Flesh+Blood

When a fortified city is taken from its rightful ruler while he is away he hires mercenaries to help retake it. I promises that they can have twenty four hours to loot as the please but once they are victorious he betrays them; ordering them to disarm and leave any treasure they have found. Soon afterwards the departing mercenaries discover a statue of St Martin and take it as a sign that their leader, also called Martin will make them rich. Not long after this they meet the man who betrayed them and make off with wagons loaded with valuables... and Agnes, the young woman promised to his son Steven. The mercenaries rape her but soon it becomes clear that Martin wants her for himself; especially after she helps him seize a castle which the mercenaries use as their new home. Of course things are far from over and they will have to contend with attacks from opposing forces and an outbreak of the plague!

If you have seen other films from director Paul Verhoeven you will have an idea of what to expect; violence, sex and nudity. While this means it won't appeal to everybody it didn't feel overly gratuitous. The film captures the filth and unpleasantness of the era in a way that might feel familiar to people watching things like 'Game of Thrones' now but would have been unusual at a time when things were far more sanitised. Our protagonists are more morally ambiguous than one expect; Martin is far from heroic as he forces himself onto Agnes and later she shows a cunning side as she appears to fall in love with him but doesn't forget Steven... one feels she will do what it takes to survive in the least unpleasant way possible. Rutger Hauer impresses as Martin and Jennifer Jason Leigh does a solid job as Agnes. The supporting cast are pretty good too. The action scenes are suitably gritty with many characters getting killed in ways that aren't swift and painless. One or two of these deaths are also quite inventive thanks to Steven's scientific approach to warfare. Overall one for fans of the genre who don't like things overly sanitised.

This movie was definitely not for the kids. Let me get that out of the way. Very violent, very dark, very adult. I expected as much, but rarely do movies go so uninhibited when attempting subject matter such as this one.

The movie itself is deep on a couple levels, shallow on others. This movie concentrates almost entirely on personal interplay between the 3 main characters, Martin, Agnes, and Steven. The interaction is quite good and one can almost visualize the plots within plots stirring in their brains.

However, the plot suffers for it. It's really a basic movie, more of a period piece than a complete story. There are large gaps and leaps in logic, as well as believability. But this movie was never about plot. The plot was a backdrop for the interactions of the characters.

As a backdrop, it does very well indeed. Costumes are all pretty close to the mark for period landsknechts (German mercenaries), though not as gaudy as one sees in the history books. Probably because they were hardly ever clean or whole in real life (mercenaries would replace torn or worn out clothing with pieces taken from fallen opponents). The score is well done and unobtrusive, and the locations suitably bleak. Overall, the feel of the movie is authentic, plague-ridden medieval complete with life-is-cheap attitudes. I would caution, however, that this movie is not a whole picture of medieval times, but rather a look into the lives of a violent subculture (though some general attitudes are pointed out, as one reviewer posted, a conversation takes place near a hanged man with barely a thought).

Overall, how you rate this movie depends on what you get out of it. Is it a good "ride"? I'd say yes. The plot was thin, but hey, it was in the Mummy as well... and we don't go see those kind of movies for plot. The movie is immersive and very different than typical Hollywood faire. One of the better medieval movies I've seen.

But if rape, brutality, superstition and disease are not your cup of tea, there may be too much here for you to glimpse the interactions underneath, and you'll probably dislike it.

In this tale told by Paul Verhoeven and written by Gerard Soeteman, we follow a group of medieval mercenaries who get double-crossed by their commanding officer, which leads them down a path of revenge, crime and bloodshed. Essentially it's a Robin Hood story, or an underdog tale, but with no punches pulled and with a taste for the gore and splatter. Verhoeven is most known for his dark scifi action films, like Total Recall and RoboCop, but this film is very much his creation when it comes to the style.

And I have to admit that I like it a lot. Verhoeven's signature style is all over the screen with this one and it just might be one of the most brutal medieval adventure films I've ever seen. No one comes out of this film unscathed and it's such a jaded film that it's even hard to pick sides. The mercenaries are justified in their lust for revenge, but they also end up kidnapping the bride of the son of their betrayer and abusing her in very dark ways. On the other hand the bride is not a saint either, and very much not a damsel in distress, being willing to do whatever it takes to survive. Whereas the son of the betrayer, the groom as it may be, is perhaps the most virtuous of the whole cast, but even he has his dark tendencies.

And it's just a great adventure film in its own right. The setting is great, the characters are all shades of awesome, the action scenes are just the right amount of over the top and the whole film has this unmistakable style of the 80s. Blood and gore, smoke and shadows.

Very much worth a watch for all fans of dark and one of my favourite Verhoeven movies.

I happened to catch this 1985 film on cable. I'd never heard of it before, and found only a few reviews for it on the movie review query engine. That's a shame, because this is one of the most original of the swords/knights/princesses genre movies I've seen. Technically, it's not a medieval tale, as it's set in the 16th Century, but with the exception of some innovative period weapons, including an exploding barrel with a long fuse that sometimes goes off at the wrong time, the atmosphere is very much out of the dark ages. While the costumes, scenery and plot (a gang of betrayed soldiers seek revenge and kidnap a princess) are fairly typical, the subtlety of the characters and the moral ambiguity of the story are very atypical of Hollywood films. For one thing, it's very difficult to say who the bad guys are. The gang of kidnappers, led by Rutger Hauer, is churlish and brutal. Yet, they were badly mistreated at the beginning of the movie, so it's hard not to retain some sympathy for them. The princess, played by Jennifer Jason Leigh, is a similarly ambiguous character. She's loved by both Hauer and his enemy (played by Tom Burlinson) and she may or may not love one or both of them in return. Overall, what makes Flesh and Blood original is the fact that it doesn't romanticize the past. Life is portrayed as extremely harsh; people rape, kill and torture with impunity, and the threat of the plague lurks everywhere. It's a good antidote for anyone who, after watching one of the King Arthur movies, wishes they were a sword-wielding knight.

Gloriously over the top middle ages saga from Verhoeven,who certainly makes sure the film lives up to its title!This is an exraordinarily bloody film,and apart from the gore we get dead babies,brain damaged nuns,plague infected flesh,raping,pillaging,and some terrible table manners.This is hugely enjoyable stuff,with some terrific black humour.Verhoeven also stages some excellent action sequences.The opening battle to take back the city is good,as is the amazing contraption to scale the castle that gets destroyed,and the final battle inside the castle is gripping.Rutger Hauer is reliably excellent in this,not so much a loveable rogue as a steely eyed psycho.Even better is Jennifer Jason Leigh as the kidnapped princess,who turns out to be a cunning,scheming,bitch.Witness the scene where she turns the tables on Hauer,who is attempting to rape her.There's good support also from Susan Tyrrell as a revolting whore,and Ronald Lacey as a demented priest who seems to have stepped straight out of the film 'The Devils'.This is miles better than all the other sword and sorcery films that were around at the time,because Verhoeven pulls no punches,and instills the film with a savage wit.Great music as well from 'Conan' composer,Bazil Poleduris.This film deserves a sequel!