Shakespeare et Juliette

I thought this was a very sweet & cute movie with an original plot and good acting. With that being said, I have NO idea what they were smoking when they voted this movie Best Picture. It just was not that deep or great and the romance wasn't THAT electric. It's a good bit of fluff that you'd take a date to or rent for a sleepover with all your galfriends. But not Oscar material.

I had high hopes for this film from the first time I saw the trailer. I am happy to say that the film lives up to the previews. Although it is an art house flick of sorts, it manages to be profound and accessible at the same time. So many art house films manage to be merely pretentious, as if aimed at those that want to believe that they are having an intellectual experience rather than those who are really open to one. This film shows that you can make a film of substance that is at the same time very entertaining.

One thing that stood out was the way they showed enough of the performance of Romeo and Juliet so that you could understand what the play is about, without making it a film of the play per se. There are many parallels between the fictional play and the events of the film, and this goes to underscore the relevance of great literature to the human condition. The actual performance of the play was acted so well that there were times when a character in the play was in a fight and I said to myself "they're really fighting, that guy really got stabbed!" So often a play within a movie is acted in a very staged manner, so this was a welcome surprise. And for anyone who is a fan of Shakespeare, it is easy to find little tidbits to reflect upon - such as the fact that Shakespeare himself was fond of the "play within a play" theme that we see in this film.

The performances are excellent throughout, including minor characters. In the midst of tragedy there is genuine comic relief, just as in Shakespeare. The historical details that surround the conjectural main plot are accurate down to the names of the actual people with whom Shakespeare crossed paths. In the end "Shakespeare in Love" causes us to feel as well as think, to think as well as to be entertained.

I went to see this movie not knowing what to expect. On the one hand, I was excited, because you see, I am an English major and here was this movie based on the life of William Shakespeare. In the realm of Shakespeare rip-offs (i.e., "Romeo & Juliet," "Macbeth," etc..)"Shakespeare in Love" clearly stood out. This is the first film I've seen based on the author, rather than his work. And it was a refreshing change from watching the pompous over-fed Hollywood egoes trying to pass themselves off as true actors. At the same time, however, the casting had me a bit nervous. I had not seen Joseph Fiennes work, but I had high hopes since his brother is, in my opinion, a brilliant actor. I liked Gwyneth Paltrow in "Emma" and "Sliding Doors," but I was wary to see how she would pull this one off. And as for Ben Affleck.. well, I was truly afraid he would flop. I saw him in "Armageddon" and immediately racked him up on the list of other such forgettable actors as .. well never mind. The point is, I was afraid he would make a laughing-stock of this movie. As for the other actors,I did not recognize any one else except Judi Dench, and I figured hers was a bit role, nothing that could affect this movie much. I was wrong on almost all counts. Gwyneth Paltrow was so radiant in this movie, she fairly set the screen ablaze. I never knew she had such range. I had not expected such fire in her, I always thought she was a rather calm actress, incapable of such passions. Joseph Fiennes amazed me far more than his brother in that he knows how to balance wit and passion, joy and sorrow gracefully, even more so than Ralph. Together, these two actors did more than carry off the film; they raised it up to levels higher than any other actors I've seen in a very long time. Judi Dench may have had a bit role, but she managed to make a lot out of it. She played Queen Elizabeth with more majesty and grace than any other Queen-playing actress I've seen. (I've yet to see Cate Blansett in the movie "Elizabeth.")But the true darkhorse of this movie is Ben Affleck. My God, he has a sense of humor! I never imagined. "Armageddon" didn't give him much space to roam in, but in this film he was all over the place. Had he not been flanked by such worthy thespians, he just might have stolen the show. The actors could not have done such marvelous work had it not been, of course, for the writing. The play flows smoothly, with nary a glitch in sight. This is note-worthy, for it is well over 100 minutes. It is written in a style that is at once clever and grave, passionate and dry. Love is one of the most abused notions on the screen today. It is rare to see a movie portray Love with as much originality and truth as this film has accomplished. Perhaps the highest compliment I can pay this movie I already did on Christmas night, when I went to go see this film. As the movie ended and the actors' names scrolled up on the screen, tears trickled down my cheeks. I must say it is not often a movie makes me cry. And don't underestimate me just because I am a girl and because I may be more sensitive because you see, my boyfriend left the theater with suspiciously bright eyes as well..

