Le couvent

A group of dumb, sex straved teenagers break into an abandon convent and accidently raise demons that proceed to kill them. The only person they can turn to is Adrienne Barbeau. The only person to ever escape from the demons alive.

Boring, poorly done film is certainly different, but different isn't always good. Sloopy gore effects, editing that looks like it was done by a chainsaw, and some of the most annoying characters ever demolish whatever chances it had. Adrienne Barbeau livens things up when she finally arrives on screen and gives the film a touch of class, but alas it is too late and too little screen time for her.

Rated R; Graphic Violence, Adult Themes, Sexual Situations, Nudity, and Profanity.

The horror genre is undoubtedly more diverse than any of cinema's other genres, and while that does mean that there's a lot of different and original horrors; it also means that any good idea liable to be done more than once. This has become a big problem for the modern genre with the recent wave of remakes. The Convent isn't a remake by name; but it could easily be a remake of the eighties classic Night of the Demons as the basic plots are more or less identical - but at least enough of it has been changed to ensure that it gets away with being a different film. This is how remakes should be done! Anyway, anyone that has seen the aforementioned eighties horror will recognise this story instantly. The film begins with a cool sequence that sees a young girl brutally execute a bunch of nuns with a shotgun. Fast forward fifteen years and a bunch of school kids are planning to break into the convent where it all happened to see if it really is haunted by the dead nuns...

It has to be said that this film isn't a piece of high quality film-making. The acting is largely ridiculous and the special effects are so bad that they make the majority of the cast look on par with some of the greatest performances of all time. However, the film was clearly never meant to be seen as great horror; and thankfully it does work as a fun, trashy horror comedy. There's always plenty going on and the film never really has time to get boring, which is certainly to its credit. The majority of the characters are rather dull, and this is not helped by the fact that the most interesting one is killed off towards the beginning; but the loss of her presence is somewhat made up for the appearance of a couple of bumbling 'Satanists' that provides the laughs. The film also features a few cameo appearances; we've got rapper Coolio and Bill Moseley as a couple of coppers; and even better Adrienne Barbeau as motorcycle riding demon killer. Overall, I really wouldn't recommend anyone goes out of their way to see this film; but it's fun enough for what it is and people that enjoy this sort of film surely wont be too disappointed.

Hell yeah! That's pretty much the feeling the average person will have throughout this compact and action-filled piece of garbage. It's an incredibly crazy, riveting and somewhat moronic 75 minutes, it's the kind of project that defines what B-list horror should be all about. The hilarious (in a sadistic way) opening immediately drags you in, and the movie just utterly refuses to let you go after that. Demonic zombie nuns, fluorescent(!) blood, hot chicks, washed-up gangsta rapper Coolio playing a cop, I thank God for showing me all this pure uncut greatness. If all this stuff can't get your attention, I really don't know what will. The Adrienne Barbeau appearance is just icing on the cake, brilliant role. Of course this movie isn't particularly well-made or well-written, but I stopped caring roughly ten seconds in. Loads of fun.

Ahhh, this movie is in every way completely ridiculuous. The Actors seemed to have a good time, and so did I. It's very reminiscent of the better low-budget 80's stuff, with cheesy acting, cheesy dialog, and cheesy humor. But I love that kind of stuff. And clocking in at about 1 hour and 12 mins., it's very fast-paced. I noticed that the male characters were incredibly stupid, while most of the females were pretty smart. I thought this was hilarious and made the film kind of a parody of the aforementioned 80's flicks. If you like stuff like "Night of the Demons" or maybe "Return of the Living Dead," "The Convent" is in the same spirit. You get to see lots of goofy stuff, but the monsters are pretty cool, and sort of serious, and it's got a pretty good bloodflow. And Adrienne Barbeau is a blast as the vet demon killer. My only complaint is that the ending seems a bit rushed, and poorly edited. But Mr. Mendez is one to watch.

