No amount of Sid Haig or cleavage can help
The dead have risen in a small town and group of people take refuge in a farmhouse weed farm.
With the original film never properly copyrighted and in the public domain director Jeff Broadstreet wastes no time in trying to cash-in with a 3D re-imagining.
This is best viewed in 2D as the 3D shots are gimmicky and are few and far between. The 1968 original appears on TVs scattered across the movie reminding you how superior it is to Broadstreet's offering. The opening is quite interesting following to the tropes of the original (the "Coming to get you, Barbara" line absurdly phoned in via text message). It has a bit of atmosphere but over all its all tongue and cheek stuff, suffering from a TV feel and low budget production values. It's on par with its 2012 follow up Night of the Living Dead 3D: Re-Animation but not a touch on Tom Savini's superb Night of the Living Dead (1990).
Horror character actor Sid Haig appears but even with its short running time and Brianna Brown, Johanna Black and Cristin Michele it's still totally forgettable.
With the original film never properly copyrighted and in the public domain director Jeff Broadstreet wastes no time in trying to cash-in with a 3D re-imagining.
This is best viewed in 2D as the 3D shots are gimmicky and are few and far between. The 1968 original appears on TVs scattered across the movie reminding you how superior it is to Broadstreet's offering. The opening is quite interesting following to the tropes of the original (the "Coming to get you, Barbara" line absurdly phoned in via text message). It has a bit of atmosphere but over all its all tongue and cheek stuff, suffering from a TV feel and low budget production values. It's on par with its 2012 follow up Night of the Living Dead 3D: Re-Animation but not a touch on Tom Savini's superb Night of the Living Dead (1990).
Horror character actor Sid Haig appears but even with its short running time and Brianna Brown, Johanna Black and Cristin Michele it's still totally forgettable.
- amesmonde
- 24 nov. 2015