Deux amis de toujours se retrouvent dans une impasse lorsque l'un d'eux met brutalement fin à leur relation, avec des conséquences alarmantes pour tous les deux.Deux amis de toujours se retrouvent dans une impasse lorsque l'un d'eux met brutalement fin à leur relation, avec des conséquences alarmantes pour tous les deux.Deux amis de toujours se retrouvent dans une impasse lorsque l'un d'eux met brutalement fin à leur relation, avec des conséquences alarmantes pour tous les deux.
- Nommé pour 9 oscars
- 150 victoires et 374 nominations au total
Lasaírfhiona Ní Chonaola
- Female Singer
- (as Lasairfhíona Ní Chonaola)
Avis en vedette
I sat down prepared for an outstanding movie, what I got was nothing close to what I was expecting.
As my title states, the actors could not be faulted in any way, as I found them to be superb, having me hooked with their interactions. Colin Farrell with the most screen time simply shines, having me wish he were more prolific in projects. Brendan Gleeson also does a stellar job, as does Kerry Condon. Even the other minor characters were well written and very well acted by their respective actors. I can't think of a single actor who did a poor job, heck even the animals did a good job. Excellent cinematography as well.
However, while the dialogue was extremely well written, the script itself was somewhat lacking. I kept waiting for the payoff during the movie that simply never came, making me wonder what I just watched.
Go in for the acting and you will not be disappointed, however the overall story might let you down.
As my title states, the actors could not be faulted in any way, as I found them to be superb, having me hooked with their interactions. Colin Farrell with the most screen time simply shines, having me wish he were more prolific in projects. Brendan Gleeson also does a stellar job, as does Kerry Condon. Even the other minor characters were well written and very well acted by their respective actors. I can't think of a single actor who did a poor job, heck even the animals did a good job. Excellent cinematography as well.
However, while the dialogue was extremely well written, the script itself was somewhat lacking. I kept waiting for the payoff during the movie that simply never came, making me wonder what I just watched.
Go in for the acting and you will not be disappointed, however the overall story might let you down.
I couldn't tell if it was trying to be profound, subtly comedic, thought-provoking or all of the above. It kind of failed at all of them.
I don't think it deserves the praise it has received - it was okay, it had some mildly amusing moments but it had one storyline which doesn't really go anywhere and I soon lost interest. In Bruges was superb and I watched again in advance of going to see this. Maybe I shouldn't have, as this just doesn't get anywhere near it for comedy, warmth or character development.
The acting is brilliant, the scenery is spectacular, but I just didn't get it. It was... okay.
I don't think it deserves the praise it has received - it was okay, it had some mildly amusing moments but it had one storyline which doesn't really go anywhere and I soon lost interest. In Bruges was superb and I watched again in advance of going to see this. Maybe I shouldn't have, as this just doesn't get anywhere near it for comedy, warmth or character development.
The acting is brilliant, the scenery is spectacular, but I just didn't get it. It was... okay.
Super locations. Great photography. Masterful Production design. The acting is world class. So why didn't I enjoy this film? Because it promises to say something and goes nowhere. I'm obviously in the minority here but I wish my expectations hadn't been raised so high. It's dark but a slow almost empty darkness. I'll forget this film very quickly. Which is a good thing for me but doesn't say much for the quality of the story. It feels like there was much more there somewhere but it didn't make it out. Perhaps watching it on a rainy Monday evening didn't help. Also please don't go thinking this is a comedy or anything at all like 'In Bruges'. It's very far from funny. It's very far from the quality of that film.
It is a well told dark comedy that keeps you wanting more, in a time when Ireland was full of despair, not long after the war of Independence and a long-suffering period that brought about a post-colonial inferiority complex (still hasn't been addressed to this day), a struggle for an identity, a repressive church, superstitions, isolation, mass emigration, poverty and to top it all off a brutal civil war. This film does a great job to put you in the psych of the time and to top that off the cinematography, costumes, music and atmosphere are wonderful. The film is itself a bit of a conundrum, on one hand it leaves you thinking nonstop about the story and the premise, while on the other hand you feel cheated by its abruptness.
Pádraic ó Súilleabháin (Colin Farrell) is just a nice man who struggles to deal with losing his friendship with Colm Doherty (Brendan Gleeson) and the further loss he endures. Colm, himself is in a fight against time and his age. The dark struggle of helplessness or despair is rife on the Island, but the story telling is done so well it comes across uplifting at times with light-hearted comedy sprinkled on top. Siobhán ní Súilleabháin (Kerry Condon) is a rock to Pádraic, but she is herself tied to the antics of the Island and Dominic Kearney (Barry Keoghan) must suffer with his own demons while he searches for love.
Both leads Colin Farrell and Brendan Gleeson knock it out of the park, but the two shining stars for me were Barry Keoghan and the beautiful Kerry Condon. I thought the film was going to take a turn for the D'Unbelievables at one point when Pat Shortt who plays Jonjo Devine and Jon Kenny who plays Gerry pop up on the screen, but after a brief scare they turned out to be a good addition to the banter and gossip in the pub scenes.
It's not perfect and lets you down in a few areas. Some of the dialogue feels out of place especially for the part of Ireland and the time period, which was a shame, as it transports you out of the screen and back into the cinema (this seems to be a modern trend with period film). The setting was also a bit too squeaky clean; brand new clean clothes, polished teeth, shoes galore, fresh faces (apart from Colin Farrell who did look like he spent years working in the elements) the poverty of the time could have been showcased a bit more.
