Cité de l'industrie

Sure, you can find some plots holes in this film big enough to drive a semi through, but that just keeps it from gathering awards, not from being worth a view.

If you like revenge flicks, and noir, and lots of action, as well as a look at Lucy's Little Lius as she does a pole dance, then you might find this film interesting.

What makes it most interesting, however, is the presence of Harvey Keitel. Having him hunting you down is a real bummer. He manages to get shot and almost beat to a pulp by the Chinese, and still keeps on ticking like a Timex. Maybe he just dreamed of being on the beach in Port Arthur with Famke Janssen (of X-Men fame). It could have happened! Check it out to see who wins and loses and enjoy the ride because it is worth it.

In this contemporary film noir, two brothers with the same alma mater-- Folsom Prison-- discover something about loyalty and what `honor among thieves' really means, in `City of Industry,' directed by John Irvin. Lee Egan (Timothy Hutton) puts together a crew of four men, including his brother, Roy (Harvey Keitel), to take down a jewelry store in Palm Springs, California. If all goes well, they look to score a cool three mil in diamonds, and Lee has a fence in L.A. ready to move the merchandise. Lee and Roy are solid, as is Jorge (Wade Dominguez), the third member of the crew who is already looking at 2 to 5 in Folsom, having been convicted of carrying a concealed weapon. Jorge wants a quick score that will take care of his wife, Rachel (Famke Janssen), and their two kids while he's away. The wild card of the bunch is Skip Kovich (Stephen Dorff), their wheel man; he has a wild streak that emboldens him too much for his own good, a flaky girlfriend and some ideas of his own about how the split from the job should go down. Lee contends that it's going to be an easy score, with each man's share being `Not bad for a day's work.' But you can bet that anytime you have a `sure thing' it's going to turn out to be anything but, and this caper is, of course, no exception.

As is befitting the subject matter, the film is dark-- much of it takes place at night, or in rather seedy, industrial locales-- with a touch of artistic cinematography that gives a sense of urgency to the story. It quickly shifts from the posh atmosphere of Palm Springs to downtown Los Angeles and Chinatown, an environment through which you get a sense of who these guys are and what they are about. As Rachel says to Roy at one point, `You guys are all alike--'

As Roy, Keitel carries the film with the kind of credible performance we've come to expect from him. While this character is certainly not a stretch for him-- you've seen `Roy' many times before, played by Keitel and others-- he does put a unique stamp on him; he's familiar, but Keitel manages to avoid letting him slip into stereotype. And that is no easy task when you take into consideration that in reality a man like Roy would necessarily share certain traits with others of his ilk. What makes the difference is Keitel's consummate ability as an actor, and his concern with fleshing out the details of his character.

The role of Lee is something of a departure for Hutton, though similar to the part he played in `Playing God,' but with much more definition. He gives Lee a very `real' quality, the cool confidence of one who lives just beyond the fringe of what society deems acceptable. When he mentions that he's been in Folsom, it's believable. Dorff, meanwhile, is effective as Skip, a guy perpetually pumped and strung out, crazy-- but like a fox-- with an aura of menace about him that is nearly tangible. In attitude and style, Skip is reminiscent of Laurence Fishburne's two-fisted, gun toting Jump in `King of New York.' And Janssen gives a notable performance also, successfully creating the one character in the film with whom the audience can sympathize. You feel her desperation and the concern she has for her children's well being, which effectively adds valuable context to the story.

The supporting cast includes Michael Jai White (Odell), Lucy Liu (Cathi), Reno Wilson (Keshaun), Dana Barron (Gena), Tamara Clatterbuck (Sunny), Brian Brophy (Backus) and Francois Chau (Uncle Luke). A violent and stylish examination of the criminal element in our midst, `City of Industry' is a hard-edged film that presents the matter-of-fact way in which those who subscribe to a life of crime seemingly function within their own sect of society. It's a part of life many would just as soon deny in reality, but as Steve McQueen said many years ago in `Bullitt,' `That's where half of it is.' And a film like this is not about to let you forget it. I rate this one 8/10.

This is a studio character with tones of suspense about some two-fisted criminals in L.A city . An old thief named Roy Egan (Harvey Keitel) , is drawn into the final jewel heist to Russian Mafia when his youngest brother named Lee (Timothy Hutton) asks him for a last score before they get out of the game . Lee forms a motley group (Keitel , Wade Dominguez and Stephen Dorff) to carry out the violent robbing . Unfortunately for him , Lee's picked one wrong partner and the events get worse . One of them decides he doesn't want to share the goods and betrays the group and happens murders and wreak havoc .The retired thief swears revenge on the lunatic who murdered his partners, while going on the run with the loot they stole.

This modern adaptation of noir cinema contains thrills , intrigue, explosive scenes of action and over-riding feeling of heat . Interesting premise in which takes places a moving cat-and-mouse hunt through the seedier sides of L.A . Exciting and stirring finale full of shootouts , violence and fights into a factory . Good performances from all-star cast as Harvey Keitel as an old pro robber who has vowed to avenge his brother , Stephen Dorff as a volatile , violent wheelman and Famke Janssen as a suffering wife . Nice musical score including an emotive song at the beginning . Colorful cinematography by Thomas Burstyn who permeates the whole movie even in the hours of night and darkness .

The motion picture is professionally directed by John Irvin with a well-achieved realization and elaborate scenes , though doesn't always live up to its promise . He worked extensively in TV before making his film debut with ¨The dogs of war¨ a cool rendition of a best-seller by Frederick Forsyth dealing with mercenaries in Africa. He went on directing ¨Ghost story¨ starred by old Hollywood-all-star and ¨Champions¨ about a courageous recovery from cancer stricken a steeple-chase jockey . After that , he realized a fine Vietnam movie as ¨The Hamburger Hill¨, ¨Turtle diary¨, an Arnold Szwenegger vehicle as ¨Raw Deal¨ and a good and realistic TV ¨Robin Hood¨. Finally , he made underrated films that not had the same inspiration since them as ¨Next of kin¨ , ¨Eminent domain¨ , ¨Freefall¨ and a sparkling comedy ,¨Widows peak¨ and is also of note a wartime genre as ¨When trumpets fade¨(1998). And of course , ¨City of Industry¨ , being one of the jewels in Irvin's crown , it results to be one of this most interesting works and an efficient contemporary Noir which had moderated success .

I would describe Harvey Keitel's performance in this violent thriller as exceptional, except that he turns in such remarkable performances time after time. He plays Roy Egan, a veteran con helping his kid brother, Lee (Timothy Hutton), and two other desperados, pull a big jewel job in Palm Springs. The job goes well, but then one of the gang gets murderously greedy, and Roy goes into LA, after him and the loot.

The other element which lifts the movie from competent to first rate are the downtown and industrial locations. For once we see an LA not made up exclusively of lush areas like Beverly Hills on the one hand, and no-go ghettos like South Central on the other. At the same time, writer Ken Solarz and director John Irvin make good use of LA's ethnic mix, with both Chinese and Black gangs playing a part as Roy hunts his man. Hutton, Stephen Dorff, Wade Dominguez and Famke Janssen contribute solid performances, and Lucy Liu is also to be seen. The movie may descend into too much mayhem for some; and the sunny epilogue seems out of place; but this is a must-see for thriller-lovers.

I agree with Stephen. I watched this film mainly to see Harvey Keitel's work: I was wholly unprepared for the slam-bang surprise after the heist. I think it's a great revenge flick in the full Bronson mode.