Commentaire par valis1949

THE KILLING OF A Chinese BOOKIE is John Cassavetes fascinating look into the world of Cosmo Vitelli, owner of the Crazy Horse West, a California strip club. Cosmo, played by Ben Gazzara, owes a fortune in gambling debts, and agrees to commit a murder to payoff the loan. It's a set-up from the get go because the mob never believed he could pull it off, and was hoping that he would be killed, and then they would inherit his club. Cassavetes creates an homage to The French New Wave by employing surreal settings and improvisational dialog to create a Dadaist framework for the tale. Many scenes begin in near blackness, and abruptly, LA sunlight streams into the murky darkness while actors lines ricochet and overlap. The entertainment at the club is not the standard "Bump and Grind", but a strange 'Theater of The Absurd' where Cosmo orchestrates the action, or "he'll throw you out on your ass". Where Martin Scorsese used high energy rock'n'roll to highlight this same gangster demimonde, Cassavetes employs a more idiosyncratic soundtrack to heighten the psychological dimensions of the piece. Ben Gazzara provides an unforgettable portrait of a man grappling with a life that is beyond his ability to control. Also, Seymour Cassel puts in a wonderful performance as a mobbed up club owner. All of Cassavetes's films are noteworthy, and THE KILLING OF A Chinese BOOKIE is one of his finest.