Le carnet noir

I have been eagerly waiting to see 'Zwartboek' the past months. Finally it premiered in Holland today and i immediately rushed to cinema to be one of the first to see it. Beforehand i didn't watch any trailer nor read any review so i went in completely not knowing what to expect.

The movie starts a bit messy. Not knowing what it wants and where it wants to go. But as soon as things are set the roller-coaster ride begins. Carice and Sebastian are simply outstanding. Together they really carry the movie. The story however is predictable at times, but the awesome production quality (for dutch standards) and fast paced action really make up for it.

The overall message (which i will not give away) is something to think about. See the movie and judge for yourself.

I have heard this will be sent in for the Oscars. As much as i would want Paul to win i don't think it will happen. There will be other movies with a story less predictable and more surprising. However, my heart would want him to win this and walk out with a big figurative finger pointed at all them critics.

Zwartboek is in my opinion the best dutch production in 20-30 years, maybe even the best dutch movie since Soldier of Orange. It doesn't disappoint, it doesn't bore and it will give you a ride which you won't forget. It is also the breakthrough of Carice van Houten. Rave reviews from Venice compare her to Scarlett Johansson, but even better. Future will tell...

For now, go see this! And for Paul: please stay in Holland and make dutch cinema proud again.

Saw it at Toronto Int. Film Festival with Paul Verhoeven and Carice van Houten on stage. This movie has Verhoeven's trademark stamp all over it. It's evident this film was a more personal project for him. Non stop action and good acting, especially from the lead actress, Carice van Houten. I've seen other films (American and French) about Resistance fighters during WWII, but non of them gripped me by the throat like this one. I admit Verhoeven is at times a bit heavy-handed, especially the sound effects of German machine guns, but the story never sags. It's a "By the seat of your pants" type of movie. After you leave the theater, the impact of the story stays with you for days. Go and see it when it comes to your local cinema in North America. I highly recommend it.

It took me about an hour after having seen the film to find any enthusiasm to write this review. The film Black Book, or Zwartboek in Dutch, is very impressive, with an excellent feeling for the complexity of inter-human relationships.

The story is about a Jewish girl that finds herself in a powerless situation in a war that tends to bring out the worst in all, 'good' or 'bad'. So much for what we know without seeing the film for ourselves. The film starts out rather typical, informing us with what we already new about the war: people where poor, hungry and trying to survive. However, the second part of the film shows a less well known part of Dutch resistance history: that the war brings out the worst in everybody. Without losing sight of the importance of the resistance against the foreign repression, Paul Verhoeven confuses his audience by visualizing how ones own well-being seems to go at the cost of the well-being of another. No black and white, no bad or good, but only the individual choice, that is tormented by the will to survive and a feeling for morality.

The film is daring for showing the dark side of the Dutch national history. However, the most valuable of the film is that it captivates its audience and sensitizes its audience for the misery of the historical event of World War II, but also the contemporary difficulties that affects human beings rather than countries. A must see, even though it makes you feel miserable.

I seem to be the first in the US to comment on this film after having seen it at a regular theater.

There's no sense in talking about the movie's plot as so many others have already done so.

My fiancée is German and tends to be interested in those artsy foreign films. Tonight she decided we should go see this one. I'm glad we did.

I've seen a number of Paul Verhoeven's films and have found some of them quite entertaining, if a bit tacky and unrealistic. I wasn't expecting much from a Dutch film by a guy known for making big budget, tacky films.

I was pleasantly surprised by this film.

Yes, it most certainly IS a Paul Verhoeven film. Gratuitous nudity and violence seem to be his hallmarks and they're certainly not lacking. Do they detract from the movie? A little, but not enough to lose sight of the message of the film - or to make it any less enjoyable.

We had recently seen "The Lives of Others" which starred Sebastian Koch. It made his character oddly familiar. I'm certainly a fan of his after seeing his performance in both of these movies.

As for Carice van Houten... well, one of the marks of a true STAR is that you just can't take your eyes off of him or her. It isn't just beauty; there are plenty of beautiful women in the world who don't possess that same star quality. It isn't just talent, either; there are many very talented actresses out there who just don't draw you in in the same way. Carice van Houten has it all: she's beautiful in a very real way and an amazing talent - and has that something special that makes you look at her every second she's on screen. I hope the directors of the world take note of her because she deserves the stardom she has exhibited in this film.

It is good to see a film that depicts how the hunted can easily turn into the hunter. My fiancée's mother was a young girl during WWII who's family lived in Poland (near Gdansk aka Danzig). Towards the end of the war, they were forced to leave their home in fear for their lives - both from the advancing Russians and the local Poles exacting revenge for what other Germans had done. The film said it in a slightly different sentence, but it is right in bringing across the message that people seem to never learn: that it is NEVER right to hurt others no matter what they might have done in the past.

