen "Hamilton" and his earlier stage musical work, "In the Heights," translated to the big screen, it's getting pretty difficult to argue with that assessment. This one is about the hopes and dreams of its many and varied characters, just as "Hamilton"is about the hopes and dreams of the United States' founding fathers.

The "Heights" in question is Washington Heights, a big Apple neighborhood at the north end of the isle of Manhattan populated primarily by people of color, and where Lin grew up. Quiara Alegría Hudes adapted for the screen her book for her musical stage play. The notable director of "Crazy Rich Asians," Jon M. Chu, directs the energetic proceedings here. And of course, like Hamilton, all the music (from salsa to beats of merengue and bachata, to bomba y plena) and all the lyrics (which are almost exclusively hip-hop) are from the one-and-only Lin-Manuel. (A plump and bearded Lin appears in a mostly comic, near-cameo role that I won't spoil for you.) Combine all this with the endless joy of choreography & constant dancing and the innovative D. P. techniques (the cast says no harnesses were used in the "side-of-the-building" scene, which raises a serious question: "WTF?!?") and you have a real winner for generations of immigrant New Yorkers and their off-spring and the whole Latinx community, and a "West Side Story" for a new millennium. Highly recommended!