Ajouter une intrigue dans votre langueWriter Jay and womanizing sportscaster Max have been friends since birth. Jay introduces his editor Samantha to Max and they hit it off. Max wants Jay to try to seduce Sam to test her before... Tout lireWriter Jay and womanizing sportscaster Max have been friends since birth. Jay introduces his editor Samantha to Max and they hit it off. Max wants Jay to try to seduce Sam to test her before their wedding.Writer Jay and womanizing sportscaster Max have been friends since birth. Jay introduces his editor Samantha to Max and they hit it off. Max wants Jay to try to seduce Sam to test her before their wedding.
- Prix
- 1 nomination au total
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Needless to say, this is the start of a 'bizarre love triangle', with some very funny plot twists as well as some tugging of emotions. All three main characters are excellent, and this makes for quite an enjoyable film - something like a straighter, cleaner version of Chasing Amy, if anyone's looking for comparisons.
BUT I URGE YOU ALL READING THIS: GO RENT KISSING A FOOL! It, despite a few cons, is the kind of romantic comedy you hope for when you stand in line for "You've Got Mail" and get crap. Quirky, metropolitan, pampered, and concise, this flick will hit the spot, man.
Yet in the first five minutes Linda the publisher tells us, not once, but twice that she introduced the bride and groom. We cut to a flashback of her introducing the two of them to each other, just in case we still don't get it. Then within another five minutes Jay the writer (Lee) is introducing Sam, his editor (Avital) to Max the sports caster and general foul-mouthed ignoramus (Schwimmer). IF the publisher is telling us the truth, doesn't this just kinda rule Max out of the contest for the first person to kiss the bride? Or have I missed something here?
This film is about as predictable as trying to guess which kind of white meat will feature most often on Thanksgiving dinner tables this year. I'll tell you; it will be turkey. And this movie sure is one.
But it is not just the plot and direction that are hugely lacking. Schwimmer is totally unbelievable and badly miscast as Max. His mouth moves, the words come out, but they lack any conviction whatsoever. The character of Jay the writer is such a whiney loser (with possibly the worst hairstyle in recent movie history) that I began to dread every screen appearance he made. He seemed to communicate in a series of whinging questions: "What are you doing here?" "So what??" "And??" I have absolutely no idea why the two of them were friends; they had nothing in common and were always bitching at each other. The script was very weak in places: Jay's explanation of why he had introduced Max to Sam provoked for me the biggest guffaw of the film (one of the very few). Best part of the film? The Harry Connick Jr. song over the opening credits.
Overall, it gets a 3; a waste of my time and money - it was I who was the FOOL for not reading Roger Ebert's review BEFORE going to the video shop. If you are looking for a nice romantic comedy get While You Were Sleeping, The Philadelphia Story, As Good As It Gets or anything else on the IMDb list of top 50 Romance films.
The movie had the occasional funny situations and some smart dialogs. Then I thought I was watching an episode of "Friends". The acting, dialogs, and even direction made this look like a sitcom.
Still I have a good time with this movie. It's funny and romantic at some points. Of course, with the typical American humor.
Give it a try, I can see why it's considered to be an underrated comedy.
Le saviez-vous
- AnecdotesDuring the restaurant scene when a woman offers to sleep with Max, he turns to her and says "How you doin'?", an obvious nod to his work on the show "Friends", where this a recurring line.
- GaffesIn the opening scene, it sounds like the preacher is pronouncing them "Husbands and Wife." To be fair, he may be saying "Husbance", but it is definitely not "Husband."
- Citations
Max Abbitt: True love cannot be found where it does not truly exist, nor can it be hidden where it truly does.
- Bandes originalesWe Are In Love
Written by Harry Connick Jr.
Performed by Harry Connick Jr.
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Meilleurs choix
- How long is Kissing a Fool?Propulsé par Alexa
Détails
Box-office
- Brut – États-Unis et Canada
- 4 106 588 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 308 145 $ US
- 1 mars 1998
- Brut – à l'échelle mondiale
- 4 106 588 $ US
- Durée1 heure 33 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1