Biopic de la célèbre chanteuse française Édith Piaf. Élevée par sa grand-mère dans un bordel, elle a été découverte en chantant au coin d'une rue à l'âge de 19 ans. Malgré son succès, la vie... Tout lireBiopic de la célèbre chanteuse française Édith Piaf. Élevée par sa grand-mère dans un bordel, elle a été découverte en chantant au coin d'une rue à l'âge de 19 ans. Malgré son succès, la vie de Piaf fut remplie de tragédies.Biopic de la célèbre chanteuse française Édith Piaf. Élevée par sa grand-mère dans un bordel, elle a été découverte en chantant au coin d'une rue à l'âge de 19 ans. Malgré son succès, la vie de Piaf fut remplie de tragédies.
- A remporté 2 oscars
- 48 victoires et 61 nominations au total
- Danielle Bonel
- (as Elisabeth Commelin)
Histoire
Le saviez-vous
- AnecdotesMarion Cotillard is one of only six actors to have won an Academy Award for a role spoken mainly in a non-English language. Sophia Loren, Robert De Niro, Benicio Del Toro, Roberto Benigni and Christoph Waltz are the other five.
- GaffesJust before a young soldier plays a song for Edith in her apartment, a supertitle reads "February 1940." An issue of "Paris Match," first published in 1949, is on the coffee table.
- Citations
American journalist: If you were to give advice to a woman, what would it be?
Edith Piaf: Love.
American journalist: To a young girl?
Edith Piaf: Love.
American journalist: To a child?
Edith Piaf: Love.
- ConnexionsFeatured in Smagsdommerne: Episode #5.11 (2007)
I adore it. Nothing else is there to be said, really. The acting, all round, is sensational, but the lead, Marion Cotillard's portrayal of Edith Piaf, is beyond words. More astonishing even, I'd dare to say, than what Bruno Ganz did with Adolf Hitler in Der Untergang (although Ganz had only a mass murderer and historical criminal to work with, while Cotillard was dealing with, pardon me for saying, the soul of an entire nation).
I would like to comment on the script. The little symbolic moments, full of grief, full of such a profound sadness...I have never seen this done so well. Certain elements of the story, a conversation or object, are only within the lasting of the film transformed from everyday, mundane stuff into everlasting symbols of affection, of redemption and personal torment.
You see, this is the strong point of the film - it tries to(and often it manages) make you cry because of her tough life, but at the end you are crying because of the good things that happened to her. They too, are over: Edith never even regrets the bad ones.
The music is a whole story on its own. I've loved Piaf for some years now, but, alas, I don't speak French, and now, at last, I have some context to place the songs into...and it breaks me. It really does.
I saw the movie yesterday, went home, and listened to Edith's albums for hours, and they meant so much...they spoke volumes.
Anyway, the direction is perfect, although there is one scene towards the end which has problems - it tells, for the very first time, of a rather important event in the much earlier years of the singer's life , and the event in question seems to be out of place, sort of neglected - as if it should have been dealt with an hour earlier. But this is only one tiny scene, and even it, in itself, is masterfully done. Everything else is flawless.
The cuts and the singing are blended brilliantly together. I was especially struck, which is strange, by the end credits: they are very unusual and touching for a movie which is this musical (find out why!).
Anyway, my deepest recommendations. See it, it is really excellent. It is dark and human and bright, and full of spectacular music.
It is the 20th century.
I fell in love with it.
You might too.
- herrbigbadwolf
- 26 juin 2007
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- La Môme
- Lieux de tournage
- Prague, République tchèque(scenes supposed to take place in Paris in the 1950s)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 25 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 10 301 706 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 179 848 $ US
- 10 juin 2007
- Brut – à l'échelle mondiale
- 87 485 236 $ US
- Durée2 heures 20 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1