Surprisingly deep
At first glance one feels this is a TV movie, starting with a sunny day somewhere in east LA and a guy coming in and greeting anyone in Spanish, with colorful Mexicans all over. You may think, based on the movie title as well, that it will be one of those gang action movies where the hero beats up everybody. It certainly starts that way, but the movie is not like that.
After a while, when the plot expands a little more, you find that the white dude that comes to greet his "Chicano" friends is a halfbreed American Mexican who hates his white father and considers himself "brown on the inside". He is also on parole and only days until he gets to be 18 and be totally free. Then he makes a stupid move. Now you think it is going to be one of those prison movies, with the misguided youth and the corrupt system. Perhaps he is going to go to prison and beat up everybody. That ain't it, either.
It takes maybe a little to see that the movie isn't even close to being over so you look to the length of the film. It's 3 hours long! The fact that it starts showing the year in which things happen gives the final clue: it is an epic story. The complexity of the characters hint at a book or something like that and, indeed, the story is written by poet Jimmy Santiago Baca, based on his personal experience. It's almost a biopic.
And look at the cast! Damian Chapa is pretty known, but also Benjamin Bratt, Delroy Lindo, Victor Rivers (can't have a movie about Mexicans without Rivers - I really think he should have gotten more main roles), Billy Bob Thornton, Ving Rhames, Danny Trejo and even Jimmy Santiago Baca himself as "Gato", who I don't really remember.
About the movie itself, its main strength is the characters. Each of the lead characters is being carefully sketched and then transformed by the story. The ending, most of all, explains the feelings and reality of the people involved. There were criticisms that the movie was overacted sometimes. Perhaps, but most of it was actually in character. Miklo is someone who is desperately, so desperately, trying to belong. Of course he overacts. His whole character is made up in his head.
So, as a conclusion to this too long review: this is not a masterpiece, but it is a movie about the truth of people in those times, and it is well done. Truthful films are more and more scarce as the time goes by. If you find the time and mood to watch this white Mexican biopic, I don't think you will be disappointed.
After a while, when the plot expands a little more, you find that the white dude that comes to greet his "Chicano" friends is a halfbreed American Mexican who hates his white father and considers himself "brown on the inside". He is also on parole and only days until he gets to be 18 and be totally free. Then he makes a stupid move. Now you think it is going to be one of those prison movies, with the misguided youth and the corrupt system. Perhaps he is going to go to prison and beat up everybody. That ain't it, either.
It takes maybe a little to see that the movie isn't even close to being over so you look to the length of the film. It's 3 hours long! The fact that it starts showing the year in which things happen gives the final clue: it is an epic story. The complexity of the characters hint at a book or something like that and, indeed, the story is written by poet Jimmy Santiago Baca, based on his personal experience. It's almost a biopic.
And look at the cast! Damian Chapa is pretty known, but also Benjamin Bratt, Delroy Lindo, Victor Rivers (can't have a movie about Mexicans without Rivers - I really think he should have gotten more main roles), Billy Bob Thornton, Ving Rhames, Danny Trejo and even Jimmy Santiago Baca himself as "Gato", who I don't really remember.
About the movie itself, its main strength is the characters. Each of the lead characters is being carefully sketched and then transformed by the story. The ending, most of all, explains the feelings and reality of the people involved. There were criticisms that the movie was overacted sometimes. Perhaps, but most of it was actually in character. Miklo is someone who is desperately, so desperately, trying to belong. Of course he overacts. His whole character is made up in his head.
So, as a conclusion to this too long review: this is not a masterpiece, but it is a movie about the truth of people in those times, and it is well done. Truthful films are more and more scarce as the time goes by. If you find the time and mood to watch this white Mexican biopic, I don't think you will be disappointed.
- siderite
- 12 sept. 2013