En 2057, une équipe d'astronautes internationaux est envoyée en mission dangereuse pour raviver le Soleil mourant avec une bombe à fission nucléaire.En 2057, une équipe d'astronautes internationaux est envoyée en mission dangereuse pour raviver le Soleil mourant avec une bombe à fission nucléaire.En 2057, une équipe d'astronautes internationaux est envoyée en mission dangereuse pour raviver le Soleil mourant avec une bombe à fission nucléaire.
- Prix
- 1 victoire et 22 nominations au total
Avis en vedette
Director Danny Boyle uses the sun as a visual effect and it's amazing. The look of it is beautiful and industrial. The cast is intriguing. The movie is reminiscent of Alien and then it tries to follow it into slasher horror. That may have been a mistake. I'm more concerned about the confused nature of the last act. However I just love the look and feel of this world.
Then the third act comes and it completely changes what the film is about and that shift is abrupt and poorly thought out. Sunshine could be one of the all time greats if that last act was rewritten to continue the realistic story being told in the first 2 acts.
It's a shame really because Danny's directing was top notch, the score was very atmospheric and the suspense was building towards what seemed to be something special.
I recommend watching this at least once but be prepared for a third act that is a complete letdown.
The plot sounds ridiculous at first, but once you get into it, you really get into it! A crew of 8 are sent on a mission to set a bomb in the sun as it is dying and the earth is suffering a solar winter. 7 years before that there was a similar mission, but that failed. They find the lost spacecraft and decide to board it, but a fatal incident occurred that lost them their oxygen supply. There is no longer enough for all of them to get back to earth alive. But there is enough for few; so who will take the plunge and who will survive? And will their sanities stay intact to last them the epic journey?
With such a small cast there was surprisingly no weak performances. Everyone had the desired screen-time to be able to care for them. But the characters anger and frustration caught up with them after being on the ship for 16 months, they begin to take acts of violence on each other and feel stressed so they forget vital aspects that could cost them their lives. You have to remember that they will save mankind if their mission is a success; that's a lot of pressure. And the film feels like a lot of pressure due to the intenseness it creates.
Boyle's skills to create tension is impressive. He uses special techniques to make us feel claustrophobic and more importantly, to panic. Close ups, angles, blurs, stretches, stops, flashes all add up to the effect. The effect of feeling the heat. It burns. But in between those scenes you get to see the relaxing side of space. The view from outside. Its beautiful, truly dazzling and spectacular.
The score is incredible. During the beginning its like a calm 'breather'. But then its turns into a beat. A fast beat. And your heart joins it. Pumping away to make you feel more insecure. Very intense.
Boyle really proves he has talent for different genres in this modern sci-fi to be classic showing how people do the most inhumane thing to survive. I highly recommend it.
Rewatches over the years have revealed its flaws and clichés but it's still enjoyable and nostalgic for me.
8/10
One word of advice: this movie is not for nitpickers or physicist. The plot outline (i.e. detonating a "stellar bomb" inside the sun) sounds ludicrous at first - but if you're able to ignore this and some other scientific nonsense, you get one great movie.
This one is all about the details and the crew's behavior. Danny Boyle once again proves his insight into the human psyche as he portraits how the crew-members handle the various arising problems, some of the decision-making is displayed frighteningly realistic compared to other movies in the genre. Cillian Murphy (brilliant as ever) and Chris Evans (hated him in Fantastic 4, but showed a great performance here) pair up very nicely during most many scenes.
The entire movie has a certain feel to it, the atmosphere is very tense and Boyle manages to keep the pace at quite a high level the entire time. Visual FX are at a high level as well.
Apparently Sunshine can't deny the influences from 2001 or Event Horizon, nevertheless it should be treated as an independent film.
A few deductions for some glitches and the scientific stuff, otherwise great entertainment!
Danny Boyle's Movies Ranked by IMDb Rating
Danny Boyle's Movies Ranked by IMDb Rating
Le saviez-vous
- AnecdotesThe actors all had to live together in order to create a palpable feeling onscreen that they all knew each other (Cillian Murphy was given dispensation to go home every night as his wife was pregnant at the time).
- Gaffes(at around 50 mins) Searle's statement about 80% of dust being human skin is a commonly held, but false, urban myth. Common household dust on Earth is composed of many different things, and none of them individually account for anything close to 80% of it. Moreover, the crew of the Icarus I apparently committed mass suicide early in their mission (when they reached Mercury), and dead people do not produce new skin cells. And even then, Searle should be able to deduce that the inch-thick dust over everything could never have accumulated from the skin cells of such a small crew - dead or alive.
- Citations
Pinbacker: Are you an angel?
[Panting]
Pinbacker: Has the time come?
Capa: Huh?
Pinbacker: I've been waiting so long.
Capa: Who are you?
Pinbacker: Who am I? At the end of time... a moment will come when just one man remains. Then the moment will pass. The man will be gone. There will be nothing to show that we were ever here... but stardust... The last man, alone with God. Am I that man? My God.
Capa: My God. Pinbacker.
Pinbacker: Not your God. Mine.
- Générique farfeluAt the end of the credits the sound of the distress beacon of the Icarus can be heard in the background.
- Bandes originalesPeggy Sussed
Performed by Underworld
Written by Karl Hyde & Rick Smith
Published by Sherlock Holmes Music Publishing Ltd. / Chysalis Music Group USA
Licensed courtesy of Smith & Hyde Productions t/a Underworldlive.com
Meilleurs choix
Détails
Box-office
- Budget
- 26 000 000 £ (estimation)
- Brut – États-Unis et Canada
- 3 675 753 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 242 964 $ US
- 22 juill. 2007
- Brut – à l'échelle mondiale
- 38 903 511 $ US
- Durée
- 1h 47m(107 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1