Commentaire par ptb-8

I encourage you to also read the other comments on this site for TEN CANOES as each also will add to the clear understanding of this astonishing Australian film by master film maker Rolf DeHeer. He is a Dutch immigrant to Australia whose unique look at this country has now produced a superb library of films each different, that contribute to a fascinating movie spectrum of impressions of Australian life. TEN CANOES is an Aboriginal parable set possibly ten thousand years ago. It has hilarious casual dialog and familiar situations depicting tribal family and community life that humanizes this people in a heightened way so accessible to audiences of 2007. At this time in a new century we are now blessed with a sequence of Australian aboriginal themed films I encourage you to find and view in their production order: JEDDA directed by Charles Chauvel in 1956, WALKABOUT d: Nicolas Roeg in 1970, STORM BOY in 1976, THE LAST WAVE d: Peter Weir in 1977, RABBIT PROOF FENCE d; Phil Noyce in 2003, THE TRACKER d Roldf De Heer, and now TEN CANOES. Incredibly and as a bonus celebrated Aboriginal actor David Gulpilil features in all of them except Jedda... and as a bonus in theme, his son Jamie is the lead actor in TEN CANOES with David narrating. TEN CANOES will take you to a reality and a community unlike anything ever depicted in any film ever. As alike those above, it is presented and magnificently filmed in cinemascope differently to any Australian (or 'primitive') feature I have ever had the fascinating engrossing pleasure of seeing. Just to study the timeless faces alone is a peep into history and often delivered with very funny and genuinely suspenseful and heartwarming results. De Heer is now a film maker par excellence now finally getting major recognition in this country with a broad range of different and arresting films unlike any other film maker I can name. just for starters, check out the comments for BAD BOY BUBBY, ALEXANDRA'S PROJECT, THE QUIET ROOM, alone for a jaw dropping range of themes. Even if you see TEN CANOES and find the journey into the Australian stone age initially difficult, you will be astonished at the visuals presented and in awe of the fact this was ever captured on film with such humor and accessible humanities.