Shakespeare in Love, the best picture winner of 1998, I know this film receives a lot of bashing due to that win. I believe that also Saving Private Ryan was nominated, which it was also an incredible film. To be honest, I couldn't pick between the two, because both were wonderful films and completely different genres. But anyways, back onto Shakespeare in Love. Everything about this film was perfect and I think that's why it received so many Oscar nods and wins, I mean, the costumes, the acting, the sets, the story was absolutely terrific and wonderful to watch. John Madden knew what he was doing and shot this film so beautifully. The cast also seemed to really enjoy doing this film and worked so well together. Gwyneth Paltrow won best actress for this film and she did a terrific job portraying Viola, she was so elegant and touching. The love story between her and William Shakespeare is truly a memorable one.

Viola is a first class lady who is about to be married to Lord Wessex, a man who she does not love. Her heart belongs to poetry, mainly the poetry of William Shakespeare. William has lost all hope though when his heart is broken by his girlfriend and he is writing a comedy called Romeo and Ethyl, the pirate's daughter. Since the plays are only played by an all male cast, Viola dresses up as a man and auditions for his new play. She receives the part of Romeo; later that night at a big party her father is throwing, she meets Shakespeare and it is love at first sight. When William finds out the truth that she is the boy who loves his poetry, he doesn't care, they have a passionate affair and continue on with the play as if she were a boy. But the plot thickens and Viola knows that she must go back to her life of an unwanted love and marriage.

Shakespeare in Love is without a doubt a fine film and should have a higher rating in my book. I don't understand why so many people hate this film, I thought it was extremely clever and witty. It had a beautiful love story, it was funny, it was sad; there's nothing wrong with this film, but hey, everyone's a critic, right? I highly recommend Shakespeare in Love, just trust me, if you enjoy Shakespeare and his poetry, I'm sure you'll love this film. Just give it a chance, who cares about the Oscars? They make mistakes at times, but Shakespeare in Love is a great movie and I enjoyed watching it.

10/10

Those who are looking for a historically accurate portrayal of Shakespeare's life had better look elsewhere - but then this was never intended to be a serious look at the life of the man. Those who attack it for its' fanciful relation to history have missed the point entirely. It is a romantic comedy obsessed with nothing more than making references in storyline and plot to the plays of Shakespeare and his contemporaries, and those references are made so seamlessly it could almost be assumed that what we see on the screen actually happened to the man.

In fact the overall story we are presented with is not new. Anyone who had read or seen `Romeo and Juliet' will have a pretty shrewd idea of the path the narrative takes - the twist is that in the film, Shakespeare writes the play `Romeo and Juliet' in parallel to, and based on, his `real life' relationship with Lady Viola.

The opening sees Shakespeare (Joseph Fiennes) desperately trying to write the masterpiece `Romeo and Ethel, the Pirates Daughter', a comedy he hopes will rival anything by Christopher Marlow (Rupert Everett). Words fail him until his muse appears in the shape of Lady Viola (Gwyneth Paltrow), a noblewoman whose love for the work of Shakespeare's leads her to dress as a boy (since at the time women were not allowed on stage) and attend an audition in disguise (mistaken identity and women dressing as men are devices Shakespeare often used in his comedies). She is given the role of Romeo and begins a forbidden relationship with Shakespeare, the only one who knows her real identity, in spite of the fact that she is betrothed to the villainous Lord Wessex (Colin Firth) at Queen Elizabeth's (Judi Dench) command.

Fiennes portrays Shakespeare wonderfully and not as the infallible master of rhetoric. He takes the Bard from the pedestal and brings him down to a human level that we can all sympathise with. His relationship with Paltrow is handled sensitively, although many of the scenes that are exclusively their own did have enough a little too much `Chick-Flick' for my liking. Paltrow's R.P. accent is technically very good, and though I normally like my English to be played by the English, I was as happily surprised by her performance as I was by Ben Affleck's brief, but memorable portrayal of the self-important Ned Alleyn. Much of the credit, though, must go to Michelle Guish for the wonderful supporting cast including: Judi Dench, Simon Callow, Imelda Staunton, Jim Carter, Martin Clunes and Geoffrey Rush, to name but a few.

John Madden directs hypnotically and constantly keeps the camera on the move but most credit for the film must go to Marc Norman and Tom Stoppard for their cunning and often self-parodying script. The only comment I would make is regarding the sheer number of theatre references. Those who have worked in the theatre will be aware of many, if not all, of the in-jokes that the film is littered with. Those who have not may be left with the feeling that they have been excluded from much of the content.