I wonder if Paul Verhoeven's family is Jewish because he really seems to identify with the never ending succession of attacks against the Jewish people. It saddens me that only ONE other review even mentioned the scene at the end where Rachel's community (in Israel) was being attacked. Part of the film's message is that we seemed doomed to repeat our inhumanity to our fellow man.

Was this a perfect movie? Certainly not. Is it a masterpiece ala "Schindler's List" or "Full Metal Jacket" or "Saving Private Ryan?" Probably not. But I'll say that in the several hours since I've seen it, I can't stop thinking about it. And I certainly enjoyed every minute of that 2-1/2 hour film while watching it. I'd watch it again if I had it on DVD.

Who said that they don't make films like they used to? A couple of weeks ago, I declared that "The Departed" was the best film of 2006. Last week, I replaced the Scorsese epic with Sofia Coppola's luscious biopic of "Marie Antoinette". I never would have guessed that Paul Verhoeven (Yes, the Paul Verhoeven who directed "Total Recall", "Basic Instinct" & "Showgirls"!!!) would challenge them both with a gripping, edge-of-your-seat World War II yarn.

I use the old-fashioned term, yarn, because "Black Book" is very much a film that feels like it was made decades ago. The lush visuals, orchestral music, European styling, wartime romanticism and cliffhanging chapters all add a certain 1950's charm to the white-knuckle plot. One gets the feeling that the ghosts of Gregory Peck, Hedy Lamarr, Ava Gardner, Spencer Tracy & Jean Harlow are embodying the cast of this classic espionage drama.

The film begins in 1956 with Rachel Steinn, a school teacher at an Israeli kibbutz, being accidentally found by an old acquaintance, who is on vacation with her husband. The meeting brings back painful wartime memories and Rachel heads to a quiet place by the river to recollect our central story.

So back we travel, to occupied Holland, circa 1944, and we see a more youthful Rachel, diligently practicing a bible passage in order to earn a meal from the family who is hiding her from the Germans. She, like many Jews at that time, were surviving by any means necessary in order to outlast the Nazi tyranny. However, one day, while flirting with a young man sailing on the nearby lake, her safe zone is destroyed in one fell swoop by a low flying bomber. Rachel is immediately on the run, aided by her new sailor friend.

So much of this film relies on surprises and shocking twists that it would be unfair of me to detail too many plot threads. And my goodness, there are a tons of them. This is truly a definitive epic, in every cinematic sense of the word. Rachel is crossed and doubled-crossed and triple-crossed, eventually winding up as a member of the famed Resistance. Via cunning and fortunate circumstance, she manages to transform herself into Ellis de Vries, a blond bombshell who infiltrates the German command in the area. She uses a quick wit, a gorgeous voice, some feminine charms and a collection of Queen Wilhelmina stamps to crawl her way into the arms of Herr Müntze (Sebastian Koch).

From deep within the Nazi camp, she is able to strategically plant a microphone and to use tidbits of acquired knowledge in order to provide the Resistance with vital information and plans. While evolving into a brave spy, she must learn how to reconcile her own personal vendettas and her surprising romantic feelings for Müntze.

There are no more exciting themes for me in movies than tragic romance, espionage and escape. I have loved them all with a passion ever since I was a small child. Throw in a magnificent screenplay, marvelous cinematography, a plot that churns along with the efficiency of a Swiss watch, and the added bonus of a gorgeous actress -- the result is sure to be a huge winner for me. "Black Book" satisfies everything that I truly want from a film. It is the reason I go to the movies. I was utterly swept away by the intrigue, drama, romance and tragedy. This emotionally weighty film even manages to deliver a few wonderfully witty moments to break the supreme tension of it all.

The cast is immense. Every one of them exudes authenticity. It is one of the best ensembles of the year. However, I struggle to call it an ensemble because it would be ignoring one of the singular performances in recent memory. Carice Van Houten is not a household name to most. She is a Dutch beauty who, if this role is anything to go by, is on the verge of a magnificent career. Her grasp on the emotional turmoil of Rachel/Ellis is of profound proportions. It is a stunning turn that flatly demands award consideration. The range on display in this movie is astonishing. Rarely have I ever been as moved by a character's heroism and charm and guile and wits. She is able to create a sympathetic creature... one that we will root for until the end... one that we trust and believe in.

I cannot leave this review without admitting to my utter admiration for Paul Verhoeven, a director whose films I have often enjoyed and panned in equal measures. This is the work of his lifetime. It is the film he should list above all others on his résumé. This is a thoughtful, poignant and tremendously thrilling adventure. For attentive viewers, the final scenes of the film act as a provocative meditation on the relationships between war and justice, peace and insularity, the actions of the past and the promises of the future. "Black Book (Zwartboek)" is not only a riveting WWII adventure, but a superb contrast of morality -vs- reality.

TC Candler IndependentCritics.com