My wife and I both enjoyed this film immensely. Any fan of dark comedy, this film is a must see with a word of warning: I would be aware if you are going to see this movie and you are emotionally fragile, that it does tap into the dark side of your brain and leaves you in deep thought when it is finished.
8/10.
Pádraic ó Súilleabháin (Colin Farrell) is just a nice man who struggles to deal with losing his friendship with Colm Doherty (Brendan Gleeson) and the further loss he endures. Colm, himself is in a fight against time and his age. The dark struggle of helplessness or despair is rife on the Island, but the story telling is done so well it comes across uplifting at times with light-hearted comedy sprinkled on top. Siobhán ní Súilleabháin (Kerry Condon) is a rock to Pádraic, but she is herself tied to the antics of the Island and Dominic Kearney (Barry Keoghan) must suffer with his own demons while he searches for love.
Both leads Colin Farrell and Brendan Gleeson knock it out of the park, but the two shining stars for me were Barry Keoghan and the beautiful Kerry Condon. I thought the film was going to take a turn for the D'Unbelievables at one point when Pat Shortt who plays Jonjo Devine and Jon Kenny who plays Gerry pop up on the screen, but after a brief scare they turned out to be a good addition to the banter and gossip in the pub scenes.
It's not perfect and lets you down in a few areas. Some of the dialogue feels out of place especially for the part of Ireland and the time period, which was a shame, as it transports you out of the screen and back into the cinema (this seems to be a modern trend with period film). The setting was also a bit too squeaky clean; brand new clean clothes, polished teeth, shoes galore, fresh faces (apart from Colin Farrell who did look like he spent years working in the elements) the poverty of the time could have been showcased a bit more.
My wife and I both enjoyed this film immensely. Any fan of dark comedy, this film is a must see with a word of warning: I would be aware if you are going to see this movie and you are emotionally fragile, that it does tap into the dark side of your brain and leaves you in deep thought when it is finished.
8/10.
After years of friendship, Colm decides that he no longer wants to engage with, or even talk to his former friend Padraic. Padraic refused to accept being shunned, and pursues Colm, who promises some extreme retaliation.
It's a film that gives you hope for the future of film making, truly original, funny, dark, it's like no other film I can think of. Worlds away from what I've seen on the big screen for some time. You don't know whether to laugh or cry, it truly doesn't follow any of the usual rules.
It is such an unusual, but pretty fascinating story, how on Earth can two grown men, two adults that have been friends for a long time, suddenly drift apart, becoming feuding strangers? It does actually happen. The main question here, is what changed, what pushed Colm to this point?
A story of ego, pride and stubbornness, it shows how something small can get out of hand, and escalate into something huge.
The characters are so rich, not just the two leads, but the likes of Mrs McCormack and the shopkeeper are great.
Brendan Gleeson and Colin Farrell are terrific, it's the best films Farrell has done for years. Barry Keoghan steals several scenes, he's brilliant.
The visuals are breathtaking, the landscapes, the shots of the animals are tremendous.
8/10.
It's a film that gives you hope for the future of film making, truly original, funny, dark, it's like no other film I can think of. Worlds away from what I've seen on the big screen for some time. You don't know whether to laugh or cry, it truly doesn't follow any of the usual rules.
It is such an unusual, but pretty fascinating story, how on Earth can two grown men, two adults that have been friends for a long time, suddenly drift apart, becoming feuding strangers? It does actually happen. The main question here, is what changed, what pushed Colm to this point?
A story of ego, pride and stubbornness, it shows how something small can get out of hand, and escalate into something huge.
The characters are so rich, not just the two leads, but the likes of Mrs McCormack and the shopkeeper are great.
Brendan Gleeson and Colin Farrell are terrific, it's the best films Farrell has done for years. Barry Keoghan steals several scenes, he's brilliant.
The visuals are breathtaking, the landscapes, the shots of the animals are tremendous.
8/10.
Colin Farrell Reunites With Brendan Gleeson
Colin Farrell Reunites With Brendan Gleeson
Colin Farrell and Brendan Gleeson talk about reuniting with writer/director Martin McDonagh 14 years after making dark comedy cult classic In Bruges for McDonagh's new film, The Banshees of Inisherin.
Le saviez-vous
- AnecdotesColin Farrell had several incidents with animals during the shoot. Jenny, the miniature donkey, kicked him while he was hand-feeding her. Second, the dog portraying Brendan Gleeson's pet bit him. Thirdly, a horse leading a cart Farrell was in sat in tried to reverse the cart into the ocean.
- GaffesIn the first scene in Colm's cottage, an old phonograph with a horn is seen, and heard playing a record. The record is spinning at 33 1/3 RPM, instead of 78 RPM, which was the ONLY speed used to play records in the early 1920's. The slower speed was not used until LP records were introduced in the late 1940s.
- Citations
Priest: Do you think God gives a damn about miniature donkeys, Colm?
Colm Doherty: I fear he doesn't. And I fear that's where it's all gone wrong.
- ConnexionsFeatured in CBC News: Toronto: Episode dated 16 September 2022 (2022)
- Bandes originalesThe Banshees of Inisherin
Written and Performed by Brendan Gleeson
Performances also include Conor Connolly, James Carty, and Ryan Owens
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Banshees of Inisherin
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 10 582 266 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 184 454 $ US
- 23 oct. 2022
- Brut – à l'échelle mondiale
- 50 250 625 $ US
- Durée
- 1h 54m(114 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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