Pendant ton sommeil

Lucy (Sandra Bullock) is a train token taker without a family. She pines for frequent commuter Peter (Peter Gallagher), but never speaks to him. Then on Christmas, Peter gets pushed off the platform, and she rescues him. In the hospital, the family mistakes her for his fiancée. While he's in a coma, she and his brother Jack (Bill Pullman) slowly falls for each other.

This is a perfectly harmless Sandra Bullock rom-com, and she's so great at it. She can make any preposterous situations work. This movie is about Bullock's vulnerable charm. The biggest problem is that Bill Pullman doesn't get in the movie until almost 30 minutes in. They need more time together to develop the chemistry. I don't know why he doesn't get in right from the start.

Oh Sandra, only you could trick your way into a family and make me still fall in love with you. Bill Pullman and Sandra Bullock have such good chemistry in this film, I am surprised they never acted in anything else together. And to think this movie was almost called "Coma Guy."

No matter how many times I watch this movie, I can't get enough of it! Whenever I've had a bad day or am not in a good mood... all I have to do is watch this fabulous, amazing movie! Makes you believe in fate and following your dreams... If you never watch another movie in your life, watch this one! You won't regret it.

This was the picture which proved things could be all about Sandra Bullock. "Speed" - one year earlier - showed this. This picture proved it. A lot of people nowadays make fun of a typical Bullock picture and speak of her as negligible in this day and age. They probably forget or were never aware that she was hailed as America's new sweetheart back in '95 and it was no idle chatter. There are very few actresses who can carry a picture on their own slight shoulders - I mean, really make it a success. Sure, Bill Pullman helped, but this really was Sandra all the way, in a sappy, soapy, cliché-ridden slight story of sudden romance usually very hard to buy into. But because Sandra is there on the screen throughout nearly every frame, it all works out, and you're rooting for her happiness in the final few minutes even knowing very well what is about to happen. It's like you've seen it all before, but Sandra makes you want to see it again. We are all very fortunate, those of us who have seen this story, that it was Sandra in the central role and not someone like (shudder) Demi Moore. And if a guy is really fortunate, he may meet someone like Sandra in real life.

Rom-coms are not my bag; 99% are utter crap. 'While You Were Sleeping' is one of, maybe, three I've ever re-watched. It's criminally low-rated here.

8 great things about While You Were Sleeping:

1. If you watch it again, and pay attention, you'll pick up something new. Like the whomping thud of a fall by the ice skater at the end of the Chicago winter montage opening credits.

On (at least) my fourth watch, I finally realized *why* Lucy has such a thing for Peter. It's not because he's handsome, or his clothes scream money: It's crush at first sight because he looks like her father, down to the bushy black eyebrows.

2. The soundtrack is sneaky-good, full of bluesy/old school R&B. Natalie Cole, Koko Taylor, Ella Fitzgerald, Lil' Ed & the Blues Imperials. Yes, it closes with a cheesy duet-but it's Daryl Hall and Dusty Springfield herself. Sign me up!

3. There are scads of memorable lines and one-liners. Everyone who enjoys this movie has a favorite. I'm partial to Jack and Peter's 'you suck' exchange in the hospital chapel.

4. Remember when lots of movies had real-looking people with real-looking houses, before the days when even a NYC teacher has to be drop-dead gorgeous with a $2mil loft? Only the rich lawyer in WYWS has a rich pad, and that's cool.

5. The leading lady has no vanity. She never wears spike heels or shows cleavage. Lucy (Sandra Bullock) dresses like lots of women you know: jeans and baggy sweaters, boots for icy sidewalks. As Peter tells his out-going girlfriend, "Lucy is *not* a bimbo."

Her hair is a mess nine scenes out of ten, and Bullock is so warm and genuine you love her for it.

She's also not taking the world by storm. Lucy is funny, adorable, sentimental...and the hot dog vendor she sees every day never remembers her.

6. Jack (Bill Pullman) is a woodworker! Let's just say I've known loads of craftsmen and lawyers in my professional life...and one creates things from nothing while the other largely takes things apart.

Most rom-coms have 'insert hot guy here' interchangeable casting, but Pullman is perfect here: self-effacing, funny, a little scruffy, with just the right amount of gravel in his voice. He's charming, a bit snarky-and he single-handedly redeems the film's cheesiest scene by facing the camera with sudden tears in his eyes.

7. You can relate to the Callaghans. If you've ever been shushed in church. If non-sequiturs and talking-over fly at the dinner table. Argentinian beef and nazis, tall actors and mashed potatoes. If there's at least one rogue grandparent or mensch friend and nobody's perfect but everyone laughs a lot. You don't have to actually be Irish. Though it helps.

8. The supporting cast is pretty flawless all-around. Even the trope roles are lively. Jack Warden, Glynis Johns, Peter Boyle, Ally Walker and Peter Gallagher as a largely comatose, narcissistic, wide-eyed doofus of a one-balled squirrel-saver.

In the end, WYWS is more funny than trite, a low-gloss, feel-good film with a saving grace of quirk.