As a fan of fun horror movies like "The Evil Dead", "From Beyond", and "Demons" (or even "Sleepaway Camp 2: Unhappy Campers"), I find today's multiplexes a barren wasteland when it comes to frenzied, hilarious, gore-and-violence filled fright flicks. I'm forced to choke down pale simulacrums like "Valentine", "Dracula 2000", and "Urban Legends: Final Cut" in theaters, while voraciously re-watching the Herschell Gordon Lewis/Coffin Joe catalog at home. I'm a sad horror junkie aching for a fix.

That's why viewing "The Convent" in a theater packed with like-minded gore-o-philes was a near orgasmic experience. Finally, a modern horror flick that aims for all the right targets, hitting most of them and shoveling a bucket-load of entertainment down my parched, killer-nun hungry gullet.

"The Convent" tells the tale of some dopey fraternity types breaking into an abandoned nunnery only to encounter carnage-hungry ghouls, fey devil worshippers, and oodles of cool imagery, skin peeling, and decapitations. When's the last time they made a movie about that kind of stuff that wasn't crap? What's even more impressive is that this movie is funny- hilariously so, and on purpose. In fact, not only is "The Coven" better than most recent horror movies, it's funnier than most so-called comedies. I dare anyone with a sick sense of humor not to fall in love with the destined-to-be-legendary flashback scene of evil nuns running amuck through a 1950s Catholic School.

The dialog is great, too (In retrospect, I can think of only one stupid line that made me cringe, concerning saving one's virginity for pasty poser Marylyn Manson) and delivered by a capable, amiable cast who turn stereotypical roles into likable characterizations. I expected to hate the stoner womanizer and the Goth chick lead, but the actors playing them were so good that I ended up loving them. There's even two characters who seem to be straight out of those "Saturday Night Live" Goth Talk sketches, but they are funny and I was actually looking forward to seeing more of them! Throw in Coolio and Bill Mosely (Chop-Top in "Texas Chainsaw Massacre 2") as dope-snatching college cops and Adrienne Barbeau as a legendary DemoNun slayer and you've got an affair to remember!

Yet another thing that endeared me to this flick was the fact that it was obviously made by knowledgeable horror fans, but unlike similar (but far inferior) projects like "The Dead Hate the Living" or "The Dead Next Door" they don't chuck obvious, "aren't-we-cool-wink-wink" genre references at you. "The Convent" has got subtle references to "The Beyond", "Zombie", and others I'm sure I missed, plus, a "Sixteen Candles" gag! What more could you ask for?

Well, I would've asked for more gore. Except for the numerous, outstanding beheadings (and subsequent squirting neck stumps), most of the demon-attacks are shot in a shaky-cam, distorted style that makes it hard to see the details. If I was prone to cliches, I might use the words "hyper-kinetic" or "frenetic" to describe the film's style, but I'm not, so I won't. Still, this movie has much more splat-sticky maulings than any other flick on the market today, and the demon make-up is unique and creative. This movie even makes day-glow colors look cool (something Joel Schumaker couldn't do despite his huge "Batman & Robin" budget). Another minor complaint is that the movie is almost too fast paced and seems hurried and choppy in places. The kick-ass opening scene (in which a gal blows away some pious puss-faces to the chords of Lesley's Gore's immortal "You Don't Own Me") is edited like a movie trailer, and the film's climax seems rushed. Instead of a slam-bang explosive finale we're treated to some indecipherable computer effects that seem to be inserted as a placeholder until real effects became available. But those are minor caveats. Sure, this is no "Dead Alive" or "Re-Animator", but it is superior to most other recent horror offerings in every department- script, cast, make-up effects, you name it.

The fact that this momentous motion picture cannot find a national theatrical distributor proves how out of touch some movie studios are with horror fans. I'm sure no dime would be spared to promote another brain-dead "I Know What You Did Last Summer" sequel. So catch this movie wherever and whenever you can, preferably in a theater full of people. You'll be oh so glad you did.