La Nuit du Massacre

Before Sl8n8 there was Doodeind. Unfortunately Doodeind wasn't such a great movie. The actors were bad, the story was a cliché bomb and the special effects were (for what I've seen in other Dutch movies) awful. Victoria Koblenko played in both movies. She sucked in Doodeind but did a great job in Sl8n8! Maybe it's because she played the main part in Sl8n8 and had just a little one in Doodeind.

The story is really scary. You're lost in a mine and there's some freak-show chasing you with his big knife. But... it's your own fault! A girl got in a car accident with her father and he dies. He has this huge mine and the girl decides to check it out with some friends. They have fun and think "Hey! Why not make contact with some ghost while we're in a dark mine which is going to collapse in I don't know... like 5 minutes?". The story may be scary but it doesn't make any sense. But okay. They make contact with some fire-ghost freak-show and he starts chasing them. This movie gets really scary and there's lots of gore! So much better than Doodeind. If you get the chance... Watch this movie!

Well, Sl8n8 isn't exactly original horror; but it does a good job of taking the common slasher clichés and moulding a fun and gory little horror film out of them. The film reminded me a lot of the direct to video crap-fest "Curse of the Forty-Niner" as it features supernatural themes, a mine and some dumb teenagers, but luckily the similarities end there. The slasher film is more associated with the US than the Netherlands (which I generally don't associate with films in general), but it would seem that the writers of "Sl8n8" have watched enough American films to see how the slasher works. The plot is frankly ridiculous, and starts with a car crash in which a girl's father is killed. She then goes on a road trip with her friends, and stops at his office to recover some stuff. They end up getting roped into having a tour of an old mine where a murderer who the girl's father was researching met his end. Naturally, things soon go wrong and the kids decide that it's time to experiment with a Ouija board, which turns out to be a big mistake as now the murderous spirit is on the rampage...

The good thing about this film is definitely the fact that it's gory. Writer-directors Frank van Geloven and Edwin Visser obviously realise that the lack of brains can easily be masked with a lot of nasty gore scenes, and it has to be said that this works well as the death scenes definitely do make the film a lot of fun to watch. The film does take a short while to get going, and not much happens in the first half; but once it shifts up the gears, Sl8n8 becomes a relentless and engaging little flick, but I don't suppose I'm going to remember much of it in a few weeks time. The main thing that annoyed me about the film, however, was the flashy cinematography; which sometimes made it near on impossible to tell what is going on. Other criticisms include the title - I'm not a fan of the whole substituting numbers for letters thing (cough Se7en cough), and "Sl8n8" really is a poor title. I suspect it will be changed when/if this film gets a US release as in English that title comes out as 'Sleight Neight'! Overall, this film is fun enough and I'd certainly recommend it for an hour and a half's entertainment.

The entire premise of SL8N8 is that a group of young people get stuck down in a Dutch mine, because someone above ground switched off the power for the elevator.

The group learns this, and tries to make their best of spending a night down in a mine.

Halfway through the film, one of the characters walks up to the mine. Totally casually, as if this moron actually expects the thing to work. The morons turn out to be the filmmakers because: THE ELEVATOR DOES SUDDENLY MAGICALLY WORK.

The character goes up. Not surprised. Not alerting his friends that the elevator works again.

It doesn't end there: the character does walk around above ground for a while but decides he doesn't like it there. And goes back down into the mine. By elevator.

A film that makes such a massive mistake does not deserve praise. And this is just the biggest mistakes, it has many more illogical moments. That combined with the fact that it rips off so many scenes from other films that already existed at the time, makes this yet another disappointment in Dutch horror. Partially blame Dutch producers who are too afraid to try something that is new, even if it's a perfectly mainstream thing.

Sl8 N8 is the Dutch answer to My Bloody Valentine... and done much, much better. Obviously the budget wasn't the largest here, but the director and crew seemed to make the most of what they had. Effects were clearly limited and relied on camera shakes and piercing noises on moments with high tension. While this effect can easily be overdone, it isn't here. Instead of going overboard and having these effects become distracting like other low budget horror films that try the same, here it is practiced with careful restraint and just the right touch.

Sl8 N8 also gives us a killer with a purpose. Our supernatural slasher isn't killing at random or just for fun, oh no... He is trying to escape from hell or limbo through a satanic ritual that requires the heads of 8 victims. And just where would our story be without a cliché connection that links our main character and her dead father to our setting. There are other cliché's, but none that really take away from the film, after all they are clichés so they do fall into what you've come to expect category. Hey, I never said that it wasn't simple...

The gore factor slowly increases steadily throughout the film at just the right spots and should satisfy a good percentage of gore hounds by the end of the film... Giving us everything from brains to blood to fire to almost cannabilism - OK, let's call it really graphic flesh tearing via mouths.

All in all, Sl8 N8 is a nice Dutch edition to the horror genre, again it's nothing new, but it's effective and definitely worth a watch on a rainy day.

6.5/10

Kristel (Victoria Koblenko) after a night out partying is on her way home with her father. He's angry that she keeps secrets from him and is not paying attention to the road which results in a horrible car crash which in turn takes her father's life. After the funeral Kristel goes on a tour of a mineshaft (Kristel's dad was working on a book about a serial killer, the mine being where said killer died). Long story short, the people taking the tour get trapped, they whip out a Ouija board for no reason whatsoever and release the body-hopping spirit of the killer. Yes, you've seen this scenario play out a thousand times or more. The film is hopelessly derivative and lacks any form of originality whatsoever. But what it lacks for them, at least it does it reasonably well. This is one of the films that when it's over, you won't think twice about. Victoria Koblenko is pretty hot though and it was a shame the makers of the film didn't put her 'talents' on display, if you catch my drift.

My grade: C-

Tartan's DVD Extras (R1): Making of documentary; outtake reel; theatrical trailer; and trailers for "H6", "Hillside Strangler", "Sheitan", "Bloody Reunion", and "Perth"